Showing posts with label DCUP. Show all posts
Showing posts with label DCUP. Show all posts

Friday, 20 December 2013

YES/NO GUEST MIX 005 :: DCUP

Whilst other music magazines, websites, blogs and whatever say farewell to you as they disappear into the mists of Christmas like fun-loving spirits of Christmasses present, past and future, I am tirelessly – well, actually completely and pretty much always tired – continuing the music-posting struggle. Christmas or no Christmas. However: please do not get the wrong idea and get it into your head that I am some sort of Scrooge who doesn't give a fig for tradition. Cause I a) really like/love Christmas, and b) Tradition is important. So there. I just happen to be able to write about music even as we inch towards the 25th of December without withering into a pool of why-should-I or where's-the-snow.

Anyway, that out of the way, I'd like you to embrace the latest guest mix that has been lovingly created for YES/NO. This one is the fifth in the current series (if there is another series— hmm, well I'll let you know) and it comes from Australian producer, DCUP, aka Duncan MacLennan. Mr MacLennan was kind enough to answer some questions for an interview earlier this week, and now he's contributed this lovely guest mix – what a guy! I'm also very envious of the probably-quite-warm Christmas he'll be having in Australia. Never experienced that; it would be interesting I gotta say.

His mix is an entirely smooth mix of warm house and funky disco that displays one of DCUP's most impassioned loves of music, "that 'hook' that everyone talks about. I'm obsessed with that piece of a song that you sing in the shower, or in your head." That's embellished by a "love of huge bass and beat," as pretty much every song in his mix displays, including his own track 'Magic', fun track – 'Imperfection' – from Welsh duo Bodhi, and the big tune of Amine Edge & DANCE's track 'Lost'. ENJOY/Merry Christmas.


TRACKLIST
01. Dave Hollister - Keep Lovin' You (Kartell Edit)
02. Den Ishu & Noah - Put Ur Hands
03. Amerie - 1 Thing (Cherokee Remix)
04. Only Children - Down Fever (DCUP edit)
05. DCUP - Magic
06. Samir Maslo - I'm In Love With You
06b. Warren G & Nate Dogg - Regulate (acapella)
07. O&A - Basement Beats
08. Bodhi - Imperfection
09. Andhim - Boy Boy Boy
10. TCTS - Do It Alright
11. FormatB - Magic Button
12. Amine Edge and Dance - Lost
13. Kartell - Minimum Move
14. Janet Jackson - Rock With You (Milo Mills Edition)



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Monday, 16 December 2013

LAZY INTERVIEW #21: DCUP


← #20: SUPERFOOD #22: VULKANO →

So just a little bit over a week ago I wrote about a music producer from Australia called DCUP – in particular his latest song 'Magic'; it is a sizzler of a track, filled with the atmosphere of a hundred prospective summers and Latin heat in all its samba-slash-disco glory.

It's not the first I'd heard of him though: a few months ago he put out a song called 'Don't Be Shy', something that tickles your nostalgia bone with its warm retro vibes. Released in the form of the Don't Be Shy EP – containing, amongst others, ace remixes by Wave Racer and Boys Get Hurt, it was a fab introduction to the peripheral tastes and music of DCUP.

Little did I know, and maybe you didn't either, but it was DCUP, along with fellow Australian band Yolanda Be Cool, behind 2010 hit 'We No Speak Americano'. Being a portion of the brains behind such an intensely catchy song so widely popular with people of pretty much all ages and cultures, Mr DCUP intrigued me so I sent over the Lazy Interview questions – he was kind enough to indulge me, and thereby you too, with some answers.


Who are you? Where are you from? What do you do?
I'm Jim. I'm from Ohio. I'm a traffic engineer.
How weird would that be?

No really, I'm Duncan MacLennan aka Dcup. Born in Sydney, Australia and I'm a music producer, DJ, and tantric love-maker.

Why did you decide to start creating music?
Curiosity. I grew up with a Casio keyboard in my room. I think it was my brother's but I borrowed it one day and kept it. How different things could have been ;)

As a mid-teen, I listened to electronic music and wondered why I couldn't do that on my Casio. Then a friend mentioned a computer program called "fruity loops" and the rest is history.

How would you describe your sound? What makes you and your style stand out?
A few key things. I often have very strong musical elements in my tracks. I often have solid bass and rhythm. And I love to experiment and create my own sounds, so that gives me a unique aesthetic also.

Is there a perfect time and place for listening to your music?
I would say no. It's all good. Probably just don't listen to it before bed.

