Showing posts with label internet music. Show all posts
Showing posts with label internet music. Show all posts

Saturday, 1 August 2015

YES/NO GUEST MIX 027 :: BANSHEEBEAT

It's the first of August. Time continues its onwards flow. Last month a musician-composer-producer called bansheebeat from Tucson, Arizona premiered his very nice track 'Shinsekai' here on YES/NO. The track was a dazzling odyssey of discovery, taken from the musicmaker's recently released, two-years-in-the-making album, Lumine; I'd recommend you check it out – the mix of styles, the beat-led foundations, the compositional style and allusions to VGM and chiptune, all of it resonates happily with anybody with even a remote interest in any of those things.

In celebration of the release of his album, bansheebeat decided to craft a tasty mix for YES/NO. It begins by paying dues to a host of net producers, web-based musicmakers including Mister Lies, Cashmere Cat, Koloto, Skylar Spence… In fact, the transition between 'Mr. Wonderful' by Skylar Spence (fka Saint Pepsi), Clams Casino classic 'I'm God' and the glitching 'Fox Tales' by Koloto, is a few minutes of fantastic, flawless atmosphere; it soon moves on to a second half characterised by more regulated beats than came before, and a more expansive yet still inward-facing atmosphere courtesy of music from Four Tet, Moderat and Monolake, finishing up with the floating, effusive 'Mythril Stone' by beat producer memory cards. Please enjoy this half-hour of music below.

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Tuesday, 15 October 2013

SAINT PEPSI UNHAPPY [VIDEO]

Wow it's here. And I never thought it would get here. Or, at least, I never thought there would be such a thing as an "Official Music Video" for one of Saint Pepsi's songs, but it's happened. It's rather incredible, really, that this song 'Unhappy' has gone as crazy as it has. It's not because I thought it was a bad song and was like, "how could THIS do well?" it's just a very different kind of song which I am very glad has done well.

I already wrote about the actual song itself when it 'came out', well, before it came out officially but it was floating around somewhere anyway so I thought whatever. The reason it was waiting in the shadows for because it was due to be premiered on The Fader - what a way for an underground internet (undernet?) artist to be heard by a much wider audience. But basically: a sped up sample of an acoustic lament about the end of summer from a late 90s emo band set to candy-shimmering synths and attitudinal trap beats. Who would've thought it would work? On paper, it's totally huh wtf. But in practice, it's actually omg wow.

The video is below. It is directed by Alexander Girav and there are also a lot of other people involved, the names of whom you can check out if you go to the actual page of the video on YouTube. For now, sit back, enjoy the bittersweet, nouveau-nostalgia of this track with the added visual bonus of a rather charming, blossoming new relationship that forgets everyone else to have fun together.

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Like SAINT PEPSI on Facebook
Listen to SAINT PEPSI on Soundcloud
Hear more SAINT PEPSI on bandcamp
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Wednesday, 7 August 2013

GAMMA-F7 TWO TONE PITCH BENT

And now I have something for you that comes from an artist who seems to come from nowhere and has no ties and is known only by some people on SoundCloud. But that's not a problem. I just think it adds to mystique - not that mystique is something that makes music sound any different or better or anything. It's just an interesting facet. The artist in question is Gamma-F7 and the song in question is 'Two Tone Pitch Bent'.

Nice and nothingy - no emotion, no feelings, just a fantasy adventure inside some kind of intergalactic magic carpet-slash-circuit board. It's a cool, cold, icy kind of sound. Something created in a laboratory for major funk experiments. The rhythm of a thousand dancing harddrives in tandem. That kind of thing u know. It's quite unique in that there seem to be two different beats going on at the same time: something quite fast, tittering and skipped-out hi-hats; then there's something slow, almost a dubstep beat, a slow two-step kinda thing.

In a medley of chopped up samples, the song exists. It is made up entirely of chopped up samples. Not that that's a bad thing. It actually isn't a bad thing at all. As interrupted vocal samples breathe through the scintillating sounds, almost like neon-glowing glass cascading down a day-glo waterfall, hollow synth chords mark the song's progression alongside, of course, the beat - the snare appearing like a punch from nowhere in virtual reality.

Generally, it is just a very busy and energetic sound. Partly coming from the glitchy elements where samples are held back and riffed upon like toy sub-machine guns. I like how it slows gradually towards the end, eventually becoming just a completely slowed-down version of its former self. The shutting down of some huge, glossy, imaginary machine. Internet music. Hope you enjoyed it.

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Listen to Gamma-F7 on Soundcloud