Showing posts with label Doo wop. Show all posts
Showing posts with label Doo wop. Show all posts

Wednesday, 14 March 2018

🐣 MALENA ZAVALA — COULD YOU STAY

When this song first eased into its beachside doo-wop flavours, oh how much like an island paradise it seemed, how with the slow sweep of chords it paints this lightly clouded atmosphere of warm sky and swaying palms. Yes, there is this total tropicalia sound that is undeniably smooth and sleepy, sounding not exactly like but certainly recalling with its lovely Hawaiian-guitar-esque guitar refrain the nighttime soundtrack for the island on Animal Crossing: New Leaf—chill and languid, melting into the landscape itself, that lazy feeling that overcomes people when they are transplanted from temperate climates to subtropical coral islands. And that ticking bongo percussion, somehow the glow of tiki lights, flashes of paradise.

But in Argentinian London-based Malena Zavala’s gently undulating song ‘Could You Stay’ – an oscillating rhythm that feels like the slow collapse of beach-bound waves and their ambient wash across the sand – there is also this filmic doo-wop pattern to the bass, something that takes us from the expanse and carefree enclave of island life to a more intimate nocturnal setting; this is especially highlighted by the pining vocal refrain, “Could you stay for a while…? Even just for tonight…” And a closeness radiates from the warmth of the track, the embrace of its soft synth chords, the hopeful chorus of layered harmonising vocals. It’s a lovesong before it becomes a lovesong, the tingling outstretched hand question before the reciprocal answer, the searching sashay of desire.




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Sunday, 24 August 2014

HOT FLASH HEAT WAVE – DIRTY DREAMER (XXX)

There's a reason why this kind of music never really took off, or in fact wasn't even born out of a cold country. Well, actually, who knows the actual direct correlation, but basically it's very sunny music and it is & will be eternally associated with California. Which is where this four piece, Hot Flash Heat Wave, come from – specifically, San Francisco.

But location-schmocation, right? 'Dirty Dreamer (XXX)' is a lo-fi nu-doo-wop coastal groove, claps and stabs of golden guitar following a timeless pattern that is soaked in nostalgic americana. Vocals cut through in distorted serrations of sound, a who-the-fuck-cares lassitude simmering within, even though it's filled with hum-along hooks. Speaking of which, dig that bright guitar lick that pops up as a pre-verse treat, utterly dripping with cool.

More slapdashery arrives towards the end of the track, where a guitar solo breezes in a virtuosic tangle, something so totally satisfying about that sound: the perfect excitedly euphoric crescendo to a track seemingly inspired by swift, raucous romances.



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Thursday, 12 December 2013

SUMMER TWINS FORGET ME (ROLLERGIRL REMIX) [FREE DOWNLOAD]

Hello how is it all going? Well I hope. Now that we've done away with the pleasantries, let's get down to business shall we? The nitty-gritty. The crunch. Whatever you call it: let's do it. And by that I mean, I'm about to start writing about some music that I have found so hold onto your hats, tuck your shirts in, finish the food that's already on your plate and do everything else you need to do in order to read words with your eyes. You ok? No, neither am I.

So, what do we have here? We have Summer Twins – oh! That rings a bell. Yes it does because I wrote about Summer Twins at the beginning of Summer. I wrote about two of their songs, 'I'm No Good' & 'Forget Me' – they're a duo (twins actually) who specialise in creating retro-Americana sounds, full of surf-rock twang and doo-wop 60s prom night romance. It's nice, generally gentle stuff. But here marks a change: enter Rollergirl. Yes, Rollergirl. He – or at least I think it's a he (???) – has remixed Summer Twins' beach-friendly tune 'Forget Me' and it sounds pretty much very different from the original I'd say.

Preserving the twinkling melody of the original, the remix instantly puffs out its chest in bold and ballsy fashion – this is pretty much indie dance at its dirtiest and fuzziest. The bass flaps like a loose telegraph wire powered by people's dancing feet as a thumping kick and crashing hi-hat create an uptempo disco groove. By the end of the song, the sound is a veritable explosion of gloriously live-sounding instruments, everything half-distorted and super-powered with the sound of someone basically "going for it" on the drums and everything else, punching out the sound with glorious gusto.

The vocals are like the only part of this song that's kept wholly intact. At first it was kind of strange hearing the soft tones of the Chelsea and Justine Brown – the "twin" parts of Summer Twins – but then it allowed the remix to remain true to the California sun-pop vibe of the original, whilst still being able to turn up the roughness on the other elements to the track.

Rollergirl's self-titled debut album is out and has been out for a month courtesy of Nah Collective. And you can also download it from Rollergirl's Bandcamp (below).



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Saturday, 1 June 2013

SUMMER TWINS FORGET ME // I'M NO GOOD

Somehow, strangely, I have never heard of Summer Twins, or rather I had never heard of them until a few weeks ago. I saw their name, and photo, on a poster for a tour they were doing in Japan. I can't remember who was supporting on that tour, but it was probably someone I wrote about around that time. Anyway. That's just it: why are two girls, twins no less - Chelsea and Justine Brown - from California known more in Japan (presumption) than elsewhere? Strikes me as a little strange. But then again, didn't the Beatles try out their stuff in Germany first? I don't know.

In any case, Summer Twins are a duo (joined by an additional guitarist and bassist in concert) who make music with a doo-wop cheesy Americana 50s-60s feel, sometimes more rocky and up-tempo than others. It's melodic and romantic, cute and heart-wrenching, the kind of stuff that Best Coast would do minus the lo-fi and minus the distortion and less negativity. I think, anyway.

There are two songs from the Brown twins this time, both hot off the press and both from their upcoming Forget Me EP, out 4th June on Burger Records. I can start with the title track, 'Forget Me'.

With a pitch-bending, surf rock style guitar, the song begins and soon warps into a ballad with a catchy, toe-bopping guitar melody. The rhythm guitar echoes with nostalgia, as do the backing vocals and the main vocals themselves especially when they sing "I'm trying to forget you, so forget me" - it's magical stuff. Wobbly guitars stand in for tears as the drums beat a pattern around the emotion of the song.

It's definitely by-the-beach, drenched-in-sun kinda music, soaking retro Americana, big-bodied guitars and horn-rimmed glasses and pastel colours. All that. Next single from the EP, and the B-side to 'Forget Me' is the end of night sweetheart crooner, 'I'm No Good'.

From the beginning of this song with its opening lines "I'm no good / I'm no good for you..." it's clear what direction it's going in. It has such a cute doo-wop kinda sound, the vocals being somewhat more heartfelt than in the upbeat 'Forget Me', although it's broken up with a singular jagged break in the sound where the drums thump together with the guitars. The main guitar melody is a warbling arpeggio, backing vocals suitably softened like muted spotlights on a packed slow-moving dancefloor, everything in a 3/4 or 6/8 (whatever) waltzing rhythm, hands around the waist of an partner, prancing around the room. That's what this song is.

It's cute, I like it.

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