Showing posts with label endless summer. Show all posts
Showing posts with label endless summer. Show all posts

Tuesday, 4 July 2017

🐣 KERO KERO BONITO — FOREVER SUMMER HOLIDAY

The pastel tones of this track are imbued with carefree havingfun-ness, not necessarily pleasure-seeking nor hedonistic because those things are overly gratuitous, but instead Kero Kero Bonito's summer anthem, like many KKB bangers before it, strips things back and makes things simple for us with a head-over-heels sense of freedom and innocence, all the while bass bloops, synth shimmers, rounded drum machine jostle tumbles along.

Sarah code-switches not only between Japanese and English but also between singing the fresh pop melody and calling out in playground rhymes. It is without pretence supercharged with pop power, breezily skipping with digitised vocodered softness, spinning the track's catchy lines with metronomic rhythm: "And I gotta find my shorts and shades, cause I know the sun is here to stay, so we can all go take a break on a forever holiday." The content of the bouncy-floating hook, of the entire song in fact, highlights a specific theme—a 'Forever Summer Holiday', an illustration of the feeling of wholesome anticipation when the vast summer seems to stretch out in front of you without end, each sunny day time to fill with whatever you want.



RARE YES/NO LAZY INTERVIEW #26 W KERO KERO BONITO (2014)


Nothing beyond simply having fun is insinuated in this condensed idealisation of the summer break; a quality of non-nostalgic longing that makes Kero Kero Bonito so fresh is that rather than aching over things that could be considered faded and gone, their music instead summons that feeling as a present, happy, here-and-now occurrence. Syncopated chords add a party atmosphere to the proceedings, glimmering liquid synth brings poolside sparkle, fun ornaments pop by (e.g. 1:44) for a VGM infusion; something about the vocal melody and tone recalls Mario 64's file select screen, then there's the Nintendo-flavoured marching band drums at 2:22. The triumvirate of KKB powers on unmatched, bubblegum princess pop made universal, experimental computer music throwback sounds made polished and digestible, the indoors outdoors, the bridging of things and unabashed celebration of moments.





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Wednesday, 30 July 2014

R23X – DRY SUMMER

Making your songs sound as polished and modern as possible is certainly a thing, but so is completely opening oneself up to the opposite – letting things unpredictable things happen to your productions. This is certainly the case with Canadian artist, R23X (stylised as あるR23エクス) – ostensibly named after the World War I era British airships of the same name – who distorts his songs using a VCR, amongst other things.

Instruments are recorded via audio interface onto VHS, the tape is taken out, bent, scratched, put back in, pause/unpaused for delay and warble; the piece is recomposed, with other instruments added, and the process repeated (this was all explained to me by the man himself).

So let's listen to 'Dry Summer' together.

The title is apt enough, with percussion sounding like a sheer swish of coarse sand fighting in a storm of static laden with warm chords; a super-high-pitched melody shines through this languid haze with backup from 80s-style power drums, all of it lurching towards a fade-out finale served up with crushed chiptune sounds. A wholly lo-fi outing, in the style of vaporwave, yet it utilises no samples and contains no ounce of funk – it illustrates the paradoxical positive lassitude in a heatwave-type scenario.

"My daily work as a composer and sound engineer requires me to focus on higher quality audio and often palatable music and sound," R23X explains further. "This project […] is lo-fi or procedural in nature because I find it so darn textured and interesting to listen to/create. Once you allow less predictable elements (like tape damage, fuzz, delay) to become a part of your compositions, they have the potential to become something unique and not something that I just "thought up" but rather something that I set parameters for and allow to happen." In this sense, the music of R23X is something that you could truly called experimental – in the very nature of the word.

He continues: "I am interested in prepared piano for this very same reason. I find art/music that deviates from formal processes so much more interesting. But with the VHS stuff specifically — nostalgia is definitely a part of it. There is something I find satisfying about the nostalgic tenor of the project, but also the anachronistic of using outmoded tech to record music and other things — like contemporary music. It's fun!"

  • Check out R23X's art project (to which this musicmaking is "tangentially linked," he says) VHS Stills
  • R23X is working on an EP! "I'm hoping to release it on a short run of VHS tapes with some abstract video art to accompany."



