Showing posts with label easy listening. Show all posts
Showing posts with label easy listening. Show all posts

Sunday, 31 May 2015

LUXURY ELITE – ENDLESS

Vaporwave. The definitive escapist music genre for this decade, or this century even, jostling with nothing, in competition with nothing, its own entity, deep and weird and superficial; the new easy-listening, soundtrack to romantic dinners, vacant penthouse nights alone, settling in to a blissful spa, disappearing in thickets of people in some megacity, alighting on a space station resort orbiting Mars, and as many other fabricated scenarios as your imagination will permit.

Long after the hype dies down and the online publications of the world and their followers move onto the next hit of newness, vaporwave continues to thrive thanks to a dedicated online community and labels like— well, less of a plural and more of a singular label: Dream Catalogue. Started in early 2014 this is literally a catalogue of vaporwave, comprising dozens and dozens of releases from a load of different artists; check it out on Bandcamp.

But whatever. Really I'm just here to talk about a new track from one of the scene's better-known components, Luxury Elite. The track is called 'Endless' and it is the musicmaker's own addition to a recently released compilation, Allegiance Vol III.

For starters, this is undeniably catchy – the melody is reminiscent of vocal tracks arranged for shop-floor-destined instrumentals. It also is filled with all the airy mysticism and exotic anonymity effusing from pan pipe music that pervades plazas and high-streets across the western world (from what I can gather) – but in electronic form, of course. The damaged, found-sound-esque shuffle of the track has a delicious texture, built out of insectoid summer-nights percussion and cyclical syncopated chords, all of it washing over the simple and robust beat, thumping and swaying, the slow-moving motor that moves the track along.

Also, just in time, the music reaches a volta where the chords summon a different kind of atmosphere, more of a mysterious feel – imagine that the first part soundtracks a soaring perspective over some ancient ruins, whereas the change features soft-focus shots of slow-motion descents into the crumbling buildings and vaultish corridors of the ruins themselves (just about realising that these are edificial remains of mid-21st century Earth) – this happens just before the fade-out, making it seem as if there could be another change awaiting for us in the silence beyond the confines of this magical track.




☟ Social Media Presence ☟
FacebookSoundCloudBandcampTwitter


Friday, 28 November 2014

Y/N GUEST MIX 020 :: VIKTOR TORVIK

I can't remember exactly how or why I stumbled across this guy, or when even – I guess it was like a month ago now. He had made this mix of all these easy listening and lounge music tracks from the '60s and '70s, containing nothing obvious and only music that was fresh to my ears from all over the world. I needed a mix from this guy. Desperately in my soul. So I messaged him on YouTube. And now: here we are.

His name? Marco Luján, aka Viktor Torvik when he's making "retro sets" like this one. He's from Lima, Peru, and I was super happy that he shared with me (with us, you readers and listeners out there!) a lot of Peruvian music which I'd never dreamed of hearing, as well as some choice numbers from across the globe. This blog's middle name is Internationalism, so I deeply approve of this mixture from around the world. In Peru, Torvik is a DJ and also an underground producer of varying styles of music from jungle and soundscapes to lounge and easy listening.

"I am inspired by classic movies, exploitation films, old cartoons and TV shows from 60's and '70s," he tells me. "In the '90s artists like Towa Tei, Dimitri from Paris, Fantastic Plastic Machine, Luke Vibert, United Future Organization, Masters at Work, Aphex Twin and many, many others inspired me to create music." Whilst not listening to music, making it, or making mixes, he also DJs at a place in Lima called Eka Bar.


I wanted to choose a group of songs from all over the world and especially from my country.

