Showing posts with label et aliae. Show all posts
Showing posts with label et aliae. Show all posts

Monday, 20 October 2014

LEMONADE – COME DOWN SOFTLY (ET ALIAE REMIX)

From the first organic twinklings of this track, it's a joy to listen to from start to finish, and marks a slightly harder sound for its creator, the one who remixed 'Come Down Softly' rather, London musicmaker et aliae. The kicks, locked into syncopation with the smart synth chords, seem to thud with more rumbling punch than they ever have done, yet she retains the sense she brings to all her songs, that of floating in a known unknown, a substantial cloud of nothingness travelling down glossy new waterslides in the slacker capacity of ride tester; you don't have to queue for this shit, it's instantly accessible.

The original track by Brooklyn band Lemonade (who can now count et aliae as a labelmate; this remix marks her induction to supernice label CASCINE) is a reverbing wash of sound with an oceanic feel, one that et aliae has channeled into fluid streams and angularly winding rivulets through her use jazz-flavoured chords and more legible beats than feature in the original, abounding with virtuosic hi-hats and tropically lilting shakers, and retaining the phantomic reverbing of the original's vocals.

I guess this is it. A very nice remix of a tasty song, which has helped to illustrate the power of internet music: even without pretence, it WILL BE and HAS BEEN noticed.



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Wednesday, 4 June 2014

ULZZANG PISTOL – PASTEL 女の子 (ET ALIAE REMIX)

Welcome. If you've never been here before, well done to you; if you have been here before, well done to you, too. Basically, we're here today to talk about a remix of a song, or perhaps more specifically a remix of a track. I actually heard the original track, 'PASTEL 女の子' (where '女の子' – onnanoko – means 'girl' in Japanese), a few weeks ago and thought "hmm ooo yea I'ma write bout dat" but it seems it never happened. However, now that I'm here, and you're here, it's the perfect time to give it a sprinkling of spotlight.

So yes, the original, by Filipino musicmaker Ulzzang Pistol – who also heads up the Philippines-centric Youngliquidgang collective – is a Latin-flavoured slice of synth-lounge, complete with groovesome bassline, 80s-drum-machine tom fills and glimmmerings of glockenspiel. A kind of laid-back, easy-listening, city-by-night feel, flourishing in its own sense of romance.

Made for and taken from the net-station/label datafruits.fm compilation, Funky Freaky Freestyley, Ulzzang Pistol put it up with downloadable stems, allowing anybody to remix it. And that's exactly what et aliae (which means 'and the others/rest' in Latin, but it's feminine plural so could be translated as 'the other girls' or sth like dat) has done.

Mixing the dizzy potential of R&B-inflected beats and neon-tinged tremolo synth chords with softly reverbing marimba and gentle glassy cascadings, the London-based et aliae produces a stunning remix that simpers high above the original; a persistent ghost of swirling cloud-sounds that summon silver-outlined dreams.

Say, if the original was the actual soundtrack to a person wandering around the heart of a city replete with bustling streets and entertainment at every turn: then this remix is that person's out-of-body experience, their true consciousness floating as their body is jostled by crowds, beset on all sides by relentless sights and sounds and smells, seeking without end something indescribable.

Or at least, that's what I get from it... so uh...



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