Showing posts with label YOUNGLIQUIDGANG. Show all posts
Showing posts with label YOUNGLIQUIDGANG. Show all posts

Tuesday, 28 July 2015

NO ROME – I SPEND ENDLESS DAYS THINKING OF DIFFERENT WAYS

Last time Philippines-based artist No Rome featured on YES/NO was quite a while ago – it was his emotive song 'Heaven', written about the tragic and untimely passing away of a friend, that not only caught the attention of the brain connected to the ears that live on the same body as the fingers typing these words, but that also provided an earworming melody that is still hummed and sung infrequently to this day. If that's what counts as a successful song, then 'Heaven' was a huge success indeed.

This time around he has surprise-dropped a track with a nice long title that also rhymes: 'i spend endless days thinking of different ways'. Sampling Trey Songz and referencing Slowdive in the lyrics, No Rome once again displays his knack for creating a thick blanket of sounds, luscious and floating, textured and bristling with gently merging melodic mists; ostensibly this begins as an ultra-chilled version of an R&B slow jam, chiming clouds of sound and his indomitable talent for pop vocal patterns helping the surge of flavours all the more tasty.

Hints of percussion and fragmented beats appear but it's not until halfway that snappy, understated beat appears alongside interwoven pitch-shifted vocal sample clusters — then inexplicably and without warning, the song shifts up a gear and becomes a rollicking cycle of much faster breakbeats, all of it smashed out and abrasive with sparkles of hardcore winking in the crunchy overdriven drums; samples continue to chipmunk-chatter, synths continue to wash and glisten, all until the track fades abruptly into a harsh velcro of actual wall of scathing white noise for the finale.

A massive surprise and a welcome switch between genres that not only keeps the listener on their toes, but shows huge potential for an artist who has already shown himself to be (seemingly) effortlessly multi-styled – and all without it jarring. It blends – and that's what we like.




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Thursday, 25 September 2014

LOCAL DISK (C:) – ERROR

Please allow me to introduce Local Disk (C:) – a musicmaker from Manila, the Philippines, and part of his friend Ulzzang Pistol's collective, Youngliquidgang. I was first acquainted with his music when Zeon (that's Ulzzang Pistol) shared a guest mix for YES/NO, a representation and showcase of his collective's artists, including a track called 'Event Horizon' from Local Disk (C:). I really like typing Local Disk (C:) so I'm gonna write it fully every time.

His latest track 'Error' is a step above that one though. And in fact, his track before this, the soundtrack-to-a-crisis of 'CommandPrompt', was also a step above that one. Both of these things mean one thing: that he is developing, improving, as an artist. Anyway here is 'Error' – it sounds like this…

It's lush and expansive, a floating medley of phasing synth chords, subtle slap bass, euphoric anime-soundtrack-style strings and a lounge style beat, complete with rim shots, gloriously off-rhythm hi-hats, rapid kick flourishes – a fog of longlost memory seasoned with the joy of remembrance. It doesn't do what you expect it to do; from those first few touches of piano it takes a different direction, ending up gorgeously ornamented with a long, rich and vibrant synth solo. It's like chillwave with jazz-pop and trap / R&B influences, too… but y'know everything's always difficult to pin down, especially when it's such a medley of sounds as this.

Certainly my favourite track from Local Disk (C:) so far – but he keeps getting better, and also his previous work sounds a little different to this (in general), so I'm excited to hear what's gonna be next.



☟ Local Disk (C:) Social Media Presence ☟
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Tuesday, 5 August 2014

NO ROME – HEAVEN

Been meaning to post something about this for a while now. Better late than never though. So here it is. It's by a guy who goes by the name of No Rome (irl: Rome Gomez) and he's from Manila – actually, he's the brother of Ulzzang Pistol: they're both part of the tight-knit, underground collective Youngliquidgang, or YLG to be brief, one of a few in the capital's bustling music scene (another being, for example, Buwan Buwan, headed up by Similar Objects).

