Showing posts with label four on the floor. Show all posts
Showing posts with label four on the floor. Show all posts

Thursday, 11 May 2017

🐣 MOON BOOTS — THE LIFE AQUATIC

Diving right into the watery depths now is Moon Boots, whose latest track 'The Life Aquatic' is alive with liquid-leaning sounds, a sensation of floating through an undersea expanse, the mystery and panic of below the waves illustrated with just a few simple elements. Keeping momentum, bravery as the light is almost dim around you, a well crafted kick drum thuds through it all with sheafing hi-hats shaking alongside, a thin snare counting down the time you've been in this submarine world. An arpeggio of modulating synth, sometimes soft and muted, other times sharp and abrasive, plays a bubblesome melody, supplemented by steel drum pings at certain points, the notes shifting dramatically with a baroque chord change, lending a sense of majestic urgency, of being very small in a very big place.

Downcast almost gloomy synth javelins through with ambience, laserlike, futuristic, reflecting the alien nature of our obscure oceans—according to the USA's National Oceanic and Atmospheric Association, humans have explored only 5% of this territory, though it makes up 70% of the earth's surface. It might as well be a different galaxy. Further allusions to the secretive seas are made in the synth vox that seems to call into the distance, illustrating the vast underwater world with reverb fizzling into the furthest stretches of vision in the big blue of it all.

Perhaps being titled 'The Life Aquatic' (probably named after that film) helps with all this imagery, but still the track suits it very well, you can imagine the slow-moving wetsuited diver in the cover art above, uncovering unknown places in the deep, fear as much as wonder summoned in the glorious melody that does not cut out or fade out but achingly beautifully slows down, the ending of a symphony, halting with realisation: is it a marvel of a discovery or unimaginable peril that looms in that final note?




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Monday, 12 August 2013

II. FOUR ON THE FLOOR

Here is some quite dancey stuff to get dancey to, should you ever want to get dancey. Sometimes it's nice to get dancey; other times, it's nicer to chill out. Since I can hardly judge the mood of each and every person who reads this (wish I could) it is hit and miss whether you are going to like it at the time. Timing is a big part of finding a new song to like. Find it in the wrong mood and you might not like it. Your tastes are more fickle than you think.

So anyway, I was messaged on Facebook with this the other day. A song called 'Four On The Floor' by a French duo from Dijon called II. - that's their shortened name anyway: sometimes it's Un Et Un Font Deux (One And One Makes Two).

As a song, it reeks with attitude as soon as you click the play button. The synth stabs that you're presented with from the very start are telling of what is soon to come. I love that kind of synth sound though, cut-off, chopped, brimming with treble - like an instrument from the future. That sound comes to characterise the rest of the song as it's put on delay and muffled by turns.

The song is an uncomplicated house song with guts, that much is for sure. About halfway through the beat subsides and all that's left is this metallic bass zooming around - sounds great. The beat features a plosive kick and claps, snare fills and tambourine shakes, and moves a little faster than your average house song. A female vocal of "yeah... ahh" - chopped-up of course - gives it a sultry, soft human edge.

All in all, yes. I like it. A nice sound that encompasses the slightly poppish side of dance music, dark and disco-like. It appeared on New's Lighters Records first compilation We Re-Created Disco, showcasing a number of talented alternative electronic dance acts.

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