Showing posts with label baroque. Show all posts
Showing posts with label baroque. Show all posts

Thursday, 19 October 2017

🐣 E.M.M.A — MINDMAZE

Two indomitable styles of dance music come together here. One is from the past, all flutes and lutes fluttering and harpsichord trilling, with no percussion except the sound of fervent court dancers and baroque celebrities hoisting their skirts to show off their fancy footwork, the era of clammy hand-holding in a collective series of movements including gentle twirls and partner swapping. The other style is rooted in dancehall, just as clammy if not more so but with less collectivism and more individual flair, and wholly centred on the beat pouring out of the soundsystem and onto the sultry writhing dancefloor.

In 'Mindmaze' London producer E.M.M.A fuses the breezy proprieties of delicate medieval court music with the marching mayhem of dancehall-flavoured beats, a trundle of rolling abrasive snares and rapid-fire handclaps that lock in with snippets of that courtly music of yesteryear. However there is a twist. And the twist is that these fine melodies are actually lifted from the music of Mindmaze, the educational diluted dungeon crawler that came with childhood-summoning e-encyclopedia, Encarta '95. The choice of source material speaks of junior schools in Autumn, installing the CD-ROM on your family computer, working your way through the maze—but more than that it simply conjures youth, not with abstract references, faux-'80s remembrances, but with a concrete trinket from the old days; and the cocktailing of that with a current rhythm suggests that this is more than vacant nostalgia, something closer – with its strong booming beats and naturally playful nature – to an extension of youth, a refusal of adulthood.


  • πŸ”” This track arrives alongside another called 'Pumpkin Emoji', both of which will comprise a 12" single from E.M.M.A to be released on 10th of November via Coyote Records. You may pre-order it by clicking on this exact hyperlink and selecting from a series of options.


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Monday, 14 August 2017

🐣 KAREFUL — H2O

The sky is collapsing in an instant at the beginning of this track and the ground opens up and everything from above begins to tumble down this expanse of space now bored through the earth, the most fantastic fissure that we find ourselves in, what darkness and undeniable foreboding dwells in the ranging ripples of reverb, the arpeggiating synths, the hardness of the electronic beats like jagged rocks, the nocturnal rumbling modulation of synth that columns barrelling through the lower reaches of this track. Like a cathedral freefalling through a bottomless pit lined with sparkling jewels and gemstones and a carved alien script that glows turquoise and sunset-orange, UK producer Kareful's track 'H2o' is a judgement day of sound on a rushing epic scale, a conjuring of otherness with otherworldly sounds.

The feeling of this track is heavily towards the baroque, towards the polished and filigreed, the ornate and broadly twisting, romance and distance conjured by the incredible vocal sample, foreign even to our world, pitch-shifted and lingering on each word, aching, searching for a soul, a slow display of beautiful turmoil. "I've always found myself heavily processing vocals to make them sound nothing like what I originally found," Kareful himself tells us about those beautifully meandering vocals. Inspired by an "involuntary break in music" after losing everything on an previous PC, he calls 'H2o' a romantic track: "Many of my tracks are…" he confirms: "I'm somewhat of a hopeless romantic myself." And in the track, its heartbeating dynamic grime-trap-flavoured percussion pulsing, there is such a sense of grandiose gothic hopelessness, of crushing from afar, the all-encompassing wreathes of unrequited love.


  • πŸ”” 'H2o' is taken from Kareful's upcoming Alchemy EP, out 15th September via trapdoor records. Download the track and anticipate the release via this specific site.
  • πŸ”” You can grab the producer's previous release, the 2016 album Deluge, over on iTunes if you like.
  • πŸ”” Recently Kareful featured as one of the collaborators on Lifeforce, the debut LP from Nottingham's very own Glacci.


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Thursday, 11 May 2017

🐣 MOON BOOTS — THE LIFE AQUATIC

Diving right into the watery depths now is Moon Boots, whose latest track 'The Life Aquatic' is alive with liquid-leaning sounds, a sensation of floating through an undersea expanse, the mystery and panic of below the waves illustrated with just a few simple elements. Keeping momentum, bravery as the light is almost dim around you, a well crafted kick drum thuds through it all with sheafing hi-hats shaking alongside, a thin snare counting down the time you've been in this submarine world. An arpeggio of modulating synth, sometimes soft and muted, other times sharp and abrasive, plays a bubblesome melody, supplemented by steel drum pings at certain points, the notes shifting dramatically with a baroque chord change, lending a sense of majestic urgency, of being very small in a very big place.

Downcast almost gloomy synth javelins through with ambience, laserlike, futuristic, reflecting the alien nature of our obscure oceans—according to the USA's National Oceanic and Atmospheric Association, humans have explored only 5% of this territory, though it makes up 70% of the earth's surface. It might as well be a different galaxy. Further allusions to the secretive seas are made in the synth vox that seems to call into the distance, illustrating the vast underwater world with reverb fizzling into the furthest stretches of vision in the big blue of it all.

Perhaps being titled 'The Life Aquatic' (probably named after that film) helps with all this imagery, but still the track suits it very well, you can imagine the slow-moving wetsuited diver in the cover art above, uncovering unknown places in the deep, fear as much as wonder summoned in the glorious melody that does not cut out or fade out but achingly beautifully slows down, the ending of a symphony, halting with realisation: is it a marvel of a discovery or unimaginable peril that looms in that final note?




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Friday, 7 November 2014

MARCIOZ – GOD AIN'T GONNA PAY YOU BACK

Well well well. This is pretty damn cool. Never before have I heard harpsichord in a song like this before, but here it, harpsichording away like some frock-coat-wearing, grey-wigged phantom of the baroque era floating over the distorted kicks of our hectic and noisy modern world. It arrives from the mind of 18-year-old musicmaker Marcioz, who is from Curitiba, Brazil, and it's called 'God Ain't Gonna Pay You Back'.

Flashing with antiquity, the track begins with the atmospheric and virtuosic harpsichord pluckings, soon joined by fallen columns of bass that seem to go on forever. Then from chamber music to a chamber of noise, as if you've stepped on a tripwire, huge laser beam synths shoot out at you with acid sharpness, loud and slick, accompanied by a screaming, spooky melody of synth. Later on this copies the harpsichord's melody, blooping all the way.

These chops of synth are replaced for the chopped up remains of some other track, these truncated snippets breathing over the the deadly tectonic beat whose kicks seem to move the very earth, and whose lethal snares slice the tops of mountains with their high velocity attacks; these sometimes turn into tongue-clicking woodblock clops, reverbing into the sophistication of the track. A vocal sample appears like a memory, framed by this mix of baroque music (the track ends with some mean sounding strings, too) and super-modern footwork-ish flavours – v unique sounds presented in a kind of satisfyingly jarring manner.



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