Showing posts with label breaks. Show all posts
Showing posts with label breaks. Show all posts

Friday, 26 June 2015

MINOGAME – FORGET ME NOT

Any style of music suffixed by -core generally isn't widely held to be inherently "beautiful". Leave that to Edvard Grieg and ambient music and toytronic etc. But there are people out there making music that is both xxxxx-core and beautiful. Stunning, actually, if we want to all out on this one.

Specifically I'm talking about lolicore and this track, although not tagged as such, by Minogame called 'forget me not'. I've sort of self-diagnosed it as lolicore because it's arrived to our ears courtesy of lolicore-aligned label The Worst Label. We arrive now at the crucial moment where you open up the the keep gate of your mind and let in the broken frantic beats and vital charm of this piece of music.

It begins with delicate harp prostrating itself sadly amidst the finely textured rain sounds, the fluid plunks of the harp are joined by emotive strings as crunchy bitcrushed beats begin to clack into view, marching across the sky with all the crazed static of an approaching storm. Here is pathetic fallacy in music itself: a sad song mirrored by the eruption of heavy rain and thunderclaps.

Which may or may not appear in reality: amidst the chaos of rapid-fire, stretched and pitch-shifted, tormented snares there need be no extra sound effects. The breaks themselves are stormy enough, punctuated with offcuts of unknown high-register vocals, ripped apart and scattered for melodic effect as the aching virtuosity of these drum edits continue on their way. All the while, a new element in the touching backdrop of sound, a soft, resounding set of occasional chords, laps at the jagged corners here with puppy-dog eyes.

WHOOOSH~~ and we're back in the melting, heart-wrenching emotion from the beginning of the song. A subtle ringing bleep signals every now and again, then cuts into a continuous tone just like the beep of an ECG machine that tells you when someone's heart has stopped. Through this song, after breakneck calamity, a heart breaks somewhere.




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Friday, 29 May 2015

GOMIGOMI – TRUE LOVE

What do we have here? It is a song by a producer called gomigomi and it's called 'True Love'. I was checking out a compilation by lolicore/breakcore affiliated label called The Worst Label; if you don't know it and you happen to enjoy glitchy heart-attack breaks distorted noise-verging sounds mixed with occasional swathes of beautiful melody and topped with anime/manga (to be very broad) aesthetics – including a fair few samples thereof – then you should check it out. Clicking some sort of link or googling it will get you there but why am I saying this.

The compilation, called #N0T TRU3 LUV, was curated by gomigomi and features other artists in the same sort of vein of music (Riajuu, Rotten Blood, Napkin Terrorizer, p.stmdrn, Vixenvy). Why gomigomi, though? Why not any of the other artists on the compilation?

Basically, this track 'True Love' stuck with me. Sure, it's like a minute (01:16) long, but within this modest unit of time there's a galaxy of sound. It's like a masterpiece in miniature, and perhaps the great thing about making tracks with such breakneck BPMs is, in theory, you can fit more in, but that's a very basic way of looking at things.

The rolling drums in the beginning section of the track arrive with a kind of triumphal march feel after a spot of Japanese language lesson in the sample – "hajimemashite, nice to meet you"; delicate music filled with flutes and harps gets chopped and sandwiched between the beats, or "breaks" if you're feeling specific, laden with glitch sensibilities, as they become more raucous and FX-beset, the beats are crushed, sped-up, slowed-down, brought back to the more organic feel of the initial drums, all in all juddering like a mad machine but with a sense of breezy cuteness, broken pastorality.

Speaking of which, a later track on the compilation seems to be the spiritual sequel to this particular track. That's in terms of the broken-pastoral quality, anyway. It's called 'Hitbox Samurai' (a "hitbox" is the area that's assigned to an object in a videogame, the boundaries of which define when that object is "hit" or struck in-game) and it's served up with similar slices of diced-up incidental music, giving it a breezy atmosphere whilst the beat here is even more glitched-out than before, with stuttering vocal samples peppering their truncated cuteness throughout.

An interesting note: These tracks and the others on the compilation are all tagged "shoujocore" – shoujo, if you don't know, is a Japanese word that basically refers to any underage girl (i.e. younger than 20). This could be taken a few ways: an attempt to dissociate from the lolicore label for whatever reason; or it could be a conscious attempt to mature the lolicore scene by gently nudging it to the next natural age level; I think gomigomi used to go under the moniker matoakai, so it might reference this progression; or lastly, and quite probably, the label of shoujocore is a preferential whim. I've not seen it before, but it could already be a thing, in which case I'm guessing it just refers to a different type of (less loli-oriented) aesthetic.




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