Listen to R23X on SoundCloud


Friday, 10 January 2014

BOYS GET HURT ELEGANCE [FREE DOWNLOAD]

Here is something quite nicely magical for the collective Friday Feeling, provided of course that everybody is happy about today being Friday. In some places it might already be not Friday – I believe that's called Saturday – and if so, sorry to get your hopes up. Perhaps you could or might re-listen to this song on a future Friday somewhen. But what is this exactly? It comes from the Tokyo-dwelling emotional dance wonder himself, Yuki Abe – aka Boys Get Hurt. I've been supporting his cause for a while now (even getting a tweet taken down because apparently this song [click!] was a copyright infringement) and it seems with each new track things get a bit more refined, richer – you could even say more elegant. Ha ha.

Yes and it's no different with this track, 'Elegance'. Taking us with each of his songs into the very heart of the endless summer (well if it's endless technically there is no "very heart", no middle to speak of, but I'm sure you can understand what I mean), he conjures dancefloor romance, naïveté housed within a clean club setting, insta-crushes based on fleeting glimpses of beauty and all the carefree youthful happiness that goes with all that. Pop on over to his latest indie-discothèque soundtrack and have yourself a little dance.

Inviting us in via a chiming curtain, sturdy house piano chords and an evocative if not slightly solemn brass melody, we plunge headfirst into a disco beat with occasional but satisfying variety on the hi-hat, where the chords are supported by synth variations and a plunking bulge of bass synth bounces along with a funky jaunt. The vocal sample – or are they original, I'm not sure – lends its now-or-never sense of nocturnal temporary romance with lines like "spend all night with me", beautifully retro-ised with welcome interruptions from two note string melodies and the ever-tropical glockenspiel on loop, the synth widening towards the end, helped along its way by brief bursts of white noise fizz.

This feels different to many other Boys Get Hurt tracks simply because of the purity of the brass melody that comes in, there's something sensible about it, a maturity, a knowing resignation to certain facts or factors – and it's this gradual change in the music of Yuki Abe that makes me want to keep listening to everything he puts out. No matter what, though, you're always safe in the knowledge that he's gonna give you some real danceable and instantly likeable disco vibes every single time.

Pssst... you can also download this for free from BGH's SC page...



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Friday, 20 December 2013

YES/NO GUEST MIX 005 :: DCUP

Whilst other music magazines, websites, blogs and whatever say farewell to you as they disappear into the mists of Christmas like fun-loving spirits of Christmasses present, past and future, I am tirelessly – well, actually completely and pretty much always tired – continuing the music-posting struggle. Christmas or no Christmas. However: please do not get the wrong idea and get it into your head that I am some sort of Scrooge who doesn't give a fig for tradition. Cause I a) really like/love Christmas, and b) Tradition is important. So there. I just happen to be able to write about music even as we inch towards the 25th of December without withering into a pool of why-should-I or where's-the-snow.

Anyway, that out of the way, I'd like you to embrace the latest guest mix that has been lovingly created for YES/NO. This one is the fifth in the current series (if there is another series— hmm, well I'll let you know) and it comes from Australian producer, DCUP, aka Duncan MacLennan. Mr MacLennan was kind enough to answer some questions for an interview earlier this week, and now he's contributed this lovely guest mix – what a guy! I'm also very envious of the probably-quite-warm Christmas he'll be having in Australia. Never experienced that; it would be interesting I gotta say.

His mix is an entirely smooth mix of warm house and funky disco that displays one of DCUP's most impassioned loves of music, "that 'hook' that everyone talks about. I'm obsessed with that piece of a song that you sing in the shower, or in your head." That's embellished by a "love of huge bass and beat," as pretty much every song in his mix displays, including his own track 'Magic', fun track – 'Imperfection' – from Welsh duo Bodhi, and the big tune of Amine Edge & DANCE's track 'Lost'. ENJOY/Merry Christmas.


