Showing posts with label VentureX. Show all posts
Showing posts with label VentureX. Show all posts

Sunday, 2 November 2014

VENTUREX – TALK TO ME

How does VentureX keep making such lovely music? Last I heard from him was his very funky and very danceable track, 'Do You Remember' – it's been a while since then (also, and unfortunately, as usual) but I've just been magnetised to his brand new track 'Talk To Me'. It was the bass that got me at first.

The bass! The bass is fat and a little fuzzy. Sound is made of vibrations. Sound rather is vibrations. But it's not that often you actually physically feel those vibrations in your ear, in your brain, in your corneas – the world exists in a puzzle of slightly shuddering shapes.

These robust bassplosions are submerged beneath a shuffling beat whose hi-hat ticks impatiently, or lashes out into the open with cutting sharpness. An original track, dissected for inspection and chopped expertly finds itself strewn across VentureX's track; guitar appears in golden truncated chords, or else it peeks in with glints of funk. A vocal sample adds its warm soul to the mix, washed with clarity; the track ends with a cascade of chiming cosmic rainstick and the treble is gently removed, leaving you with that ever-satisfying vacuum that is only achingly good bass rumblings.

  • This comes as the second in very, very, very cool label / collective Stratford CT.'s Secret Selection, a series of surprise singles.
  • They also released a VentureX album which is one of my actual favourite releases of this year ever. It's called Together and it's genuinely and flawlessly superb. Listen to it here.



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Saturday, 20 September 2014

VENTUREX – DO YOU REMEMBER

Quite possibly the most fantastic song we've heard from VentureX ever, but then again there's ultracool this footwork-flavoured track (called 「フットワーク」 which actually says 'footwork') from a while ago, and also VX's recent album Together released via supra-chilled label/collective Stratford CT., which is a go-to thing for me recently; it's been warm, food & drink's been had outside, I stick this album on – it suits the mood. So I take it back. It's probably not the MOST fantastic song ever from this person, but still: it IS fantastic.

It's the initial seasoning that had me, that repeating bit of FX-laden synth and the spicy bongos, both setting the scene for a track that's like cool sour cream on top of heavily jalapeñoed nachos: it's rich, warm, zingy and fresh all the same time. Samples arrive for the most part in unintelligible mouth movements, until the song's final part where its title loops again and again in a tirade of casual longing (after some searching, I reckon the sample is from Tegan and Sara's 'I Was a Fool').

A detail that stands out: A clap gets some spotlight and reverbs out into the middle of nowhere, painting a picture of even more depth in this funky house themed feast, already thick with layered sounds and seemingly perfect sample placement.

Chords twinge in satisfying syncopation sounding like they've come from pianos made of space jelly, and there's also some wibbling percussion like some kind of intergalactic candy dropping in puddles of, um, mountain dew? I'm not sure anymore. All I know is that this song moves out of the trappings of future funk to deliver a deeper sound, a more thoughtful and considered funky house perhaps, but ultimately a sound destined for the dancefloor – and if not, then at least it might turn the space which it fills INTO a dancefloor. YEAH. "

As far as we know this is a random SC upload. There might be more to come, like an "album" or an "EP", but it's probable that this is just an upload, something that a lot of people are still trying to come to terms with; don't worry, it's only the unknowable future at the door, you don't have to answer it right now.



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Tuesday, 5 November 2013

GUEST MIX 001 :: BAWXXX

It's a week of firsts so far. Sure, it's only been two days, but yesterday I premiered a track for the first time and TODAY I am posting the very first YES/NO Guest Mix! Isn't that exciting?

I'd seen a lot of other places do guest mixes and wondered "how in the hell did they get such-and-such a person to create a mix for them?" amongst other such incredulous inquiring. However, it turns out all you have to do is ask nicely. Be nice to people: there's a motto or mantra you can remember for like, ever. Anyway enough of the prologue. I'm all prologued out. Let's get to this mix eh? EH?