What inspires you most when writing a song?
Melody. That "hook" that everyone talks about. I'm obsessed with that piece of a song that you sing in the shower, or in your head. In writing, I'm always looking for that – then my love of huge bass and beat embellishes that.

What is your most memorable musical experience?
Probably the moment I made the little sax line on sampler for 'We No Speak Americano'. Simply because I've told the story so often.

What are your favourite three songs at the moment?
Fark, this changes every day.
It may surprise you, but I love techno and more electronic styles.

Top 3 this minute are:


TCTS - 'Do It Alright'


Format: B - 'Magic Button'

Claude Von Stroke - 'Lay It Down'

Who do you most admire in the music world?
Calvin Harris

In your opinion, what is the future of music?
Songs. Still just plain old songs.

What's the future of your music - what do you hope to do next?
As you may have guessed from my top 3, a very electronic project (still with songs).

What, aside from music, is most important to you?
People. The family and friends I have, the girl I love, the strangers on the street. It would all be worthless without them.


They say curiosity killed the cat, but if you are a human, curiosity almost always seems to be a good thing – especially in conjunction with creativity and all its trappings. It's crazy really, to think that something as seemingly small as growing up with a Casio keyboard in your bedroom would lead to you becoming a brilliant producer of music that people the world over are able to enjoy. Like DCUP said: how different things could've been indeed.

But as it stands, things aren't different and this guy has been able to share his love of making music, and in particular of spreading the joy of catchy melodies, with anyone who wants to listen. Being obsessed with the "piece of a song that you sing in the shower, or in your head" – as DCUP says he is (and as you can kind of tell from his Top 3 songs of the moment) – should mean that everything DCUP touches, in a musical sense please, springs to life with a memorable sheen that sits, or rather dances, in your head for a long time after that first listen. It's something that keeps you coming back to the same song and dosing yourself with the same pleasure that engulfed you when you first heard said song.

As such, I'll be looking forward to DCUP's latest project. The breed of music that he creates is currently one of my favourite sounds, warm and dripping with not euphoria, but rather definitive satisfaction of living and being alive in the "now" – and we all need that affirmation sometimes. But lastly, whatever way you approach it, or however you'd like it remembered or immortalised, a song is a song and that is why they're so strong, so set yet free, so familiar to us all.



← #20: SUPERFOOD #22: VULKANO →



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Wednesday, 4 December 2013

DCUP MAGIC

One of the many cool things about the world is that it's always gonna be summer somewhere. Whilst we freeze and shiver here in the arctic Northern Hemisphere, our Southern counterparts enjoy hot days and warm nights, and vice versa of course. As such, it means that the music of summer never stops being produced, never dies, so there's always something to get your blood up to temperature and whisk you away to tropical shores, rosasite seas, waves breaking slowly on the reef, still lagoons, breadfruit for breakfast... long live our tropics.

Why do I speak this way? It's because of this song by Melbourne producer DCUP, 'Magic'. Just one day old right now, the song comes from a legacy of hot-blooded tracks including the very nice 'Don't Be Shy', which included a remix by Japanese purveyor of emotional and retro house, Boys Get Hurt. I was touched by the message that DCUP, aka real person Duncan MacLennan, left as a description for the song, saying its purpose was "...to not only keep you dancing through these beautiful summer nights down in Oz, but to keep our friends in the North warm on their chilling winter eve's." That's what I like to hear. A bit of togetherness. Global community spirit.

True to its name, 'Magic' is a little goûter of magic. Within seconds of the track starting an unbeatable bassline pops in with a funky bounce, soon joined with samba type piano chords, augmented with excitable bweeps and the occasional flash of synth chords. That samba rhythm in the music gives the track a hot and sweaty atmosphere, something sensually calling out with a wink in a where-will-this-lead manner in the midst of the driving slo-house, disco-evoking beat. The sample of some husky voice saying "Magic..." is a great touch, beautifully placed dynamic punctuation in this exciting sentence of music.

The mix of funk, latin and disco in 'Magic' lands in the cradle of your ears like something retroactive, a time capsule dusted off and polished with modern tools to give it a zeitgeistical familiarity whilst it shines with its own lustre: the sheen of nostalgic novelty alien past. It feels fresh, especially with those varying elements, and clearly comes from a mind that loves to create music for people to dance to.

Fun fact: DCUP collaborated with Australian band Yolanda Be Cool for 2010 hit 'We No Speak Americano'; now that Latin lilt to 'Magic' makes more sense and I love DCUP all the more for it.



Like DCUP on Facebook
Listen to DCUP on SoundCloud
Visit DCUP official site
Follow DCUP on Twitter
Watch DCUP on YouTube