Showing posts with label soft rock. Show all posts
Showing posts with label soft rock. Show all posts

Friday, 28 November 2014

Y/N GUEST MIX 020 :: VIKTOR TORVIK

I can't remember exactly how or why I stumbled across this guy, or when even – I guess it was like a month ago now. He had made this mix of all these easy listening and lounge music tracks from the '60s and '70s, containing nothing obvious and only music that was fresh to my ears from all over the world. I needed a mix from this guy. Desperately in my soul. So I messaged him on YouTube. And now: here we are.

His name? Marco Luján, aka Viktor Torvik when he's making "retro sets" like this one. He's from Lima, Peru, and I was super happy that he shared with me (with us, you readers and listeners out there!) a lot of Peruvian music which I'd never dreamed of hearing, as well as some choice numbers from across the globe. This blog's middle name is Internationalism, so I deeply approve of this mixture from around the world. In Peru, Torvik is a DJ and also an underground producer of varying styles of music from jungle and soundscapes to lounge and easy listening.

"I am inspired by classic movies, exploitation films, old cartoons and TV shows from 60's and '70s," he tells me. "In the '90s artists like Towa Tei, Dimitri from Paris, Fantastic Plastic Machine, Luke Vibert, United Future Organization, Masters at Work, Aphex Twin and many, many others inspired me to create music." Whilst not listening to music, making it, or making mixes, he also DJs at a place in Lima called Eka Bar.


I wanted to choose a group of songs from all over the world and especially from my country.

VIKTOR TORVIK

So anyway: what's in store for you in this mix? Easy listening, lounge, jazz, Latin flavours, soft rock, psychedelia. It's a fluffy, mellow mélange of music that travels the world from the USA and Brazil to Venezuela and Italy (only half the countries featured in the mix), stopping off on the way for sojourns into the more popular and fleeting sounds of the '60s and '70s. From the USA we have Ray Conniff, band leader and arranger, whose creation 'Lowdown' is smooth and buttery, dripping with soulful guitar. Moving on, there's the weed-advocating 'Marihuana Mantra' by German group Kuno & The Marihuana Brass, whose controlled rowdiness is a soft rock invocation to the drug. Later on we're treated to Los Destellos and their Peruvian brand of Colombian genre cumbia in 'Volando Alto', a mix of tasty, bustling rhythms and rich waves of psychedelic guitar.

One particularly interesting story that I looked into (mainly because I spent so long looking for any evidence of her existence that I got engrossed in the process) was that of Emma Sugimoto. Born in New Jersey but raised in Osaka, she started out as an actress, then a model, then her debut was with 《アイ・アイ・アイ》 – 'Ai Ai Ai' in this mix – via Columbia Records in 1970, going with ELEC Records for a 1974 album 《エマは愛》Emma Is Love. She retired from all this in 1980 and married restauranteur Shimpei Wada, whose French restaurant "シェ・ワダ" – Chez Wada – is still open and, by the sounds of things (I think), thriving.

And on that note, I've spoken too much. Let's listen. The first time I listened to this I was having lunch with Bextree – I ate a toasted ham and cheese panini. Made the whole thing wildly delightful.


• T R A C K L I S T •


Viktor Torvik Social Media Presence ☟
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Saturday, 27 July 2013

SUPERFOOD TV (DEMO)

Really really happy that this song appeared, and I'm really happy that it's good. I'm not so happy that it took me so long to get round to seeing it - oh well. C'est la vie and all that innit.

So anyway this is Superfood, a band from Birmingham (England, UK - not Alabama), and their song 'TV'. It's apparently a demo, but it sounds more than good enough for human consumption. I didn't think demos were supposed to be so nice. But it's ok. It's good. I reckon they could just release this the way it is: sounds great.

