Showing posts with label watery. Show all posts
Showing posts with label watery. Show all posts

Wednesday, 1 July 2020

๐Ÿฃ WILLIAM CASHION — TRIPLE OCEAN

⌾ LISTEN TO WILLIAM CASHION, TRIPLE OCEAN ⌾

Most well known not by name, but for being the bassist of Future Islands, now Baltimore-based William Cashion is carving out a world of music all his own with the release of a debut solo album.

'Triple Ocean', one of a pair of singles taken from the album, exemplifies the ambient flavours that feature on it, the title of which —Postcard Music — echoes ancestor of ambient Erik Satie's musique d'ameublement or "furniture music" and purveyor of Japanese ambient equivalent, kankyล ongaku (environmental music) Hiroshi Yoshimura's Music for Nine Post Cards.

The watery credentials of Cashion's track are, of course, an intended product of his creation, named 'Triple Ocean' after a hand-painted sign he saw along the road during a trip to Jamaica in 2015.

"I initially came up with the piece that would become 'Triple Ocean' on the Eastern Shore of Maryland during a weekend trip to focus on writing," he tells yes/no via email. "It began with some simple layered guitar lines, which I edited down, cut up, and drenched in reverb." Note the drenched.

"When I sit down to work on music, I don't necessarily have anything in mind at first. I just start along a path, so to speak, and see where it leads me."

With cello added to make it sound yet more lush, Cashion's approach to ambience seems to be natural, prizing real-life instruments over synths, resulting a rich, living-and-breathing soundscape.

Beginning with a majestic tract of gleaming waves, a sonic introduction, the song moves into a mid-section that twangs gently like a sort of lucid lullaby. Then its "third movement" — which "emerged over time" — rises up; it ebbs and flows into a gradual crescendo of destructed wind and waves, like soft rocks tumbling over each other in the surf, empty grey skies hanging like gates to forever. Gazing at the horizon, it begins to get a little closer.

"I love the abstract and disparate effects instrumental music can have on the listener," Cashion continues, speaking on the attraction of ambient music away from the dramatic, focused songs of Future Islands. "The mind can wander, go wherever it likes. There's no focal point, no voice telling you exactly what the song is about. Music to dream to.

"I recommend listening to it with your eyes closed."



๐Ÿ“ 
William Cashion Internet Presence ☟
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Monday, 29 June 2020

๐Ÿฃ INDIGOS PARADISE — UNDERGROUND

⌾ LISTEN TO INDIGOS PARADISE, UNDERGROUND ⌾

The ambience of a city — the apartment blocks with glowing windows, the brake lights flashing in the rain, the parades of people on the pavement, umbrellas, dog-walkers, stairs down to metro stations, neon eateries — is at the heart of the imagery conjured by 'Underground' by Boston-based indigos paradise.

On a blurred, watery backdrop acting as a melodic palette where all the fatigue that glittering city life can have is mixed, the producer adds snappy handclaps and sharp hi-hats for the the inescapable regularity of it all: the rectangular buildings, the traffic lights, the endless grids.

"How I see my hometown, with big buildings through the skyline, brings out different visuals and imagery I put towards my music," says indigos paradise via email. "Let's say that you are walking down a path, and it's good warm day to go for a walk. You hear this elegant track when you click to the play that gathers the whole surroundings around you. The wind starts breezing through your scalp and goes down to your neck while hearing it.

"I kinda picture my music as the 22nd century."

Adding to the beat and the all-encompassing shades of the synth whirling like a deluge, staccato synths hop smartly throughout for a bustling atmosphere, as if, now that you have the city, here is the life — the people — to jostle around it, here are their silhouettes and footsteps. Nocturnal and doused with faded uptown glamour, 'Underground' is the malls and walkways of yesteryear, still just half-empty with promise.



๐Ÿ“ 
indigos paradise Internet Presence ☟
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Friday, 21 July 2017

๐Ÿฃ CYANURA — SPLASH

There is a wholesome realness in this track that makes it difficult to not bring your other senses along for the ride: skin tingles and warms, mouth and tongue seems to anticipate flavours and textures of tasty food, visions of a natural world elsewhere swirl like mists into your mind. Combining the sounds of outside, the sounds of nature with its luscious crunches and the inviting glory of water sloshing and soothing, combining these with the sounds of indoors, the ultimate indside sounds in the form of synths that bleep simple and videogame-esque or resonate rounded and glassy with artificial digital perfection, Vancouver musicmaker cyanura transports us to wherever we most associate these sounds, a lake shore, the ocean, a boat, a riverside, a tropical island—where there's water, there 'splash' is.

With a big emphasis on foley – that is, creating sound effects or in this case instruments by effectively sampling real life sounds – cyanura serves up a bustling collage of percussion that gives this song its rich textural dimensions, that all-senses effect where the clean clicks and clops tapping and popping in the track feel like different hard sweets: it is quite literally delicious. We have the crunch of footsteps, the dry shuffle of sheafing through pages of a book, reverbing finger clicks, distant hi-hats, tiny rolling snares—a percussive playground. It almost overshadows the beautiful plaintive melodies of the track, a modern day pastoral, the childlike nature of it summoning a deep sense of fun and nostalgia associated with fun and the places where it can be had. Idyllic is the word.


  • ๐Ÿ”” This beautiful track is cyanura's first to be uploaded so keep an eye on their SoundCloud.


๐Ÿ“ 
cyanura Internet Presence ☟
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Wednesday, 21 June 2017

๐Ÿฃ YOMO-DA — ODAYAKA?

