Showing posts with label Sebastian. Show all posts
Showing posts with label Sebastian. Show all posts

Thursday, 15 September 2016

🐣 AMY AXEGALE X CRAPFACE – SKYPE

Past the obvious sheen of speedy nightcore and sugary early-00s dance pop associations, this track emerges skewed through a prism of noise and angst that sees soft and brooding, crunchy and cute play together in a wild and simple fantasy of sound. It comes from the hivemind of a collaboration between Crapface, location unknown, and Amy Axegale, fka ZEN, who is from Melbourne, Australia.

Smooth syncopated chords boop bubblesome in a pattern that continues safely throughout, but then there's this heavy twist, a smudge of darkness on this candy gloss, pouncing out from the pastel fog like a tiger when the chords grow and distort, baring teeth, with kicks pulsing in time below and savage snare hits popping above, filling those formerly playful tropical chords with dread and frustration. This noisy electro sludge, the hardcore edge going on here reminded us of the rabid 'Dog' by SebastiAn, whereas its pairing of conventional and unconventional feels very Mr Oizo — cradling and destroying sounds. These two sprang to mind almost immediately.

However, 'Skype' is of course neither, but perhaps exists for similar reasons as these French artists' music: A reaction to the clean-cut in sound, simultaneously exhibiting that emotions can exist in electronic music with this howling wordless disconnect from physicality. Similarly the song title, an ambiguous summoning of Skype as an experiential thing that can mean anything to anyone, exhibits an aphysical source of inspiration. And as the track dances away in its closing 30 seconds, hi-hats ticking with the beat, the synth wonky and bleary, you feel that the Skype call went to plan, and the song's dynamic swing between a contentment and something verging on rage, a burning internal struggle, is quelled for now at least.


  • This is an apparently one-off release courtesy of London-based entity Calm Records.
  • Also, the artwork for this track, some fantasy palace in some fantasy garden, is by visual artist beeple (human name: Mike Winkelmann). It's called ISOTOPE. His Tumblr showcases lots of art and it's all imaginative and grand.


📠
Amy Axegale Internet Presence ☟
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Crapface Internet Presence ☟
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Saturday, 10 August 2013

LES BICYCLETTES DE BELSIZE SEBASTIAN (NAITSABES) [FREE DOWNLOAD]

I'm a little confused about where this song is coming from. But I did my best and I think I can explain it. So. Originally there was a song by a duo called Charlie and Paisley called 'Sebastian' in which they were backed by the band, Les Bicyclettes de Belsize Park. Les Bicyclettes de Belsize then practically remixed the song, which consisted of setting it to reverse and putting in some nice samples in the form of snippets of dialogue from classic British films.

I suppose it wasn't really that confusing in the end. But still, it's a lot easier to get your head around things when you write them down, don't you find? Well, for me, it helps.

The reverse quality to the song is what gives it an equal dosage of beauty and strangeness - the latter mainly in the reverse vocals that now say "Na-it-sabes..." instead of "Sebastian" as they do in the original. The beat, now in reverse, takes on the mantle of an off-beat trip-hop rhythm and, together with the winsome lilts of the instruments of the song, the whole thing turns into quite a life-affirming piece that - for me at least - calls to mind the Baz Luhrmann song 'Everybody's Free (To Wear Sunscreen)'. Although that song used to leave me a little depressed because it was literally taking you through the future of your life.

Thankfully, 'Sebastian (Naitsabes)' isn't quite as polemic as that "feel-good" diatribe. It's much more subtle, mainly heard in the resulting effect of the ambient backwards sounds and the samples. For instance, the samples I most connected were from Billy Liar - a Keith Waterhouse novel, play, then film: "It's the town. It's the people we know. I don't like knowing everybody - or becoming a part of things. Do you see what I mean?" Being from the homely-homely suburbs of Surrey, I can understand that.

Anyway, it's a well chosen set of samples, all from the old British "kitchen sink" dramas of the 1960s. Gives it an Englishness that makes me feel nostalgic. Nice, whimsically winsome (I've used that before and I'll used it again), unique sound. BTW their name comes from a 1968 British musical film of the same name.

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