What kind of music is this? It's punky-ish indie soft rock... kind of. I wrote about their other song (there's only two, yo) a few months ago - it's called 'Superfood' and it's about getting hungry I guess. There's a similarly humdrum heart in this new song (2 months old but whatevs), namely being concerned with the inability to sleep without the TV on. I remember when I was younger I slept with the TV on like every night. Boom. Instant connection with the song. Plays to the simplicities of life. I like that. Who wouldn't?

Let's listen to it shall we? Can we?

There's a really nice lazy and laid-back feel to this tune, perhaps it's in the slow head-bob that the tempo seems to inspire, or maybe it's in the slapdash guitar stabs in the verse, the aching scratches of the guitar solo. Maybe it's in the lyrics, celebrating the magical mundanity of how the TV can affect your sleeping... stuff, for instance, "How am I to ever dream without the TV on?" and the ever-so-normal, "Who turned off the TV? It wasn't you, it wasn't me". The vocals affect no true 'singing voice' or accent, sticking instead with a half-spoken, half-yelled, half-sung - wait three halves? - vibe that seems to come forth organically.

I said it about the sound of their song 'Superfood', but they have a Weezer-esque quality about them. Which is a really nice thing because Weezer are great. I dunno why - similar sound, perhaps. Distorted guitars, nothing too fast, lazy vibes, irreverant atmosphere - 'TV' even starts and finishes with recordings of television and twinkling guitar twangs, kinda like the start/end of Weezer's own 'Undone – The Sweater Song'. Or maybe it's just me. But that's how I find it, aurally, so that's how I'm saying it, typingly. Someone said something about these guys catching the "butt-end of brit pop" but I don't like brit pop so I won't even.

Is there a release coming up? I don't know. Best just keep checking!

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Like Superfood on Facebook
Listen to Superfood on Soundcloud
Follow Superfood on Twitter
Visit Superfood's site

Friday, 29 June 2012

LIGHTSHIPS FEAR AND DOUBT



Lightships brings us some nice, ear-friendly music. Though not terribly exciting, it isn't terribly offensive either. It sits modestly in the middle of the road. I did really enjoy the way the song opened up, with those muffled/distorted guitars broiling in a light soup of beats and soft, crooning vocals. But lacks excitement, and I love excitement.

Teeters on that rickety fence, which bears the rear-end marks of many bands and much music, between 'YES (this is wonderful)' and 'NO (it isn't)'.

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Here is Lightships' Tumblr
Their Facebook
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Friday, 18 May 2012

THE INTEREST GROUP THE PASSENGER & THE BOYS AND THE GIRLS

Self-releasing things these days is the norm. Why not? It's a really simple way to connect with thousands of people very quickly. There's no use messing about with a record label or a PR company, or both, if what you want to do is get your sounds out there as quickly as possible.

As such, wild Philadelphian soft rockers The Interest Group are joining the self-doers, musical polymaths who all think that do-it-yourself does it best: they have released a two-song EP (I suppose) on both their Bandcamp and SoundCloud pages. It's called ∞. Infinity? Infinity sign? Either way, it doesn't matter.

They seem to have found a bridge somewhere in the world that spans the gap between now and the psychedelic freewheelers of the late 1960s. From the sounds of it, they frequent this temporal crossing quite often, revelling in beauty of it. They basically sound like this picture above.

'The Passenger' soars as a kind of melancholic Nancy Sinatra-esque airship above any kind of modern sound. Complete with guitar sounds straight from a spaghetti Western, not only does this song scream Americana, but it also whispers darker, more sombre themes. 'The Girls And The Boys', on the other hand, is a little more sunny, starting with a chaotic intro that makes it seem as if a surf rock song is coming along. However, what ensues is a Jefferson Airplane-meets-lo-fi-Beatles chill-out of a song - from the washed-out vocals to the poppy bassline, it's a soft, cushiony song that presents less hard edges than 'The Passenger'.

Get to know. Can't wait for more songs. The enigma of The Interest Group will reveal itself soon!



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The Interest Group on SoundCloud
Here's their Bandcamp page
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