Mastered by collective-mate SOUL_BRK, 'Heaven' is basically a beautiful song. I thought it was beautiful when I first listened to it, but it wasn't until I was in the shower a few days later when the vocal hook came back to me: I found myself humming it (and noticing, also, that it sounded a little like Rikrok's part in 'It Wasn't Me'). This two line fragment repeats throughout, lending the otherwise chill-hop-leaning track – itself awash with a fluid cascading koto-esque instrumental, chopped and looped, with sub-bass blasts – an R&B flavour. Punchy beats with satisfying sharp and shiny hi-hats drive this mantra forward, becoming deliciously rapid-fire and frenetic towards the end, with sampled punctuation in the form of "wow!" and another, wordless exclamation. It's difficult not to be drawn into its spiral of hypnotic repetition, which is to be fair dotted with dynamic breaks and additions along the way.

It's when you hear about the background, the context of this song when it becomes even more poignant and even moving. Within the space of a week Rome lost his grandfather, and his friend Guillo Cesar Servando, a fellow student at De La Salle–College of Saint Benilde, who was killed in a fraternity initiation. The lyrics take on a more poetic edge in this instance; every time I hear his voice singing it's easy to feel the emotion. On the other hand, they're neutral enough so that people hearing it for the first time can still vibe to it and sing along, as with any catchy pop song.

LYRICS:
and i’m playing with the radio sound, i don’t wanna hear what’s going down
and i wish i was with you now, heaven probably told you to say goodbye

Yet another (but the greatest, I think) in a string of cool songs from No Rome, another URL-based J-culture-appreciating talent of Manila with big things ahead of him – it's almost guaranteed.



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Sunday, 20 July 2014

EGGROLL – NO SATISFACTION (VALIANT VERMIN REMIX) [FREE DOWNLOAD]

Brilliant! That's the first word I'll say about this. But before I even begin to tip-tap some words out about the song itself: Just WHO is Valiant Vermin anyway? FURTHERMORE — Eggroll…?!

(The) Valiant Vermin aka Bettina Campomanes is a young (I believe currently she is 17) producer from the Philippines. A self-described bedroom project, the Facebook page for it shows off Campomanes' modesty and humour: her bio reads "I didn't want to go outside so this happened," whilst her description is "I'm 16 years young and bored as hell." The very epitome of bedroom producer if ever there was one. Bettina is also a prized member of the Manila-based artist collective, Youngliquidgang – the co-founder of which, Zeon Gomez (aka Ulzzang Pistol), made a lovely guest mix (#014) for Y/N recently showcasing the group's talent; it included the electro-pop goodness of 'Good Girls Sin' by VV herself.

Her latest track is an impressive remix of an obscure and rather ungoogleable '80s duo, Eggroll. Called 'No Satisfaction', the original is as '80s synthpop as you can imagine: power drums, keytars, twangly guitar. I was gonna just link you to the video (dated 1987, aired on NY Public Access) but I'll embed it at the end of this post because you'd like it probably.

Anyway: the remix is a different kettle of fish.

Taking the strong, soulful vocals of the original, Valiant Vermin puts these to use in an extremely appealing way, setting them above an elastically punchy four-on-the-floor beat and syncopated stabs of robust house piano, as well as the occasional synth chord. Wheeling synth melody screams over the top with all the exciting intensity of Sonic 2's Chemical Plant Zone – but more jazz, less urgency. Speaking of jazz, piano fills spill over between chords in virtuosic fashion, further highlighting the elated funk of this track. It's house, classic 90s house – with a dash of French-touch sound – combined with the fun-loving nature of jazz and electro, simply brimming with energy. Download it for free!

Two things are immediately clear: 1. To find & utilise well such an obscure gem; 2. Production is high quality. Here is a talent still relatively undiscovered, from somebody barely even an adult (in the true sense of the word) yet. You can only hope that Miss Campomanes continues on this creative path; who knows what she will dream up in years to come.

