Showing posts with label waves. Show all posts
Showing posts with label waves. Show all posts

Wednesday, 1 July 2020

🐣 WILLIAM CASHION — TRIPLE OCEAN

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Most well known not by name, but for being the bassist of Future Islands, now Baltimore-based William Cashion is carving out a world of music all his own with the release of a debut solo album.

'Triple Ocean', one of a pair of singles taken from the album, exemplifies the ambient flavours that feature on it, the title of which —Postcard Music — echoes ancestor of ambient Erik Satie's musique d'ameublement or "furniture music" and purveyor of Japanese ambient equivalent, kankyō ongaku (environmental music) Hiroshi Yoshimura's Music for Nine Post Cards.

The watery credentials of Cashion's track are, of course, an intended product of his creation, named 'Triple Ocean' after a hand-painted sign he saw along the road during a trip to Jamaica in 2015.

"I initially came up with the piece that would become 'Triple Ocean' on the Eastern Shore of Maryland during a weekend trip to focus on writing," he tells yes/no via email. "It began with some simple layered guitar lines, which I edited down, cut up, and drenched in reverb." Note the drenched.

"When I sit down to work on music, I don't necessarily have anything in mind at first. I just start along a path, so to speak, and see where it leads me."

With cello added to make it sound yet more lush, Cashion's approach to ambience seems to be natural, prizing real-life instruments over synths, resulting a rich, living-and-breathing soundscape.

Beginning with a majestic tract of gleaming waves, a sonic introduction, the song moves into a mid-section that twangs gently like a sort of lucid lullaby. Then its "third movement" — which "emerged over time" — rises up; it ebbs and flows into a gradual crescendo of destructed wind and waves, like soft rocks tumbling over each other in the surf, empty grey skies hanging like gates to forever. Gazing at the horizon, it begins to get a little closer.

"I love the abstract and disparate effects instrumental music can have on the listener," Cashion continues, speaking on the attraction of ambient music away from the dramatic, focused songs of Future Islands. "The mind can wander, go wherever it likes. There's no focal point, no voice telling you exactly what the song is about. Music to dream to.

"I recommend listening to it with your eyes closed."



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Sunday, 11 December 2016

🐣 DJ SUPERMARKET — WIMBLEDON 1988

A song called 'Wimbledon 1988' has two things in store for someone like me because my birth year is 1988, year of the dragon, and I am a fan of tennis whenever Wimbledon is on. Maybe I'll watch the French Open too. So anyway it reached out to me on a basic level. But aside from that there is something inescapably nostalgic within even just the name of this track, and there's the name, DJ Supermarket. Things like artwork and titles and names, things that surround the music, these also bound the music, frame the music in some sort of context, inform you of what to expect stylistically, and here it is, a dream from 28 summers ago.

Like the whirring of some machine intended to implant some idealistic memories some borrowed nostalgia into your brain the track starts up with clicking and clanking and a deep subspace rumble. The wind-up toy sufficiently wound-up, in earnest we sail along with the smooth lounge-flavoured chords, additional woodblock clicks and robust drum bits added to this sample from who-knows-where* and the crowd cheers every now and again faraway and distant almost as if you are instead sitting on a beach with this sultry soft music and hearing waves crash on the sand. The rumble again into reality, to now – the end of this manufactured fragment of chill, this shard of humming melody, nonchalant walking along thought – and the music fades and reverberates into the ether just as it arrived.

*Someone in the comments of the song said it, the music sampled, sounded like Alec Mansion and apparently it is. He's a Belgian singer.


  • A recent album by DJ Supermarket that you might want to listen to is UX Design which was released 7 months ago by Roof Garden Records, owned by the musicmaker himself. By the way he is from Glasgow and he's called Jack Fawcett.


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