Tuesday, 26 August 2014

PA'S LAM SYSTEM – LIKE A LADY

To make something like this – already so cosmically engaging and bustling with energy – to sound as interesting and exciting as it does for as long as it is must take some skill, some talent, but also hard work, patience, and, of course, good ears. To keep it so full of life all the way through, with its dramatic acrobatics, to maintain unending zest and intrigue, this takes love – not necessarily for the finished product, because a day is not there for the sunset alone, but for the process of creation itself: for the movement, order and flow of action.

Wow um ok, so that's what Japanese trio Pa's Lam System kind of does here in their latest track called 'Like A Lady', synonymous with the words sung by its ornamental sped-up female vocal sample. It's a song that stays fresh all the way through. Nothing is overused: a water droplet plinks only, "Hey!" samples are used with consideration, an arpeggio that weaves dreamily in and out of the forefront, a vinylesque drum and bass sample rattles only in one place… And that's not to mention the composition itself, the expansive rainbow chords and their wild somersaults and mad flips, the contented magical melody in the song's calm finale, the virtuosic power of the drums, the flighty adventuresome synth solo, the bass like controlled explosions of pure silk gloss underpinning all of the above greatness. It really takes your mind for a ride.

Also it might just be me, but it's mastered low enough to be able to turn the volume right up… it's kind of satisfying that I go to turn the volume up on this one and it's already FULL PELT ✔

  • This fantastic slice of inverted-Jersey-Club footwork from these Maltine playmates stands next to a very different but also quite amazing beast called 'Twin' by Hyper Juice on the 2-track Hypa'slam EP, a collaboration between the two artists available nowhere except on your computer for streaming.



☟ Pa's Lam System Social Media Presence ☟
SoundCloudTwitter


Monday, 25 August 2014

ONDA SUAVE – CHARM

Onda Suave! Cool name. I don't know what it means, but it sounds good. Rolls off the tongue. It's just as well because this guy, real name Harold Ordonez and from New Jersey, makes some cool music, too. It's very nice (despite being started as a self-described hobby, but isn't everything, to start with anyway?).

Case in point is 'Charm'. It's a reworking of the brilliant 'Midas Touch' by '80s synth-pop outfit Midnight Star . The bassline of the original makes a return, sped up to an ecstatically danceable tempo, which makes it sound more disco than anything else but kinda like, doesn't matter what it is. Because it's GOOD: Glamorous hedonistic retro-futurist boogie kinda good.

Carved from the original, vocals becoming a flashing neon mosaic of their former selves, cut with abstract surgery and reverbing away into the unending midnight strings, the syncopated funk chords shivering with groove. Add in the satisfying dynamic of muffling all treble in a satisfying plunge-pool of sound for the ears and you got something here that's gonna pull you in and hypnotise you into a foot-waggle, a head-nod, a full-on-body-moving experience.



☟ Onda Suave Social Media Presence ☟
TumblrYouTubeInstagram


Sunday, 24 August 2014

HOT FLASH HEAT WAVE – DIRTY DREAMER (XXX)

There's a reason why this kind of music never really took off, or in fact wasn't even born out of a cold country. Well, actually, who knows the actual direct correlation, but basically it's very sunny music and it is & will be eternally associated with California. Which is where this four piece, Hot Flash Heat Wave, come from – specifically, San Francisco.

But location-schmocation, right? 'Dirty Dreamer (XXX)' is a lo-fi nu-doo-wop coastal groove, claps and stabs of golden guitar following a timeless pattern that is soaked in nostalgic americana. Vocals cut through in distorted serrations of sound, a who-the-fuck-cares lassitude simmering within, even though it's filled with hum-along hooks. Speaking of which, dig that bright guitar lick that pops up as a pre-verse treat, utterly dripping with cool.

More slapdashery arrives towards the end of the track, where a guitar solo breezes in a virtuosic tangle, something so totally satisfying about that sound: the perfect excitedly euphoric crescendo to a track seemingly inspired by swift, raucous romances.