TRACKLIST
01. Dave Hollister - Keep Lovin' You (Kartell Edit)
02. Den Ishu & Noah - Put Ur Hands
03. Amerie - 1 Thing (Cherokee Remix)
04. Only Children - Down Fever (DCUP edit)
05. DCUP - Magic
06. Samir Maslo - I'm In Love With You
06b. Warren G & Nate Dogg - Regulate (acapella)
07. O&A - Basement Beats
08. Bodhi - Imperfection
09. Andhim - Boy Boy Boy
10. TCTS - Do It Alright
11. FormatB - Magic Button
12. Amine Edge and Dance - Lost
13. Kartell - Minimum Move
14. Janet Jackson - Rock With You (Milo Mills Edition)



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Wednesday, 4 December 2013

DCUP MAGIC

One of the many cool things about the world is that it's always gonna be summer somewhere. Whilst we freeze and shiver here in the arctic Northern Hemisphere, our Southern counterparts enjoy hot days and warm nights, and vice versa of course. As such, it means that the music of summer never stops being produced, never dies, so there's always something to get your blood up to temperature and whisk you away to tropical shores, rosasite seas, waves breaking slowly on the reef, still lagoons, breadfruit for breakfast... long live our tropics.

Why do I speak this way? It's because of this song by Melbourne producer DCUP, 'Magic'. Just one day old right now, the song comes from a legacy of hot-blooded tracks including the very nice 'Don't Be Shy', which included a remix by Japanese purveyor of emotional and retro house, Boys Get Hurt. I was touched by the message that DCUP, aka real person Duncan MacLennan, left as a description for the song, saying its purpose was "...to not only keep you dancing through these beautiful summer nights down in Oz, but to keep our friends in the North warm on their chilling winter eve's." That's what I like to hear. A bit of togetherness. Global community spirit.

True to its name, 'Magic' is a little goûter of magic. Within seconds of the track starting an unbeatable bassline pops in with a funky bounce, soon joined with samba type piano chords, augmented with excitable bweeps and the occasional flash of synth chords. That samba rhythm in the music gives the track a hot and sweaty atmosphere, something sensually calling out with a wink in a where-will-this-lead manner in the midst of the driving slo-house, disco-evoking beat. The sample of some husky voice saying "Magic..." is a great touch, beautifully placed dynamic punctuation in this exciting sentence of music.

The mix of funk, latin and disco in 'Magic' lands in the cradle of your ears like something retroactive, a time capsule dusted off and polished with modern tools to give it a zeitgeistical familiarity whilst it shines with its own lustre: the sheen of nostalgic novelty alien past. It feels fresh, especially with those varying elements, and clearly comes from a mind that loves to create music for people to dance to.

Fun fact: DCUP collaborated with Australian band Yolanda Be Cool for 2010 hit 'We No Speak Americano'; now that Latin lilt to 'Magic' makes more sense and I love DCUP all the more for it.



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Monday, 14 October 2013

CIARA BODY PARTY (BOYS GET HURT REMIX) [FREE DOWNLOAD]

Right, firstly, in like every post I've written about Boys Get Hurt I've called it a duo. Two people. That is, Yuki and Takumi. Due to I don't know what reasons, Takumi "quit" at the start of this summer. So basically, everything I've written about these guys has been wrong. Well, this guy. It's just Yuki Abe now. If you'd like to have a quick refresher course on his music, then please be my guest.

So this is just a singular project. Anyway that's enough of that. Mr Abe emailed me the other day notifying me of his new song, a remix of Ciara's 'Body Party'. The original is a downtempo pool of sultry slow-jamz R&B that positively steams with tip-of-the-tongue sexuality - obvious, but not obvious enough to be outrageous. It's just the kind of song that Boys Get Hurt would remix and he's done a good job of it, too. Yep, it drips with disco sensibilities with an uptempo beat, taking the slow heart out of the original and replacing it with a ticker that is pre-wound-up and ready to move.

Giving Ciara's vocals from the original a lot of room to breathe, running the course of the song instead of cutting it too much, this fast-paced rendition takes you from the velvet-clad bedrooms of slow-jams to a disco hut on a beach somewhere. Marimba chords support other tuned percussion melodies, little glockenspiel loops, that lend a joyous vibe to the tune - that feeling of endless summer which Boys Get Hurt gets absolutely spot on every time. There's a little string melody in here as well that sounds familiar, like it could be the same decorative cluster of sounds that graced Madonna's 'Holiday'. The spirit of the song is just that though: holiday. Fun in the sun. Beach dancing until sunrise.

It's always fun listening to Boys Get Hurt. This kind of dance music, a collection of sounds that recalls the soul of early 90s pop with emotive recollections of summer and a beat that's always buzzing with energy and busy with percussion, is lovely. You can always rely on Yuki Abe to deliver this friendly familiarity that in every new track bursts with freshness. And this is FREE TO DOWNLOAD as with most of his songs. Woo!

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