And, as promised…



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Thursday, 17 July 2014

Y/N GUEST MIX 014 :: ULZZANG PISTOL'S YOUNGLIQUIDGANG FOXHOUND MIX

I love the internet. I just love it. For things like this, i.e. actually communicating with artists on a one-to-one level, it's just the best thing ever. There are a lot of other inventions that are quite useful, like toilets, airplanes, and various medical advancements, but the internet is just parfait. So I was chatting to Zeon Gomez aka Manila-based artist Ulzzang Pistol on FB & I asked if he wanted to make a mix and he said yes, so here we are.

But this is a mix with a difference: besides being the 14th Y/N Guest Mix, it's also a showcase of a collective part-founded by Zeon himself. "I make my own music by mixing J-pop influences with house, disco and dream pop, usually through the use of Japanese lyrics," in an email he tells me about what he does. "I don't know if you can label it as J-pop, but I'd like to call it that way I guess. I am also a Co-founder of the Manila-centric collective called YOUNGLIQUIDGANG, where I handle PR and Artist Management duties."

Youngliquidgang itself is a hotbed of creativity – a 12-strong (and still growing) group of young and talented Filipino music artists, mostly all electronic; "Basically," says Zeon, "YLG is inspired by a family/brotherhood kind of feel, where like-minded artists support each other into creating material and refining their talents." The collective was co-founded along with No Rome (aka Rome Gomez, his brother) and Keats Collective affiliate, MERLINDA/WALLS (Ethan Namoch, also making music as COEXIST). Zeon describes the simple story behind its conception: "We only wanted to make a community of electronic musicians around our university [De Lasalle-College of Saint Benilde], but it ended up being a nationwide collective after we decided to move out of the school's music scene."


though we are generally like-minded we also have our little differences that we love and try to accept about one another

From the downtempo soul of singer/musicmaker Hana ACBD and the cosmic blizzards of Local Disk (C:), to No Rome's lush glitterscapes and vapor-leaning R&B tracks from Colombo Beats, YLG is a varied bunch – but there's a bond between all of them that's less loose collective, more tight-knit gang (hence the name, I guess). "What connects us all together, apart from similar tastes in music," Zeon elaborates, "is this CULTURE we shaped inside our group, this family-like atmosphere, where we don't just meet on a artistic level but on a personal one as well, we sort of look out for each other." You can see this in the various remixes they do for each other's tracks, or in the way that vocals are offered up from one to another, etc.

"In short," he continues, "it's about love and respect, where we believe in the skill of others (especially the under-appreciated artists/talents)." Which is a lovely message that I imagine (or hope?) many others in the music community share and equally uphold; I mean, it was/is the YES/NO's raison d'être in the first place.

As for the mix itself, it's choc-a-bloc (bet you never thought you'd hear that ever again) with goodness from the fair isles of the Philippines, beginning with the moody 'ALWAYS' by MSN メッセンジャー (that's 'Messanger' in katakana btw) with its booming kicks, pitch-shifted vocals and classical ambience, continuing on a smooth journey of differing slices of electronic chill, and ending on a high with colourful dose of electro-pop The Valiant Vermin (self-described as: "Bedroom Project of some high school chick") with cute 'n' catchy rapid-fire vocals.

Zeon sums it up: "This mix goes to show that, though our artists are from different genres of electronic music, we share a form of cohesiveness or oneness with the vibe our tracks emit, to give a tag it'd be 'UNITY IN DIVERSITY', much like a family."


• T R A C K L I S T •
  1. MSN メッセンジャー – ALWAYS
  2. What is Andromeda – If these trees could talk
  3. MERLINDA/WALLS – Departure
  4. SOUL_BRK – Nights
  5. Local Disk (C:) – Event Horizon
  6. Colombo Beats – Cater 2 U Edit
  7. Hana Acbd – Like Butter
  8. COEXIST – Fare Thee Well
  9. Ulzzang Pistol – ??????????
  10. No Rome – Heaven
  11. The Valiant Vermin – Good Girls Sin


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