Showing posts with label hooks. Show all posts
Showing posts with label hooks. Show all posts

Thursday, 3 April 2014

COOL TRIPS – GIVE ME THE LIGHT

I heard this a while ago, it got sent to me, I dug/dig'd it, I still dig it, but I never got around to writing about it. Why? I dunno. Literals don't know. Just one of those things that just escapes the mind. Sievelike stuff, I know. But the important thing is that I'm here rn writing this. To tell you the truth, I've actually been getting this song, or at least parts of it, stuck in my head in a kind of occasional earworm that lasts for as long as it lasts for (it would be really difficult to measure how long a song is stuck in your head for – somebody needs to do some more research on this). Anyway, that's a good sign isn't it? So, getting it in my head just a few minutes ago, I finally relented and just thought to damn well sit down and do some damn writing about it.

So what is this and who is it by? It's by Cool Trips who is from Portland and who is actually called Matthew (maybe Matt) Scott and he's uploaded just one song to SoundCloud called 'Give Me The Light' but it's a very good song. Like I said, it's been in and out of my head since I first heard it a couple of weeks ago. Let's listen.

It's a total mix: funky with wah-wah guitar twiddlings, yet there's a dub reggae feel thanks to its slow offbeat rhythm and the syncopated piano chords, and an overriding feel of what is basically post-chillwave with a smooth fluidity that is wholly conducive to a laid-back vibe. Cutesy blips appear as ornamentations throughout as the vocals do their thing, their very catchy thing (yeah that's where all the hooks are at), singing soulfully in a faraway manner, almost lamenting at times – especially when the near-shiver-inducing chorus kicks in with the elastically pleading "I don't want it to be over / Is there nothing I can do?", and the fatalistic "It's not me… It's not you" simultaneously full of feeling and style.

So that was that. How do you feel about it? I really like it. He's doing something new with pop, with indie, putting hooks in amongst thickets of styles and sounds and letting you go in yourself and have a look for them without being obvious at all – exciting! And for a first song (ever?) it is even more impressive. Hopefully there will be more to come from Cool Trips – keep yer ears open!!



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Monday, 31 March 2014

NEON BUNNY (야광토끼) – IT'S YOU (너여야) [VIDEO]

I have been spending most of today looking out of the window at the same view I pretty much always look at. It's greenish, pretty, flowery, but it's not inspiring me. And neither was anything I had heard up until now. Then I remembered that I had to check out this new Neon Bunny track. And I was cured! Cured of my malaise. Cured I say. Thanks to K-pop. Or K-indie.

Where are we now? Anyway, this is the THIRD Neon Bunny (real name Lim Yoojin) track I've heard and the third I've featured here. I discovered her at some point last year (with her song 'Oh My Prince') when I was actively exploring the Seoul music scene – and what a happy discovery! Since then, she's worked with fellow Korean producer Demicat on the song 'Singing Bird' from his Out Loud EP and, well, not much else that I know of. Until now! This song has seemingly appeared out of the blue as a purchasable single and it's called "너여야" (neoyeoya) or 'It's You'.

Like her past songs, this one follows in their footsteps with electro aplomb, fuzzy distorted saw-wave bass blasting in waves, losing its distortion outside of the catchy chorus, where Neon Bunny's gentle voice sings the hook, and where the beat bustles with doubled-up hi-hats in all its footwork flavour, snapping back and forth between cracking clap-snare combination and throttling kicks. Swept with waves of mystified chords and glistening delicate melodies, this is a song of contrasts: the sweet and softly sung vocals with their near-nostalgic pop sensibilities; the hard and driving beat drenched with harsh distorted synth. But it works wonderfully.

Hopefully, and I don't know if it's the case or not, this is taken from an upcoming album. It'd be nice to hear a full-length collection of songs from Neon Bunny. I mean, even an EP would do. But for now, the summery 'It's You' and its addictive, perfectly pop sound is just fine!



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Tuesday, 25 March 2014

NOLA WREN – SOUL SUCKER

Ha ha! Well. This just flew into my inbox from far across the ocean – the Atlantic ocean btw. It instantly jumped into my ear and started doing cartwheels, carrying out a spot of light raving, and sending basically some really nice soothing sounds. Why did it do that? It did that because it IS really nice, and nice things tend to act upon you instantaneously – it's physiological yo.

I will hark back to a moment I was told about once; a friend told me about a random commenter who said that it was probably "a bad sign" that they liked a piece of music straight away. What sort of garbled tripe-shit nonsense is that? I instantly liked Ace of Base's 'All That She Wants' when I heard it as a child, and when I hear it now, I still like it. I didn't WORK to like it. Anyway. Don't believe the hype: like what you like however you please.

Sorry. What was I saying? YES these are the sounds of New York City resident, musicmaker and self-confessed "nocturnal creature", Nola Wren (real name Kara Francavillo). In her most recent track, 'Soul Sucker', she evinces a certain pop nostalgia in a cradle of comforting sounds, a mix of organic and electronic stuffed full of vocal hooks and a driving beat.

Founded on a clattering acoustic guitar (which minutely reminded me of The Yeah Yeah Yeahs, in a good way ofc) with glistenings of electronic scatter-beeps decorating like glitter, the song shoots along with emotive intent, totally encased in pop trimmings, Nola Wren's supersweet voice crooning out the melody amidst light synth chords and harshening for the rapid-fire "Soul sucker, soul sucker, you'll n-n-n-n-n-n-never get my…" in each freshly reverbing chorus as distortion juts upward against the thumping beat.

All in all, it's a treat for the ears, an unabashed pop song that holds no pretence, injecting at the same time a particular marginal attitude – an essence, at least, of punk (perhaps) – into the music at the same time; no mean feat. Honestly I think this is a very good song, how can I stress that any further? And it's only a demo!! But it sounds great!



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