Showing posts with label Salt Lake City. Show all posts
Showing posts with label Salt Lake City. Show all posts

Thursday, 7 December 2017

🎥 RARE FACTURE — VERSE GIRL

This track, with its indelible europop atmosphere, is wave of euphoria, but dimly lit and soaked with rain. Icy chords wobbly softly, snowy and glacial, sadly fall like an electronic hail, strings spin tension, descending icicles of sound sparkle, a cradle of sharp throwback arpeggios whirling over a pulsing beat and the propellant bass both bumping the track into overdrive below the stuttering serenity of the track. There is this serenity to it, somewhere in there, the light at the end of the tunnel of urgency that it does summon, and it sounds like this for good reason.

Salt Lake City duo Rare Facture tell us that 'Verse Girl' was inspired by women "who have ended up in abusive or controlling relationships but can't escape." Continuing, they explained further over email: "It's about the reality of there being a happier world out there with someone who loves you for you. I guess in the end, like much of the songs we write, 'Verse Girl' is about love."

This simultaneous heartbreaking and heartwarming quality, brightness and darkness, energetic and unfathomably kinetic trance sound yet downcast and slow-motion, the dual nature of love spun with throwback synth-pop that feels as timeless and as timeworn as the inspiration for the track itself. The duo went on to talk about the video for the track itself, which in its monochrome and snow-filled way reflects the song's lyrical and sonic elements—and, in yet more echoes of the track's inspiration, in a case of "art imitating reality," the duo tells us, "the girl in the video is literally the girl the song is about."

Euphoric and dysphoric, the hard, sad realities of life and the specks of hope that come with it are reflected with this digital fantasy of sound.




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Rare Facture Internet Presence ☟
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Saturday, 20 September 2014

VENTUREX – DO YOU REMEMBER

Quite possibly the most fantastic song we've heard from VentureX ever, but then again there's ultracool this footwork-flavoured track (called 「フットワーク」 which actually says 'footwork') from a while ago, and also VX's recent album Together released via supra-chilled label/collective Stratford CT., which is a go-to thing for me recently; it's been warm, food & drink's been had outside, I stick this album on – it suits the mood. So I take it back. It's probably not the MOST fantastic song ever from this person, but still: it IS fantastic.

It's the initial seasoning that had me, that repeating bit of FX-laden synth and the spicy bongos, both setting the scene for a track that's like cool sour cream on top of heavily jalapeñoed nachos: it's rich, warm, zingy and fresh all the same time. Samples arrive for the most part in unintelligible mouth movements, until the song's final part where its title loops again and again in a tirade of casual longing (after some searching, I reckon the sample is from Tegan and Sara's 'I Was a Fool').

A detail that stands out: A clap gets some spotlight and reverbs out into the middle of nowhere, painting a picture of even more depth in this funky house themed feast, already thick with layered sounds and seemingly perfect sample placement.

Chords twinge in satisfying syncopation sounding like they've come from pianos made of space jelly, and there's also some wibbling percussion like some kind of intergalactic candy dropping in puddles of, um, mountain dew? I'm not sure anymore. All I know is that this song moves out of the trappings of future funk to deliver a deeper sound, a more thoughtful and considered funky house perhaps, but ultimately a sound destined for the dancefloor – and if not, then at least it might turn the space which it fills INTO a dancefloor. YEAH. "

As far as we know this is a random SC upload. There might be more to come, like an "album" or an "EP", but it's probable that this is just an upload, something that a lot of people are still trying to come to terms with; don't worry, it's only the unknowable future at the door, you don't have to answer it right now.



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