The vocals here are so softly done so falling over everything mistily like a veil, the long curls of its silken tones unfurling, whispers into the night air, the nocturnal desire effusing as from a smoke machine at an otherdimensional disco, how it is slowly serpentine like this, how it coils with the leisure and languor of looming lust, the low tones of Nsay Mada and her fluttering highs rich with feeling and focus, fragranced by its textures, pastel spray paint above the neon crunch of the throwback synth that frames this track perpetually in another realm of time where midnight is dark yet chequered with colours and promise of something more.
'Under Cover' keeps to this juddering syncopation, the clang of its electro mainstay providing the foundation, the simple alternating beat with the trebly kick and the shhff shaker shifting sand spray can snare (allegedly Joy Division achieved a similar drum quality in 'She's Lost Control' by spraying an aerosol can into a microphone), the sparse hi-hat chit-chat with the open sharpness echoing blissfully, drum machine tom tumbling occasionally, augmenting the sparse feel of the track, with the modulating synth, the hazy nebulous chords, the icy pings, all decorating and helping to augment that late night feeling with starlight apartment block window twinkles and slow hum of traffic taillights extending into night. Still, that voice, "under cover, under cover," this refrain unusual and fragmented, satin sheen on this sparkling bed of sounds.
- π 'Under Cover' was produced by Cyenna Bay. You can catch more from Nsay Mada on SoundCloud.
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