Showing posts with label YEARS. Show all posts
Showing posts with label YEARS. Show all posts

Tuesday, 20 June 2017

🐣 DEEPSLEEPER — YEARS

The slow creep, the gradual rising up, the heavy burden feel becoming lighter, this slow climb upstairs, how luscious it awakens. 'YEARS' is a slow-burn of ascension and progression, of multi-instrumental additions, a cake mix of sounds with more and more tasty things poured in for good measure. We begin with decayed crystalline chords like glassy harps playing downtrodden modulations that seem to warp and shimmer sweeping in a haze of tiredness and surrender, as if these are the final motions to perform for a day: it is returning home after dark, work firmly out of mind but the pull of sleep dragging you down, the numbed feeling of knowing the drudgery starts again tomorrow. It is the theme for the unrelenting office worker, the effected chords tragic but sparkling minutely with satisfaction and comfort.

And here is our ascent. LA-based musicmaker deepsleeper begins to take us away from the dull dimness of the kitchen table, the lonely after-work dinner, and we are imbued with an uplifting sense of carelessness as we move upwards, somewhere beyond the real world. The warming-up-orchestra feel of the singing strings, the rich tones of brass, all of coming together into a densely forested seam of nurturing ambience, low rumbles beneath, the strings shimmering, the brass end-of-the-day tearjerking cheerful, the steady growing howl of it all, the roaring crescendo, the white noise waterfall whoosh, the big drums beating our approach, mindcleansing, bodystopping—the welcome fanfare of sleep and dreaming, our grand reset.


  • 🔔 This is deepsleeper's first single. Credits on this dreamy track are as follows: trombones by Mike Richardson; violins by Steady Holiday; upright by Blake Estrada; drums by Kiel Feher.


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Sunday, 1 February 2015

Y E Λ R S – 緑の都市

If you google image search 緑の都市 (which literally means "green city") you'll be in for a treat. There are loads of photos and pictures of "green cities" around the world, from futuristic plans for cities imbued with living-and-breathing greenery to actual cities brimming with plantlife. It's kind of a utopian vision; one plan sees a verdant cycle path created as a second floor for a highway overpass; another is an actual photo of a stepped building covered in a forest of trees. It's beautiful~

Other than that, it's the title of a brand new song by Y E Λ R S, or as I'm going to say from now on, YEARS. One of the sparks that ignited the now very popular kinda otaku or anime trap style (there's no other name for it as far as I know so…) this musicmaker is very prolific, pairing chilled atmospheres with hard beats for soundscapes that are as transportive as they are head-nodding.

This latest one, 緑の都市, feels a little different. Taking some orchestration from somewhere (or maybe it's original), it's looped and then allowed to continue into its flighty fantasy, whimsical melodies fluttering throughout. Coupled with a simple beat that features rolling hi-hats, handclaps and one particularly pronounced kick that hides a blast of sub-bass, it does indeed feel like the perfect soundtrack to a green city, or Green City.

The natural feel of the flute and strings in the orchestration conjures images of rustling leaves, green shrubbery, flowers skipping in the breeze, lush grass – the beat, on the other hand, effuses a more synthetic feel, precise and man-made and future-facing, yet working with the organic instruments to produce a beautiful harmony. YEARS has made a sonic illustration of the possible unity that can exist between the natural world and our technological one; both can be as destructive as each other, but only one can think for itself: that's us. We can build green cities!



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Wednesday, 14 August 2013

Y E A R S ビスタ (VISTA)

So last month I wrote about YEARS or Y E A R S or // Y E Λ R S //'s song 'She Is The Girl Of My Dreams' - dreamy stuff, as you might imagine from the name. But then, most of this bedroom musician's music is rather dreamy (self-described as "Crazy Trap//Chill//Ambient//Dream"). And if there is any insult felt from "bedroom musician", then I apologise. It's just a phrase. A meaningless phrase. Just means you make music at home. Is that so wrong?

In any case, here's another song from the man (or woman - let's not discriminate) him/herself. It's called 'ビスタ' or in English 'Vista' - a view of sorts I guess. It was posted to his/her Facebook page with a message that said it was "really really the last track" they would make: "my mpc is dead so i can't make music anymore for long time". They mean Akai MPC - a cool kinda sequencer/sampler/drum machine. It's an interesting fact that they're so analogue in this digital age. Certainly gives things an earthy, scrabblingly real sound, as it is on this new track.

I just thought it was quite an interesting sound, so I had to write about it. Whilst it coasts along on its attitudinal hip hop beat, complete with synthy woodblock tappings and sharp scatty hi-hat, boom-booming kicks as well. Pop-tinkling chimes glitter icily alongside the smart sampled synth, like the sound of a mystical bath emptying.

The most interesting thing for me was the altered sample of Celine Dion's vocals in 'My Heart Will Go On' - against the brash down-south beat, this kind of jarred, but then that's the sound of this kind of music. It's jarring. Discordant, almost. But I like it. Dreamy sounds, strange samples, big beats. Yeah. A meeting point of real life and the dreamworld.

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Monday, 29 July 2013

Y E A R S 彼女は私の夢の少女です [SHE IS THE GIRL OF MY DREAMS]

What I've written in the title as Y E A R S perhaps should be properly realised as it appears: // Y E Λ R S // - but from here on in I'm gonna be saying Y E A R S or maybe even YEARS. So if that's ok with you, I'll continue now.

*Sigh* yep I just sighed IRL. So YEARS appeared kinda out of nowhere, I think someone posted one of their songs as a "new favourite" on Twitter. So I just blindly followed the link - as I do - and came out at the other end have a good nose around YEARS's's's SoundCloud. And how happy I was with it.

Where does YEARS fit in? With a new and boundary-pushing sectarian kind of genre of music I suppose you would call "vaporwave" - I've seen the term bandied around a lot with this kind of music and I suppose it fits. I guess the "-wave" bit comes from "new wave" and the "vapor-" bit comes from the fact that it's very chilled, a more-than-fluid sound that indeed seems to float into the ether and back down again into our awaiting ears as vapor. But I'm BRITISH so I'd say VAPOUR. Vapourwave.

The track in question is the newest in this Japanese (I can only assume but I'm 60% sure I'm wrong) producer's repertoire, called '彼女は私の夢の少女です' or 'She Is The Girl Of My Dreams' - let us listen.

It's a really easy-on-the-ears listen, something that just seems to melt every angsty feeling you may have into a nectar of nothingness. Sitting somewhere between lounge music, slow jams, pop and muzak, it is just teeming with dreamy sounds - harps tinkling, cute little synths, clopping woodblocks, fizzing hi-hats. The beat is wonderful, laid-back and lightly moody, a hint of clap like a leaflet falling on a puddle. Bass bulges smoothly like giant bubbles coming up from a silvery sea.

It's like another world. And who doesn't like being evaporated for a couple of minutes (or not quite that long), even if we are only to be condensed on the cold glass of reality. Sweet stuff.

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