Friday, 30 September 2016

πŸ›©
VISITS — TAITUNG

“There’s little reason to visit this sprawling, traffic congested town,” we read in a famous guidebook (Lonely Planet). “The train station is inconveniently placed and you cannot rent a scooter here without a local license.” We decided to ignore this write-off and give the city a chance.
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  1. TAITUNG RAILWAY ART VILLAGE
  2. TAITUNG SUGAR REFINERY
  3. CYCLE PATH / FOREST PARK
  4. TAIWAN BALLOON FESTIVAL
  5. THINGS THAT ARE TASTY

Yes, it’s a 20-minute bus ride from the new, out-of-town train station to the city centre, but it's no more sprawling or traffic congested than Hualien, for instance, which was probably spared this damning description due to it being the gateway to Taroko Gorge, even though this southerly city is equally the gateway to the islands Ludao (Green Island) and Lanyu. Scooter gripes aside, as if there are no other means of transportation, we spent a couple of days exploring this seaside Taiwanese city, a cocktail of industrial history, urban regeneration and nature that makes this country so intriguing and endearing. Crumbling and stoic, old Taitung train station still stands where it always has, the surrounding scenery softened from industrial practicality into parkland, the space and buildings collectively called the Railway Art Village. Tracks still cut through the grass, banyan trees writhing up here and there, leading where they always have done. Railroad relics abound, the station sign, the platform and ticket office – now the Tourist Information Centre – the signal switches, sidings, and Old Taitung Station Authorities Garage (ε°ζ±θˆŠη«™ζ©Ÿι—œθ»ŠεΊ«), where we saw a group of local friends playing cards at a makeshift table, and a dozing homeless man occupying one of its roomlike nooks. Nowhere is off limits: like legal urban exploration, you can peek inside and explore any edifice without a door free of the worry that you’re trespassing. The tracks continue, untouched, north out of the city proper; a boardwalk runs the whole length as far as we explored, behind rows of houses, walking alongside locals travelling to and from work and school, cafes and eateries on our left and right, little seating areas here and there, colourful murals and fun sculptures dotting the route. After a long walk through this sleepy scenery we found our way to the old Taitung Sugar Refinery (台東糖廠). Some signs told us that it was also at one point a pineapple processing plant. It looms up on your right behind a row of trees just after old Ma Lan train station (ι¦¬θ˜­θ»Šη«™), another defunct, still-standing station which used to service this area of town. Although there's less interior exploring to do, a few no-climbing-on-this-please signs, walking around the grounds of the disused refinery is an eerie and interesting expedition. One of the first things you'll see is a row of sculptures, all of which are real or fantastical objects pieced together using cogs, springs, and other unnamable scraps of machines from the factory, all painted in bold, bright block colours. Further along there is a place to hire bikes, this being the final stretch of the cycle path loop. In the wide open space that follows repurposed old warehouses and storerooms squat with new life, now housing a few quiet boutique shops and cafes, old freight carriages and construction vehicles stand like exhibitions, and there's a large stage. We only wished that this area was used more, and wondered excitedly about the feasibility of putting on events or a festival here. As much as old industry transforms into public space, so too do the city’s natural areas become accessible and semi-urban in this hybrid townscape. To experience the best example of the blurred lines between nature and city we got ourselves a bicycle and pedalled onto the city's cycle path, which runs along Taitung's dramatic coast and Haibin Park (ζ΅·ζΏ±ε…¬εœ’), past several lakes and ponds, and into the extensive Forest Park. It takes just a few minutes to get to this lovely spot, a surprise world of natural beauty and fresh air that turns effortlessly from wiggly narrow paths in sub-tropical forest into wide tree-lined boulevards and grassy spaces that feel a little bit like London’s Royal Parks. Winding paths criss-cross the well maintained grounds, past community gardens, spots to chill, more bodies of water, making it easy to get lost or at least think twice about the next right or was it left you were supposed to be taking. There is an abundance of signposts, but let’s face it: misplacing yourself on the paths of dappled light beneath swaying trees in the Forest Park and beyond isn’t such a terrible thing. And for those with higher stamina levels and maybe who are actual cyclists, you’ll be pleased to know that the cycle path circumnavigates the city—from the coast, through Forest Park and back past the old Ma Lan station in a huge loop, via mountain spurs and countryside. Back in town at night and the old Taitung Station area was alive with illumination: hundreds of small paper hot air balloons strung up between trees like rows of lanterns, glowing and graceful. This was part of the Taiwan Balloon Festival, which ran from 1st July to 7th August 2016, and the celebration thereof helped make this unique park area shine with down-to-earth glitz, nurturing a warm, happy atmosphere. Children from local schools had decorated most of these paper balloons with joyful messages, colourful drawings of characters and classmates, teachers lending a hand with English writing; some companies from around town had even sponsored dozens of paper balloons each. We spent a good while here, lingering in front of the cutest designs and thinking of the innocent hope with which these children see the world. We find it difficult to fathom why a guidebook would spend any time at all to create less than a page of information and offhand opinion on a location that is essentially being dismissed. But it doesn’t matter: we were here to see the city and the city is what we saw. Taitung lives and breathes outside of any review or verdict, busily growing and evolving in Taiwan's deep south, continuing to incorporate nature and a century of history to forge a vibrant future.

