Sunday 3 November 2013


This picture right here, right here, does the job at pretty much accurately describing not just one but in fact both of these songs. I dunno. Do you know? What am I talking about? In any case: I've found some more really nice music and I hope that's ok with everyone. My aim is to find nice music and well most of the time I do achieve that aim. That's not arrogant, it's just what happens ok? Sorry.

This time around I like literally couldn't decide on what song to include here. There are so many lovely songs on this guy's SoundCloud and I recommend - at least, if you like the stuff you hear here - checking out his entire back catalogue. He's prolific and his name is Randy Goffe but we shall refer to him simply as HOME for that is what he has baptised himself in this online world. This Florida-(Punta Gorda)-based producer is making some seriously delicious 80s-flavoured sounds that make me just wanna eat ice creams, drive fast cars, play GTA Vice City, emigrate somewhere tropical, drift on a lilo in a pool in a mansion bought by drug money. Perhaps not that drastic but, you know. It's a College-y, Electric Youth kinda synthpop sound and I love it.

The first of these (yep I'm sharing two: shock HORROR) is called 'Nod If You Can Hear Me' and, well, you'd better get ready to nod cause you're definitely gonna hear him.

This song is alive with synth bass that really helps to drive the song - the perfect vibe for driving along a dramatic coastal road someplace pretty. Rich chords plummet down to your ears from the thumping pace of the song, which is for the most part quite a minimalist experience: a simple beat takes us from start to finish, doubling up on hi-hats for a faster pace towards the end. For me, this is over way too soon. I could listen to this like, all night. Or all day. Wheeling synth with delayed attack time swoop in with an ache, a longing, that feels like squinting on a sunny day. Glorious.

And then there's this other one. It's 3 months old but that has never stopped me from posting a song. No siree. So without further ado, here is 'Get Up And Leave'.

This one has a different atmosphere about it. There's a touch of lingering sadness in gentle electric piano chord progression, in the pattern of the lead synth melody floating above everything. It might just be me, but it sounds as though the bassline doesn't properly kick in until later in the song, after halfway, begetting a heavy atmosphere that isn't completely apparent from the get-go, but which is wonderful to gradually fall into as the track goes on its way. At 1:29 we lose the lead synths, or they just join in with the original chords, to create a less celebratory tone, making for an organic fade-out in terms of passion rather than volume. Like a break-up song, kinda. I can imagine someone driving away from a house having just broken up. I'm welling up just picturing that.

Anyway. It's all lovely. These are just two particular gems in the treasure chest of sounds on HOME's SoundCloud. HOME is a good name; whilst not very googleable, it is a nice statement on the instant familiarity that you feel with his sounds. Given that he's "like 17" as well, it's even more of a nice surprise to hear these great sounds. If he's not like 17 then shame on him for lying. Just kidding, it's fine. It's music, after all, not a registration form.

In other news: you can download a mixtape of "pretty much every song [he's] ever done" called The Atlantic Tapes. All of his songs are free to download, including these two above. MUSIC FOR EVERYONE!

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Like HOME on Facebook
Listen to HOME on Soundcloud

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