Showing posts with label Pinoy. Show all posts
Showing posts with label Pinoy. Show all posts

Tuesday, 5 August 2014

NO ROME – HEAVEN

Been meaning to post something about this for a while now. Better late than never though. So here it is. It's by a guy who goes by the name of No Rome (irl: Rome Gomez) and he's from Manila – actually, he's the brother of Ulzzang Pistol: they're both part of the tight-knit, underground collective Youngliquidgang, or YLG to be brief, one of a few in the capital's bustling music scene (another being, for example, Buwan Buwan, headed up by Similar Objects).

Mastered by collective-mate SOUL_BRK, 'Heaven' is basically a beautiful song. I thought it was beautiful when I first listened to it, but it wasn't until I was in the shower a few days later when the vocal hook came back to me: I found myself humming it (and noticing, also, that it sounded a little like Rikrok's part in 'It Wasn't Me'). This two line fragment repeats throughout, lending the otherwise chill-hop-leaning track – itself awash with a fluid cascading koto-esque instrumental, chopped and looped, with sub-bass blasts – an R&B flavour. Punchy beats with satisfying sharp and shiny hi-hats drive this mantra forward, becoming deliciously rapid-fire and frenetic towards the end, with sampled punctuation in the form of "wow!" and another, wordless exclamation. It's difficult not to be drawn into its spiral of hypnotic repetition, which is to be fair dotted with dynamic breaks and additions along the way.

It's when you hear about the background, the context of this song when it becomes even more poignant and even moving. Within the space of a week Rome lost his grandfather, and his friend Guillo Cesar Servando, a fellow student at De La Salle–College of Saint Benilde, who was killed in a fraternity initiation. The lyrics take on a more poetic edge in this instance; every time I hear his voice singing it's easy to feel the emotion. On the other hand, they're neutral enough so that people hearing it for the first time can still vibe to it and sing along, as with any catchy pop song.

LYRICS:
and i’m playing with the radio sound, i don’t wanna hear what’s going down
and i wish i was with you now, heaven probably told you to say goodbye

Yet another (but the greatest, I think) in a string of cool songs from No Rome, another URL-based J-culture-appreciating talent of Manila with big things ahead of him – it's almost guaranteed.



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Tuesday, 3 June 2014

THE AFTER-SCHOOL SPECIAL – FIND, LOSE, AND LOVE

I'm so bad bad bad, bad like a bad car not a bad man; inefficient, belated, whateverative. But don't worry I've come to share a nice-nice sound with you this fine whatever-time-of-day-it-is-for-you. I'm sorry everybody, I'm sorry. TRIUMPH OVER ADVERSITY. And with this guilt-ridden waffle, I'd like to introduce, yeah, this nice-nice sound I mentioned.

It's called 'Find, Lose, And Love' and it's been created by Filipino artist The After-School Special. The man behind this romantic moniker – so chosen "because he would often find himself crafting beats after coming home from class" – is Anton Salvador, who began making his own music in 2006, when it was more of an outlet for his creativity outside of the various bands we was in; it was only in 2012 that he began working on The After-School Special in earnest. Anyway... let's have a lil listen shall we?

Taking as its showpiece a quote from Alfred Hitchcock's Vertigo – in particular, the part where the protagonist, Scottie, is attempting to rid himself of his acrophobia/vertigo by going up and down a small step stool repeating the mantra "I look up, I look down…" – the track is a progressive piece of electronic dreaminess

The decorative metronomic hi-hats become gradually faster and more frequent, the Vertigo dialogue tunes in and out as if being watched inside a pastel green cloud of whirling synth, with lower rumbles providing foundations with the constant, grounded thump of the kicks. Add to this successions of deliciously raspy claps and the simple bwinging notes of synth melody, not to mention the well-tuned dynamics of the track, and there you have it: something wonderful. Describing the track, Anton wrote, "This is a manifestation. This is a release of energy. This is me trying to find balance."

He is part of BuwanBuwan, " a Pinoy beatmakers and electronic musicians collective" alongside many others – including Similar_Objects (aka Jorge Juan Wieneke V, a director of the collective) and Spazzkid. I can't really put it any better than the arbiters of BuwanBuwan, who describe it as "a framework for their perpetual creative exchanges, a take-off point for defining their identity as Filipino artists, and above all, a common ground where they can all play." A treasure trove rich in new sounds to be explored, new artists to discover!



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