THINGS THAT ARE TASTY
🍌 Morning Market
Winding warrens of covered walkways house Taitung’s morning market in the centre of town, local ladies sell fresh fruit, vegetables, meat, fish and various cooked and prepared foods from the patchwork of stall that spill out and along neighbouring streets. This is a local market and you may not find everything to your palette, but follow the locals and be nosy. We bought a bunch of bananas.
🍚 Ming Long (ζ˜Žιš†ζ˜₯ζ²ε°ˆθ³£εΊ—)
Always eager to seek out the best quality and best value vegetarian options we found this all-vegetarian place, run by a team of warm, welcoming women who will sit you sit you down, give you an English menu and help you make your choice. The menu is huge both in actual size and the number of items thereon. They speak little English but the old point-with-gestures-and-a-happy-face works just fine. Cheap, wholesome and traditionally Taiwanese, we went on a empty stomach and wolfed down a bowl of rice topped with mock pork mince, crunchy seaweed and peanut dust in no time. Noodle soup and dumplings also filled our stomachs here; their speciality is apparently spring rolls, which we did not try. Make sure to get there well before 8pm, when they start closing.
🍺 鐡道村G酒屋
Thirsty and in need of something cool and fizzy we found ourselves in an outdoor Taiwanese eatery, which serves up traditional cuisine to tablefuls of loud, jubilant locals. The name translated means "Railway Village G Wine House". We didn't eat here, but there seemed to be a constant procession of tasty food from issuing forth from the busy kitchen. We sat with a few 600ml bottles of Taiwan Beer and enjoyed eavesdropping on conversations we couldn’t understand and getting caught up in the fun, almost festival-like atmosphere. It's located here on Bo'Ai Rd.

Fun fact: Taiwan Beer was a monopoly product operated by the KMT one-party state era of Taiwan, parented by Japanese colonial rule in 1922.


πŸ‘ŽπŸ‘ŽπŸ‘Ž
THINGS THAT ARE NOT SO TASTY / HYPEFRAUD

🌰 Areca Nut
One older gentlemen passed our table and welcomed us to Taiwan. This was nice of him. As we were leaving he came back with three bags full of what he called “Chinese chewing gum” and offered it to us. It wasn't a “no thanks” sort of situation so we popped in a something wrapped in a leaf and chewed away. Tasted like a mix of everyday tree leaves and twigs. It soon becomes a juicy concoction, not sweet juicy, but extremely bitter and not tasty and mixed with leafy detritus. Tongue numbed and mouth stained red, we suddenly realised why the streets of Taiwan are splattered with faded crimson gob marks. This is the infamous areca nut, sometimes better known simply as betel.

Used throughout Southeast Asia for many centuries, by royal families and aristocrats as much as common people, the betel leaf is spread with slaked lime and tobacco, then wrapped around the acorn-sized nut from an areca palm. This together is sometimes referred to as a quid, or paan (from Sanskrit meaning "leaf"). Both the betel leaf and the areca nut are psychoactive stimulants*. We noticed that people, especially in the southern, more Austronesian side of Taiwan, chew this on the regular, and we've read since then that chewing on dozens of these a day is not very good for you: the habit results in high levels of oral cancers among other health problems. Not so tasty indeed.

