Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Saturday, 8 August 2020

ACQUANETTA M. SPROULE — MIDNIGHT VERSION SYMPATHETIC AGONY

⌾ LISTEN TO ACQUANETTA M. SPROULE, MIDNIGHT VERSION SYMPATHETIC AGONY ⌾

When something sounds like a certain genre, but its visual style doesn't match up to said genre, the question of what it is — especially when the music doesn't seem to ascribe to any particular genre or style at all — becomes an enquiry that is lost in the ether. And that's where the music of Acquanetta M. Sproule comes in.

Feeling somewhat like the aural equivalent of outsider art, the unapologetically unpolished tracks created by this producer speak distantly of dungeon synth. Yet with no fantasty-daubed artwork to denote it as such, one can only wonder what it is. Nevertheless, with its midiwave vibe and simplistic composition, there is no question of its mood-summoning powers.

The imaginative, no-holds-barred eschewing of anything particularly traditional or trend-led helps make 'Midnight Version Sympathetic Agony' — and much of Acquanetta M. Sproule's oeuvre — refreshingly unexpected. And yet it has this world-painting drive behind it, the midi aesthetic calling to mind Hiroki Kikuta's soundtrack for Secret of Mana, particularly this track, with bass elements that feel close to the Cosmo Canyon theme in Final Fantasy VII.

And akin to such scene-setting videogame music, 'Midnight Version Sympathetic Agony' sets a mood. Its bass, percussive and propulsive, creeps and sneaks as if through shadows, while a glittery, somersaulting refrain roots this music somewhere fantastical, with hollow, airy sounds decisively tipping the track into a hidden realm of caves and curiosity.


  • πŸ”” Listen to more of Acquanetta M. Sproule's unique musical vignettes on their SoundCloud.

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Acquanetta M. Sproule Internet Presence ☟
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Sunday, 31 May 2020

RHYNE — BIG MAC

⌾ LISTEN TO RHYNE, BIG MAC ⌾

'Big Mac' is a frenzy of colour and synth, hollow sounds plasma blasting into a bristling thicket of beats, unrelenting in their forward propulsion. Sounding maybe a little like the soundtrack to Einstein's theoretical riding on a beam of a light, the track is a hyperactive tumble into a world of stuttering vocal samples and bone-rattling percussion.

"I wrote it in Joshua Tree desert," says Los Angeles producer RHYNE over email. "I find tracks written away in remote locations tend to sound different to those written in your home studio."

As such, the track marries broad, cosmic brushstrokes of synth — almost otherworldly in aesthetics and 3D, reach-and-out-and-grab-it texture — with hard beats, like a dream spilling out of a brain and onto a packed city dancefloor. In short, leftfield creativity and pure, unadulterated energy combine for an explosion of sound.



πŸ“ 
RHYNE Internet Presence ☟
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Tuesday, 26 November 2013

DJ DJ BOOTH SKNYBDYFMYMNRRWDY [FREE DOWNLOAD]

Every now and again you stumble across something that has an unpronounceable name - it's just a damn saviour that I only exist as a person online, never have to talk or show my face, and use typing instead of vocal chords. Just imagine trying to pronounce the name of this song, yes, this song right here: 'Sknybdyfmymnrrwdy' — I mean, it probably stands for something (and actually I'm sure I can vaguely hear what it is that it stands for in the song but not unvageuly enough to actually tell you) but I dunno what it stands for. Does anybody? Probably.

In fact, I know that one person almost definitely knows what it means, and that's the creator of the song DJ DJ Booth. He's a producer, maybe from the UK but I'm not gonna say for sure because there's nothing really said. All I really know is that he has a new EP out on Activa Benz, a London record label co-created/curated by producer Slugabed; the EP is the brilliantly titled Todd Edwards Falling Down The Stairs and the innovative 'Sknybdyfmymnrrwdy' is one of the songs from the release (out yesterday/25th Nov).

Let's listen.

Tagged with "House?" it is indeed a kinda house-question-mark track — whilst supplying us with that unmistakeable syncopated hi-hat that puts everyone in mind of a house song, the thudding kicks don't feature regularly throughout the song and there's a garage lilt to some of the percussion that rattles through the song - including successions of clicks, woodblock taps, and ascending electric toms - especially the decidedly fresh snare flourishes. Replacing the typical house piano chord patterns with soft synth chords instead, he continues to decorate the track with glistening lances of lead synth, underpinning it with a sure squelch of synth bass that follows the pattern of a flute-kinda sound.

A warm song that is a lovely chaos of flavours - from house to garage and, would you Adam-and-Eve-it, trap - with white noise surf rising throughout alongside swooshing cymbals for extra dynamic; at times minimalistic, it is at other times a choppy sea of bustling noise - the low-register vocal sample, saying the actual words behind this track's title, helps to give it an attitudinal swagger that it exudes effortlessly. Blissfully nocturnal, immersive and subversive, 'Sknybdyfmymnrrwdy' pushes the sometimes singular mind of house to learn more things, forcing it to attend a night-class in creativity that sure pays off. Be safe in the knowledge that the rest of DJ DJ Booth's new Todd Edwards Falling Down The Stairs EP is just as flavourful: check out 'Ur Wastin My Time', for instance.



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