Showing posts with label clap. Show all posts
Showing posts with label clap. Show all posts

Tuesday, 22 January 2019

🐣 SHIGETO — FIGHT CLUB

⌾ LISTEN TO FIGHT CLUB BY SHIGETO ⌾

The kicks bubble and boom in Shigeto's homage to DIY dancefloors, 'Fight Club'. True to its name, this track flexes and thumps with pugilistic vigour. From the clean edges and simplistic space-filled beginnings of it all, right to the cavalcade of cauterised breakbeat clackings and harsh destroyed snares, the energy ramps up from boxing studio warm up to spun out sparring.

But it's not all the flurry of hits that keeps you on your toes as you listen. There's the smoke-filled, dystopian sheen of it all (much like Shigeto's 2013 'Detroit Part 1'), a darkened room and strobes feeling, rust and concrete toppling below the cyber hedonism of it all. This is what a club in Final Fantasy VII's Midgar Slums should sound like, the bouncing bass of the area's soundtrack mixing with the same sort of airy, scorched-out synth chords that play in the 'Infiltrating Shinra' theme later in the game—aged and ageless.

Needless to say, it summons this same soundscape, matching it for tone and mood with the funk jollity and downtrodden darkness of it all, mechanical beats and threatening space in a brutalist, otherworldly conjuring.


  • πŸ”” 'Fight Club' is taken from the ghostly-released Weighted EP, which arrived unto the world on 28th September 2018. You may stream and purchase this from Shigeto's Bandcamp.


πŸ“ 
Shigeto Internet Presence ☟
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Monday, 14 August 2017

🐣 CHLOE X HALLE — USED TO LOVE (MOZADO REMIX)

Half sleekly clinical space-age white with reflective smooth screens, half organic heartfelt body and muscle and historical small streets and cafes, this track is a clear split, a love-letter to real humanistic flavours told with synthetic electronics, the hip shuffle of salsa bossa nova patterns exude through the syncopated piano that pulses cosmopolitan below the wonderful velvet vocals that skim warm richly throughout. These are the voices of sister duo Chloe x Halle, this track being a remix of their song 'Used to Love', a gorgeous a cappella composition filled with sultry lilting lines thick with harmony, solo parts powerfully cutting through and soaring gutsy above these choral comforters, impatient spoken-word "ok…ok…" and handclaps perforating the languor with potential energy.

But musicmaker and serial remixer Mozado, clearly seeing the promise of these incredibly endearing vocals, as well as the non-instrumental setting, turned this from an album intro light and airy as that time between asleep and awake, falling into slumber in the warmth of the sun, takes this feeling and through rhythmic permutations of Latin sashay and ticking trap brings out the bubbling energy of its heart, the powerful vocals now washing through the thudding beats that Mozado punctuates with luscious percussion chiming pots-and-pans tinkering and the warmth of the plasma synth matching the richly layered vocals, the hefty sub-bass, the dynamic of it all, this instrumental sliding along like a cloud-filled dream as much as it bumps and whips with pumping blood panache, this remix a vital reaction to the raw honest beauty of the original.




πŸ“ 
Chloe x Halle Internet Presence ☟
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Mozado Internet Presence ☟
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Monday, 26 September 2016

🐣 LINDSAY LOWEND – DOWNTOWN MANNEQUIN

Painting a fun but altogether chilling atmosphere with this smart uptempo tune is musicmaking maestro (officially composer and sound designer) Lindsay Lowend. 'Downtown Mannequin' combines clever composition with various instruments and a driving disco feel, not only allowing you to skim on its surface as if it were a videogame soundtrack – not unlike Lowend, what with his 2013 VGM-inspired Wind Fish EP, and much SoundCloud output since then – but also allowing a deeper experience for the cavernous imagination.

Popping boppity beeps provide their subtle jolts throughout, these staccato patterns bouncing along from start to finish, the pixel canvas on which is strewn moody synth strings and atonal chords like shimmering shards of light striking here and there, muted lightning, and icy sparkling notes played in exotic scales. Later a crazed march of acidy synth joins in, squelching and whipping along with the skitter of the beat: it all feels like the frenzy of shopping.

Yes combined with the title, this track with its frosty yet happy-go-lucky physique, its excited but frenetic ticking percussion, presents the clean lines chrome and glass sheen of a high-end future shopping experience, the frantic bustle of shoppers, the gleam of expensive new items on display and out of reach, overwhelming. And how some sounds jar and jut out, subtle sideswipes at the expected tinny emptiness of the track—the mind assaulted the sensory overload; and how the string parts, soft and sensitive, play bravely in the whirl of confusion. Modern day consumerism with the gloss of superficiality draped over true troubled feelings boiling below.


  • 'Downtown Mannequin' does not appear to be part of any release, but like almost all of Lindsay Lowend's music it can be downloaded for free. You will also notice that comments are disabled and numbers of likes/plays are hidden for pretty much all his tracks.
  • You should also check out LL's Vimeo, where musicmaking meets the wholly practicable art-science of sound design under his real name, Tony Mendez.


πŸ“ 
Lindsay Lowend Internet Presence ☟
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