*Didn’t chew long enough for psychoactive effects.



πŸ›
accommodation

We found ourselves at Jin Lon, a hotel right opposite old Taitung Station, so it used to have an even better location than it does now. Quite basic rooms for NTD$850 per night. Friendly staff. Free bicycle hire, which gave us great freedom to cycle around the city—mainly the cycle path in Forest Park which we loved. No breakfast though.

See more from VISITS in Taiwan:
TaipeiHualienKaohsiungTainanTaichung



Monday, 26 September 2016

🐣 LINDSAY LOWEND – DOWNTOWN MANNEQUIN

Painting a fun but altogether chilling atmosphere with this smart uptempo tune is musicmaking maestro (officially composer and sound designer) Lindsay Lowend. 'Downtown Mannequin' combines clever composition with various instruments and a driving disco feel, not only allowing you to skim on its surface as if it were a videogame soundtrack – not unlike Lowend, what with his 2013 VGM-inspired Wind Fish EP, and much SoundCloud output since then – but also allowing a deeper experience for the cavernous imagination.

Popping boppity beeps provide their subtle jolts throughout, these staccato patterns bouncing along from start to finish, the pixel canvas on which is strewn moody synth strings and atonal chords like shimmering shards of light striking here and there, muted lightning, and icy sparkling notes played in exotic scales. Later a crazed march of acidy synth joins in, squelching and whipping along with the skitter of the beat: it all feels like the frenzy of shopping.

Yes combined with the title, this track with its frosty yet happy-go-lucky physique, its excited but frenetic ticking percussion, presents the clean lines chrome and glass sheen of a high-end future shopping experience, the frantic bustle of shoppers, the gleam of expensive new items on display and out of reach, overwhelming. And how some sounds jar and jut out, subtle sideswipes at the expected tinny emptiness of the track—the mind assaulted the sensory overload; and how the string parts, soft and sensitive, play bravely in the whirl of confusion. Modern day consumerism with the gloss of superficiality draped over true troubled feelings boiling below.


  • 'Downtown Mannequin' does not appear to be part of any release, but like almost all of Lindsay Lowend's music it can be downloaded for free. You will also notice that comments are disabled and numbers of likes/plays are hidden for pretty much all his tracks.
  • You should also check out LL's Vimeo, where musicmaking meets the wholly practicable art-science of sound design under his real name, Tony Mendez.


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Lindsay Lowend Internet Presence ☟
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Saturday, 24 September 2016

🐣 HARRIS COLE – PAUSE/CHAPSITKC

This feels like it arrived just in time. Laying back in the swirl of synth, in the thick speckled plasma noise of it all, smooth and electric caramel, deeply uttering chillment, silvery chimes and golden fragments of piano like glints of light, muted natural ambient sound trickling in the background, it's easy to slip into the thought that right now is exactly the right time to hear this. This is the the eponymous opener of Harris Cole's debut LP pause and it is wonderful.

And then arrives second track, 'chapsitkc'—a different atmosphere, thinner and hallucinogenic, a mist of phasing waves, whooshing and alien. A gradual slow hail of percussive booms tumble down, sub carving a stoppy groove with an occasional stutter of bass boops, broken beats in an astounding laze of lethargy, pounding absent-purposefully on the present moment and creating its own compartment. But the aching way in which Harris Cole brings in the nocturnal slosh of beach breaking waves, a sample of the real world: reality merges then washes over the once transdimensional sound gallery and shifts your attention to a different moment till it fades away.

Lying beyond this awaits the rest of the album. The sequential nature of these first two morsels makes us feel like we're in for a jolly journey with pause, which also judging from the soundular shapes of 'pause' and 'chapsitkc' will be one that is spacey and reality-blurring, thereby also blurring the perceived distance between recording actual sound and the artificial process of actually manipulating sound.


  • These two morsels act, of course, as the appetiser for Harris Cole's album, pause, which will be released in Fall/Autumn this year. We will maybe have to wait for a month or something like that who knows.
  • The artwork by George Wylesol captures the atmosphere of these two tracks – presumably the LP too – with its own depiction of an otherworldly experience in a worldly setting, bold yet muted, colours that feel somehow off, employing levitation in a setting of magical realism that feels arcane, in spirit and style similar to the Rider-Waite Tarot deck.