VIKTOR TORVIK

So anyway: what's in store for you in this mix? Easy listening, lounge, jazz, Latin flavours, soft rock, psychedelia. It's a fluffy, mellow mélange of music that travels the world from the USA and Brazil to Venezuela and Italy (only half the countries featured in the mix), stopping off on the way for sojourns into the more popular and fleeting sounds of the '60s and '70s. From the USA we have Ray Conniff, band leader and arranger, whose creation 'Lowdown' is smooth and buttery, dripping with soulful guitar. Moving on, there's the weed-advocating 'Marihuana Mantra' by German group Kuno & The Marihuana Brass, whose controlled rowdiness is a soft rock invocation to the drug. Later on we're treated to Los Destellos and their Peruvian brand of Colombian genre cumbia in 'Volando Alto', a mix of tasty, bustling rhythms and rich waves of psychedelic guitar.

One particularly interesting story that I looked into (mainly because I spent so long looking for any evidence of her existence that I got engrossed in the process) was that of Emma Sugimoto. Born in New Jersey but raised in Osaka, she started out as an actress, then a model, then her debut was with 《アイ・アイ・アイ》 – 'Ai Ai Ai' in this mix – via Columbia Records in 1970, going with ELEC Records for a 1974 album 《エマは愛》Emma Is Love. She retired from all this in 1980 and married restauranteur Shimpei Wada, whose French restaurant "シェ・ワダ" – Chez Wada – is still open and, by the sounds of things (I think), thriving.

And on that note, I've spoken too much. Let's listen. The first time I listened to this I was having lunch with Bextree – I ate a toasted ham and cheese panini. Made the whole thing wildly delightful.


• T R A C K L I S T •


Viktor Torvik Social Media Presence ☟
YouTubeTwitterFacebookSoundCloudMyspaceLast.fm


Monday, 12 May 2014

YES/NO GUEST MIX 013 :: COMANCHE

A particularly large HAPPY SPRING emanates fragrantly from the latest guest mix or Guest Mix for YES/NO, arriving courtesy of Comanche. Named after the Plains Indian tribe, he's actually called Keegan (though I thought Comanche was a duo but… well, maybe it is?) and he's from Minneapolis. When I stumbled upon Silicon Basilica, his debut album released on supercool label Astro Nautico, I was majorly impressed and have been itching for new stuff ever since; so I'm very happy to present this lovely guest mix from him.

"It's finally spring, and some of these songs have been on repeat, bringing warm vibes and the like," he says. "I've also really been getting into a lot of old scores and movie music, which have been increasingly dominating my playlists." How does the mix relate to him as Comanche, though? "A sign of things to come!" he says. "I'm always looking to enjoy & create from rich source material, be it inspirational or otherwise, and am often drawn towards instrumental music. Both of these truths are evident in this mix, and they help guide me in the creative process."

And you hear just that all the way through; from the beginning, with 82-year-old composer Isao Tomita's spacey arrangement of Debussy's 'Arabesque No. 1' from his 1974 album Snowflakes Are Dancing (which reappears later in the mix), through Chrome Sparks' arpeggio-ridden electro rainforest of a track 'Your Planet' and German pianist and composer Horst Jankowski's soft lounge classic 'Pink Balloon' with its kitsch "la-la-la-la-laaaa...", to the main title from the Taxi Driver original soundtrack, a moody piece for saxophone that summons a kind of deluded heroic romance of nocturnal isolation, which builds to a glittering bellicose fantasy, composed by Bernard Hermann – it was the last film score he composed before his death in 1975, the year prior to the its release; previous works include Psycho and François Truffaut's Farenheit 451.

Anyway. That's enough of words. Just sit back and enjoy this voyage through a bright and varied collage of sounds.


• T R A C K L I S T •
Isao Tomita – Arabesque No. 1
Chrome Sparks – Your Planet
Handsomeboy Technique – A Walk Across The Rooftops
Daedelus – You've Heard
Horst Jankowski – Pink Balloon
Les Loups – Paradisco
Jan Driver – Empathy
Dirty Art Club – Into the Night
Taxi Driver OST – Main Title
Isao Tomita – Arabesque No. 1 (contd.)
Bibio – Polycoulrophon
Bullion – Pressure To Dance
Todd Terje – Preben Goes To Acapulco
Bot'Ox – 2.4.1



Like Comanche on Facebook
Listen to Comanche on SoundCloud