It's a sea-based intro, setting the scene with the clopple and clapping of watery sounds morphing to the crash and topple of waves on a beach. A tract of piano with dramatic baroque flavours of minor-major modulations switches between daintiness with light trills and skipping notes and something more colossal, strong robust chords; between a picture of the calm sea and the ocean fraught with ferocity. A plaintive melody chimes in, something reminiscent of the opening theme to Zelda: Link's Awakening, which also features strong maritime themes with 8-bit renderings of sea and surf. At 1:10 chimes whisk us from the ocean scene, the cresting waves, shifts the camera from directly focusing on the sea to the town cradled in the bay, the buildings overlooking the blue expanse.

Japanese musicmaker yomo-da turns the track into a jazzy illustration of life by the sea, a bossa-nova rhythm in the soft percussion the tingling cymbal shuffle and offbeat allure of the bass-rimshot pattern, a Latin coastal groove that soaks your mind with sultry azure visions. Warm organ chords play with airy turbulence and romance, a fluttering tremolo pulsing in your ears with a dreamy, far-off appeal, the muffled bed over which the piano returns and tumbles virtuoso, twinkling with the angularity of light and shade in the city, the bustling boulevards, narrow lanes, breezy palms, all of it fading into an aching silence where this conjuration gradually dissolves. 'Odayaka?' is the sea – fickle, light, beautiful, vast – whilst it also reflects the moods, the hearts, of the people who live with it.


  • ๐Ÿ”” 'Odayaka?' is taken from yomo-da's recent EP, ใ‚ˆใ‚Šใฌใๅ››ๆ–น็”ฐ (Yorinuki Yomoda – The Very Best of Yomoda). Released by Japanese netlabel OMOIDE LABEL, you can download it from their Bandcamp page on a name your price basis.
  • ๐Ÿ”” In the SoundCloud description of this track is written:

    ใŠใ ใ‚„ใ‹ ใŸใŠใ‚„ใ‹
    ๆตทใ‚’่ฆ‹ใซ่กŒใ“ใ†

    mild, magnificent
    let's go to the sea

    The title, 'Odayaka?' refers to the mildness of the sea. Yes it's nice, it's breezy, calm—but, taking special note of that question mark, not always.

  • ๐Ÿ”” The artwork for the EP was created by ๅ—้›ฒๅ“‰ๆžœ Saika Nagumo. The selection and mastering of the four tracks for the EP was done by OMOIDE label owner, YZOX.


๐Ÿ“ 
yomo-da Internet Presence ☟
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Wednesday, 5 November 2014

AYSEN – ESTREMECIDO

Yes, this is four years old this track. But that doesn't really matter. I heard it and I liked it. What is the most strange is that the artist behind the track, a Chilean musicmaker called Aysen (perhaps named after the region in Chile, Aysรฉn), hasn't really released much music as of late. In fact, the compilation this track is taken from, 3 estados (referring to 3 states of water; ice, um water, and water vapour), is made up of creations made by Aysen (real name Pablo Flores) in Santiago between 2007 and 2009.

In any case this is 'estremecido', which means 'shaken' or 'shivery' in Spanish, and it certainly lives up to its name. Great icicles chime together, heavily knocking into each other and producing waves of frozen air, wafting towards you with promises of cold: chattering teeth and red cheeks.

Even the beat is chilly, with cymbals gently shivering with frozen urgency, hi-hats stuttering, the kicks lazily pummelling the air with their gentle sub-bass; the snare itself actually sounds like someone kicking snow, grains of ice chafing together with each hit. A parade of claps, as if the song itself is trying to keep warm, joins this ambient ice music in the middle and at the end, waking you up from this bracing tundra of a track.

  • If you like instrumental experimentally like this, I'd really urge you to check out 3 estados for yourself. All the tracks can be downloaded for free.
  • Whilst Aysen doesn't seem active anymore, the Santiago-based netlabel that released 3 estados, Pueblo Nuevo, is alive and well. Check it out!



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Monday, 24 March 2014

CASHMERE CAT – RICE RAIN

Hi it's Monday and urgh it's Monday but at least the sun's shining, at least the sky is pure blue, at least we're alive – here we are again. Another week. The cycle is a terrible one if you observe weekends, but perhaps I should stop observing weekends and then I wouldn't feel like I've just re-entered the Earth's atmosphere every damn Monday morning. Then every day could just be a nnormal day. But on the other hand wtf am I talking about?

Look, I heard this yesterday. Cashmere Cat – some of u reading this might already be like "whoa late to the party there yes/no where u been under a rock or some shit???" whereas others might be like "who's that" so I'm gonna side with the latter and just say whatever to the former. He's a producer from Norway whose real name is Magnus August Hรธiberg and he's basically a pretty big deal. Aside from that, check this song, the kinda latest one of his, taken from his Wedding Bells EP, released mid-Feb.

This type of music has undeniable appeal, it's overridden with happiness and sunny vibes – and I love that Cashmere Cat is already so popular, it's like a sigh of relief, because other types of what is essentially dance music are so much more serious and in-your-face and despite sounding as if they are made for a time and place are consistently blasted into your ears at all hours of the day by braindead radio stations.

On the other hand, 'Rice Rain' exudes the atmosphere of innocence and the fun of happy occasions in fluid instrumental surroundings; a regular dripping sound lends its inane glory to the track as it zooms into multiple drops, filled always with a tumbling cloud of percussion from 80s-style toms, trappish snares and claps and some metallic clacking too. Vox works its melody alongside cutesy synth and pizzicato strings, an officious yet carefree flight-of-fancy sound against the cleanly juke-flavoured backdrop.

And that's 'Rice Rain' I guess, I dunno if Wedding Bells is a concept EP or something but rice rain, well, you throw rice (at the couple?) after the actual marriage in a church don't u? It's out now on supernice Glasgow-based label LuckyMe, anyway (go here to see all places u can get it clickety-click). Do yourself a favour and listen to Cashmere Cat today, a lot of it.



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