☟ Hot Flash Heat Wave Social Media Presence ☟
FacebookSoundCloudBandcampTumblr


Saturday, 23 August 2014

JANETTE KING – DUSK

For a song called 'Dusk' to sound like actual dusk is, well, you'd kinda expect that to be the case. But somehow not as accurately as Janette King has done it. The track perfectly captures the stuttering fade-out of evening, the slow grudging descent into night as the air fills with twilit sounds, part unnervingly evocative of our mortality, part beautiful.

This is a grand piece of ambience crossed with off-kilter hip-hop style beats, following a seemingly arrhythmic pattern, with the fizzing punch of its snares and somehow urgently ticking hi-hats, pulverising kicks with that thud leaving poignant trails of dust having been disturbed.

All the while, piano plays in jazz slant, dark-world lounge bar melodies tinkling beside aching synth strings, squelchy bass underpinning this in no small part, with this fantastically stark BIP noise every now and again. What with the truncated synth solo at the end, a resonant, soulful snippet describing the sun hitting the horizon, throwing its last oranges and pinks across a serene and sea.

Janette King herself is a musicmaker from Vancouver, with an as-yet-unnamed EP apparently on its way. With stuff this good, it'll be nice to see what she's got in store for us next.



☟ Janette King Social Media Presence ☟
FacebookSoundCloudInstagramTwitterTumblr


Thursday, 21 August 2014

LAZY INTERVIEW #26: KERO KERO BONITO

← LAZY INTERVIEW #25: TROPES

Another Lazy Interview. #HaterzStayBack

But in all seriousness, a trio of very nice musicmakers making unique music step up to the plate and hit three over-the-fence home runs. Yes, it's Kero Kero Bonito (or KKB as you are quite at liberty to say)! This 3-piece are doing good things for music. Why? How? Well they make a kind of pop music, a weaving together of gleefully pedestrian bilingual rap, minimalist drum machine dancehall, and cutesy melodies: something they've tagged "ultrapop" and something that I doubt you've ever truly heard before. You may've heard incubative versions of it, but nothing like this. No no no.

They dropped their debut mixtape / album Intro Bonito last year, and made it freely available, but NOW they are releasing it on Monday, officials, on nifty record label Double Denim. I talked about the first offering from that mixtape (which is now strangely the LATEST track to be taken from the album) called 'Sick Beat' – a great introduction to the wonderful world of KKB, and interesting in that Sarah raps about playing or, actually, being sick at videogames, with the line "It's often said, I should get some girly hobbies instead" just about summing up the unfortunate opinion of the general populace (probably). GAMES FOR EVERYONE is what we say.

There's also a very fun video for call-and-response style track 'Kero Kero Bonito' – super colourful and nicely random, why not watch it?

Anyway they're just about blowing up right now, and with the album being released on Monday, what else is there to do but be dunked concisely into the "playful/strange" swimming pool that is KKB as they collectively quickfire-answer these damn lazy questions of ours.



Who are you? Where are you from? What do you do?
We’re KKB, we’re from everywhere and we do our homework.

Why did you decide to start creating music?
Because the youth of today need a political voice!!!!!!!

How would you describe your sound? What makes you and your style stand out?
Bilingual schoolyard dancehall. Bilingual schoolyard dancehall.

Is there a perfect time and place for listening to your music?
iTunes, any time.

What inspires you most when writing a song?
Cats, dogs etc.

What is your most memorable musical experience?
We played at a local hall and the old people were dancing in a ring.

What are your favourite three songs at the moment?
Sarah: Chibi-Tech – Moe Moe Kyunstep (PART II - キュン -)

Jamie: Danny L Harle – All The Time

Gus: Pa’s Lam System – Like A Lady

Who do you most admire in the music world?
Jack Thomas and Hari Ashurst-Venn.

In your opinion, what is the future of music?
#ultrapop.

What's the future of your music - what do you hope to do next?
More chords – world tour.

What, aside from music, is most important to you?
Social media presence.





← LAZY INTERVIEW #25: TROPES


☟ Kero Kero Bonito Social Media Presence ☟

FacebookSoundcloudTwitterTumblrYouTube