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Harris ColeInternet Presence ☟
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Thursday, 15 September 2016

🐣 AMY AXEGALE X CRAPFACE – SKYPE

Past the obvious sheen of speedy nightcore and sugary early-00s dance pop associations, this track emerges skewed through a prism of noise and angst that sees soft and brooding, crunchy and cute play together in a wild and simple fantasy of sound. It comes from the hivemind of a collaboration between Crapface, location unknown, and Amy Axegale, fka ZEN, who is from Melbourne, Australia.

Smooth syncopated chords boop bubblesome in a pattern that continues safely throughout, but then there's this heavy twist, a smudge of darkness on this candy gloss, pouncing out from the pastel fog like a tiger when the chords grow and distort, baring teeth, with kicks pulsing in time below and savage snare hits popping above, filling those formerly playful tropical chords with dread and frustration. This noisy electro sludge, the hardcore edge going on here reminded us of the rabid 'Dog' by SebastiAn, whereas its pairing of conventional and unconventional feels very Mr Oizo — cradling and destroying sounds. These two sprang to mind almost immediately.

However, 'Skype' is of course neither, but perhaps exists for similar reasons as these French artists' music: A reaction to the clean-cut in sound, simultaneously exhibiting that emotions can exist in electronic music with this howling wordless disconnect from physicality. Similarly the song title, an ambiguous summoning of Skype as an experiential thing that can mean anything to anyone, exhibits an aphysical source of inspiration. And as the track dances away in its closing 30 seconds, hi-hats ticking with the beat, the synth wonky and bleary, you feel that the Skype call went to plan, and the song's dynamic swing between a contentment and something verging on rage, a burning internal struggle, is quelled for now at least.


  • This is an apparently one-off release courtesy of London-based entity Calm Records.
  • Also, the artwork for this track, some fantasy palace in some fantasy garden, is by visual artist beeple (human name: Mike Winkelmann). It's called ISOTOPE. His Tumblr showcases lots of art and it's all imaginative and grand.


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Amy Axegale Internet Presence ☟
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Crapface Internet Presence ☟
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Wednesday, 14 September 2016

🐣 MARK REDITO – YOU'LL ONLY LOVE ME WHEN I'M GONE

Skiffing through the twlight between on and offline ever further from his Spazzkid moniker of summers past, Mark Redito continues as he has always done to evolve as an artist. His latest foray into the ether of music, 'You'll Only Love Me When I'm Gone' swells effortlessly with energy and displays a characteristic change in style that feels organic. Flavoured with dancehall humidity, the track swirls between fluid cute electro and a sparse yammering beatscape, notably lacking in Redito's usually present voice and instead heading heavily onto garbled, voiceless dancefloors.

The track's title, however, does make an appearance in the music as a sampled lyric, chewed up, emotional and intoxicated, flinging its vague electronic lyricism like elastic through the lurid synth. This then repeats rapid-fire after gear-shifting booming bass build-up, stammering high-pitched above hefty kicks and not menacing but business-meaning beat punching syncopated one-twos into the less crowded space, sounds feeling more poignant pummelling away with room to breathe.

But let us not forget that a simple body-moving beat and the manipulation thereof has always been a staple of the way Mark Redito makes music; energy spiced with elation. Here and now, as ever, he incorporates new exciting sounds into his repertoire, with style fluctuating but substance remaining a constant, keeping as fresh as the first whiff of 'Getting To Know You' when it was love at first listen.


  • You can grab 'You'll Only Love Me When I'm Gone' for just $1 on Bandcamp. A full-length album is on the cards for next year.
  • The original artwork for the track was created by kikkujo, whose characteristic pen-and-pencil illustrations often depict people weighed down by weltschmerz, their bodies and expressions fine-tuned to display this subtle painful weariness.
  • Earlier this year, Mark Redito set up Likido, a series of curated events that provides a platform for female, POC and LGBTQ+ artists, aiming to celebrate and nurture these communities.


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Mark Redito's Internet Presence ☟
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