Showing posts with label candy. Show all posts
Showing posts with label candy. Show all posts

Friday, 21 July 2017

🐣 VENESSAMICHAELS — AFTER HOURS

Here we are in a world where past and future meet, a teetering limbo of a place that pops with pastel lightness, bold bass booms buttressing beneath the breezy surface. Here is a slice of post-rave late-'90s-early-'00s electronic dance music with syncopated synth chords chewy and sweet, wobbly fluttering neon chords like cotton candy, and all with a rumbling backdrop of beats that tumble noisy mouthwatering. 'After Hours' is a bright lamination of sucrose flavours founded on substantial elements that give the cradling haze of cuteness a standoffish sense of dance dislocation, highly impersonal but also highly loveheartable too.

Created by LA-based producer VenessaMichaels and inspired by Yūta Nishio (西尾雄太)'s manga After Hours, the track feels smooth to the touch, light but heavy like freshly kneaded dough, decorated with variegated tracts of synth that swirl sometimes half-abrasive and reflective of a feeling of confusion, echoed by the vocal samples which also call out not necessarily celebratory or triumphal but more like internal yells of life and living. The intro feels somewhat grave, verging on melancholic in the guitaresque arpeggio resonating with a cooling loneliness over the stumbling stutter of the beat. Raving and cute, inward facing yet extroverted, solid but hazy, 'After Hours' blows hot and cold in a really neat way, displaying two sides of the coin at the same time for an illustration of internal struggle and finding one's place in the world.


  • 🔔 VenessaMichaels collaborated with Viz Media for this track, which is of course named after the manga which they licensed towards the end of last year. The media group describe Yūta Nishio's After Hours as "a heartfelt story about a young queer woman coming into her own and finding her place in the world."


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Tuesday, 4 July 2017

🐣 KERO KERO BONITO — FOREVER SUMMER HOLIDAY

The pastel tones of this track are imbued with carefree havingfun-ness, not necessarily pleasure-seeking nor hedonistic because those things are overly gratuitous, but instead Kero Kero Bonito's summer anthem, like many KKB bangers before it, strips things back and makes things simple for us with a head-over-heels sense of freedom and innocence, all the while bass bloops, synth shimmers, rounded drum machine jostle tumbles along.

Sarah code-switches not only between Japanese and English but also between singing the fresh pop melody and calling out in playground rhymes. It is without pretence supercharged with pop power, breezily skipping with digitised vocodered softness, spinning the track's catchy lines with metronomic rhythm: "And I gotta find my shorts and shades, cause I know the sun is here to stay, so we can all go take a break on a forever holiday." The content of the bouncy-floating hook, of the entire song in fact, highlights a specific theme—a 'Forever Summer Holiday', an illustration of the feeling of wholesome anticipation when the vast summer seems to stretch out in front of you without end, each sunny day time to fill with whatever you want.



RARE YES/NO LAZY INTERVIEW #26 W KERO KERO BONITO (2014)


Nothing beyond simply having fun is insinuated in this condensed idealisation of the summer break; a quality of non-nostalgic longing that makes Kero Kero Bonito so fresh is that rather than aching over things that could be considered faded and gone, their music instead summons that feeling as a present, happy, here-and-now occurrence. Syncopated chords add a party atmosphere to the proceedings, glimmering liquid synth brings poolside sparkle, fun ornaments pop by (e.g. 1:44) for a VGM infusion; something about the vocal melody and tone recalls Mario 64's file select screen, then there's the Nintendo-flavoured marching band drums at 2:22. The triumvirate of KKB powers on unmatched, bubblegum princess pop made universal, experimental computer music throwback sounds made polished and digestible, the indoors outdoors, the bridging of things and unabashed celebration of moments.





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Monday, 3 November 2014

TDOYLE – COTTON CANDY CLOUDS

Ahh… tdoyle. I said it three times in the mirror last night (it was Halloween, yes I'm writing this from the past) but no one appeared. I tried it also with a hundred other different names of different people I know but no dice. Too bad. But anyway; news flash, tdoyle (which TextEdit keeps correcting to "toddle" which would be hilarious if it wasn't so damn annoying) might be changing his name. We were at Kami's Lookout (online venue) the other day and this was one of the things discussed. I won't divulge anything else though. Y? COS I AINT TELLIN U M8. Besides, I know nothing.

Anyway, here we are. A new track by Mr tdoyle. It's called 'Cotton Candy Clouds' (nice alliteration) and it is as the title says. Sounds like sweeties. Sounds like sugar. Popping arpeggios intermingle with more tangy arpeggios, each note seems to zing in glorious waves across a teal sky painted salmon pink with smiling, lazy clouds. It sounds actually almost as if it could've been written not from the point of view of looking up at the sky, but from being up in the sky looking down – from an airplane or something.

Yoshi makes an appearance, his cute lil voice sampled in the song's second half where claps run amok and synth chords almost like trumpets are triumphal and welcoming. There is a blissful simplicity at work here, something easygoing and uncluttered that makes it all the more easy to drift off to this one, really float 'pon it.

Wouldn't it be super cool if you could fly? That'd be amazing.



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