The first ever, FIRST EVER, guest mix on YES/NO comes from a guy called Bawxxx. I've been following him both on Twitter and SoundCloud and have always been very happy with the mixes they have made and uploaded to SC - full of gems that I never knew existed. In addition, following him on Twitter means that like every so often he'll like a song on SoundCloud and I'll hop right over to see if it sounds nice: more often than not, it sounds more than nice (HOME, for instance, came off the back of one of Bawxxx's likes). And that's how the world works. Word of mouth. Word of type. Symbol of like.

However, he describes himself modestly as a "company employee" from Nagoya, Japan. Judging from most of what he's posted and re-posted and liked and whatever, I'd've guessed this anyway, but he describes his taste in music as "pops, disco, funk... etc" and that is pretty much exactly what you're in for with this 第一GUEST MIX! For Bawxxx's own enjoyment, he's saved the best - in his opinion - till last and I gotta say it IS rather a special track. So please. Enjoy this selection of POP music, gems of pop in all styles from all over the world - from AlunaGeorge to Michael Jackson, from VentureX to tofubeats. It's wonderfully varied and a real joy to listen to. This resurgence in pop music - where POP is no longer a particular type, but a... form I suppose, a particular form of how to build a song and NOT a particular sound or style - is allowing a lot of different, interesting stuff to seep into the mainstream. Anyway. I'd need to think a bit more about that: it's a big thing. Sorry. I type! Too much! Here's the! Mix!

TRACKLIST
01. Penthouse Penthouse & Chloe Martini - Closer
02. Toro Y Moi - Still Sound (Casa del Mirto Remix)
03. tofubeats - Synthesizer (Okadada remix)
04. Kan Sano - Music Overflow (Martin Hayes Remix)
05. Venturex - Digital Work (Saint Pepsi Edit)
06. Club Sandwich - It's Okay
07. Justin Timberlake - Suit & Tie (Mix Chopin Remix)
08. Michael Jackson - Rock With You • The Reflex Re√ision
09. Toshiki Kadomatsu - Do You Wanna Dance
10. Chromeo - Over Your Shoulder
11. AlunaGeorge - Outlines (Pat Lok 'Crayola' Edit)
12. tofubeats - Don't Stop The Music feat. 森高千里 [Chisato Moritaka]



Listen to Bawxxx on SoundCloud
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Wednesday, 18 September 2013

VENTUREX KEEP ON & ON

O dang o damn. Feel da Funk. Can you feel it? If you haven't pressed play, then I doubt very much if you're feeling the funk at all at the moment - unless, that is, you happen to be listening to funk already; or perhaps you feel pretty funky anyway. Maybe you're a funky person generally. Well, whether you got the funk or you don't got the funk or you want to know what the shiz I'm talking about, then I'd read on.

Hi, it's me again. So here we have VentureX, a producer from Chicago, with the overtly funky vibrations of 'Keep On & On', one of his most recent songs. He's rather prolific on his SoundCloud so I'd check that out if I were you - there are tons of gems just like this one. I chose 'Keep On & On' cause it sounds grrrrreat, better than a bowl of Frosties. "What's cooler than being cool?" asked Andre 3000. "Ice cold!" the people respond. And this song is ice cold. Freezy.

The song seems to fade in from nowhere, just like all good future funk songs, and at once it explodes into a funk-tastic groove of a track. The bass digs deep into your spirit. The drums thud, glitching out every now and again in delicious clipping clops and delectable clopping clips - hi-hats tick and the snare is a vicious slap. Synth samples wash over your brain. A piano is in there too. The funk guitar or synth or whatever-it-is melody conduces a funk-flavoured dance-a-thon in your blood.

The vocal is a strong altered sample from somewhere (do you know where it's from? I don't); it's handled with care and stretched to dynamic proportions around the change of vibe in the song as it becomes a blast of energy aside from the head-nodding funk that cushions this section. Don't you just dig the the bongo rhythms at 3:05? And then the song fades out. It leaves as it arrived. A brief spark of stimulation for the brain and body, carrying with it the spirit of funk as well as the spirit of the radio on a Saturday afternoon in the 1990s. You can't deny that. Listen to more of this guy's songs.

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