Showing posts with label Ryan DeRobertis. Show all posts
Showing posts with label Ryan DeRobertis. Show all posts

Friday, 18 July 2014

SAINT PEPSI – FIONA COYNE [VIDEO]

It's Saint Pepsi, bitch. Remember that? From his Gin City EP that got released earlier this year? Now doesn't that seem like an actual age ago? Right? It may as well be an actual age ago – even since then, Ryan DeRobertis (by now, everybody should know: this is SP irl) has given his sound a right good seeing-to, uh, mainly in that he's added his own vocals to it.

As a component of the digital sample-heavy movement that was (and still is) vaporwave, usually Mr DeRobertis could be heard lifting vocals from a whole host of past-and-present material, from Justin Bieber to Aretha Franklin, but yes: this time around they're entirely his own. And he's got a brilliantly off-centre muse for his singing, the eponymous 'Fiona Coyne' – this is a character from the I've-never-seen-it Canadian (teen) drama series/universe Degrassi; Drake also cut his acting teeth here so, y'know, it must have some sort of following – be it genuine or retroactive.

Anyway, as you may have guessed, yes that's her picture above, and as Saint Pepsi himself sings with gorgeous Long-Island-lilt, "She's got emerald eyes" – or at least she sorta does. His voice adds an extra dimension to his music, a depth of personality, something for fans to not just appreciate but to find attractive, fall in love with. He's already put himself out there, creatively, but now THERE he is, voice immortalised. A real pop star.

Yes there's a video for the song. It features a guy encountering a lot of couples kissing or "MAKING OUT" or whatever, who himself is followed by an insistent disco (penis) ball. Watch.

As for the music itself, Saint Pepsi hasn't lost the funk – the good funk – no sir. Clean, simple drums keep head-nodding time, as groovesome bass darts fluidly below glittery staccato guitar stabs, whilst more ornamentations comes in the form of sparkling-pool glockenspiel magic, and bursts of triumphant brass; St Pep's voice moves over all of this, confident and laced with addictive hooks, especially in the undeniably catchy chorus: "Oh darling, won't you believe me? I'll love you till the record stops."

Though it's a stark change to his earlier sounds, it's a step in the right direction: this is pop perfection. This could live on the radio all summer for all I care – I mean, that's the place it deserves to be. Stuff this well-produced that is made by, and features the vocals of, the producer, a one-person vault of charisma and creativity, should be paid much attention to, especially considering his variations in sound, made by my reckoning at least 3 times a year, which combined promise unpredictable & wonderful things for the future of Saint Pepsi.

  • This comes from the Fiona Coyne/Fall Harder 7" out 12th August via Carpark Records – pre-order it here. I might buy a record player just for this release – you know, like how a load of people bought a Wii U just for Mario Kart 8.
  • It's not the first time we've heard St Pep's voice: check out this rap (second rap in the track) he lends to SPF420 co-founder Chaz Allen aka Metallic Ghosts' track 'Destroy'. It's actually really good. More rapping pls!



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Thursday, 31 October 2013

SAINT PEPSI WE BELONG TOGETHER

It's basically like this guy just cannot stop making good music. Like, it's literally impossible. Who am I talking about? I'm talkin' 'bout Saint Pepsi (real life dude: Ryan DeRobertis). His style seems to be changing with pretty much every new song he releases and that is not a bad thing whatsoever. Not only does it show versatility in his own creative process, switching effortlessly from the emo-trap-wave of Fader-premiered breakthrough hit 'Unhappy' to the urban grooves of this lovely number: 'We Belong Together'.

The title gives it away, but this is basically a remix of Mariah Carey's POP CLASSIC of the same name. Mariah Carey is one of my favourite ladies of pop, so this song arrived as pretty much a bonus package for me.

It's the garage flavour of this song that really gets me though. There's a I'm-getting-ready-to-go-out-tonight-and-I'm-gonna-look-fabulous or maybe I'm-in-a-rush-to-get-home-and-I'm-stuck-in-traffic-but-I'm-dancing-in-my-car-so-it's-ok kinda vibe to the itchy hi-hat shakiness of the driving beat - an instant late night classic with all the trimmings. A jangly snippet of funky disco guitar adds a lovely flourish of spice to the tune - calling to mind Saint Pepsi's own roots in sampling classic-if-obscure disco and funk tunes to massively fun effect (when I first wrote about him, for instance) and also his past and current contributions to label/collective KEATS//COLLECTIVE - as does the ubiquitous but always nice to hear "Woo! Yeah!" James Brown sample and the occasional group chant of "PARTY!" - is this EVER a party song!

Then there's his treatment of the sample. As soon as Mariah's vocals come in, it's clear that this is like... an instant hit. If you don't like it then I dunno you must just like a certain type of music or something - because anyone with OPEN ears can hear the goodness here. Yes, it's from a classic song itself, but the way they have been treated, the different landscape, the new imagined vehicle for Mariah Carey's voice as ultra-urban and retro-futurist, are inventive and fun. Chopping that same sample up and throwing it around at the end like confetti is just the icing on the cake. Love it. Who doesn't?

This, by the way, comes from a compilation by entity STYLSS; it's the latest in a series of monthly collections of songs by likeminded artists: Suicide Pact. This is Volume 9 of that btw.

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Tuesday, 15 October 2013

SAINT PEPSI UNHAPPY [VIDEO]

Wow it's here. And I never thought it would get here. Or, at least, I never thought there would be such a thing as an "Official Music Video" for one of Saint Pepsi's songs, but it's happened. It's rather incredible, really, that this song 'Unhappy' has gone as crazy as it has. It's not because I thought it was a bad song and was like, "how could THIS do well?" it's just a very different kind of song which I am very glad has done well.

I already wrote about the actual song itself when it 'came out', well, before it came out officially but it was floating around somewhere anyway so I thought whatever. The reason it was waiting in the shadows for because it was due to be premiered on The Fader - what a way for an underground internet (undernet?) artist to be heard by a much wider audience. But basically: a sped up sample of an acoustic lament about the end of summer from a late 90s emo band set to candy-shimmering synths and attitudinal trap beats. Who would've thought it would work? On paper, it's totally huh wtf. But in practice, it's actually omg wow.

The video is below. It is directed by Alexander Girav and there are also a lot of other people involved, the names of whom you can check out if you go to the actual page of the video on YouTube. For now, sit back, enjoy the bittersweet, nouveau-nostalgia of this track with the added visual bonus of a rather charming, blossoming new relationship that forgets everyone else to have fun together.

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