Showing posts with label alternative pop. Show all posts
Showing posts with label alternative pop. Show all posts

Wednesday, 30 August 2017

🐣 EINARINDRA — SWEET HONEY FLOWS

This track is a proper little journey, a progressive electronic symphony that twists through darkness with snaking smoke twisting curling caught in angular spotlights that make cones of the thick whitegrey clouds, pulsing and strobing in time with the offbeat percussion that booms clicks and ticks for the duration. Fittingly it's called 'Sweet Honey Flows', the words which Reykjavík-based artist einarIndra sings in the choruses of this dark minimalist electronic pop song, accented with undeniable kinetic energy – but slow, aching – from its offbeat trip-hop foundation.

Synth plays a big part, fizzing and softly soothing at times, a great backdrop for the crooning vocals, both of which float into the voidsomeness going on here, the emptiness that sloshes all around and that ebbs and flows on all sides of the islets and crags of sound, a tide of dim spaciness that gives this track a moody somewhat sultry atmosphere—reminiscent of James Blake, for instance. The simple intricacy of the beat is something to get latched onto as well, with interesting rhythms between the alternating sharp sheen of the hi-hats and the full-bodied smash of snares and the thudding kicks playing in rubato triplets. It rises up later, progressing as it does into a tract of fairly intense synth buzzing and striking soulful strings, but it is restrained, maintaining its neo-noir cool, its nowhere romantic despairing flavour.




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Tuesday, 29 August 2017

🐣 SILENT STRIKE — MELANCHOLIA FEAT. EM

The space in this track give those simple electronics that ping and twinkle a luscious cushion, the best cushion: room to breathe. The muffled but sharp lo-fi fuzz of these synth blips resonates into a thick void, making this track by Romanian musicmaker and film score composer Silent Strike one that is nocturnal and sultry, aided of course by the aching vocals of featured singer EM which shimmer with a mist of vocodered plasma. Slowly the song unfolds, sadness haunting its every graceful kinetic step.

Alongside the vacant space and reverb in 'Melancholia' there is warmth. Bass kicks boom tumbling along, a trickle of blooping boops spread softly, a fizz of synth warmly winds its way into the mix, a delicious fingerclick keeps time. And in the chorus it grows ever thicker, swaying with EM's now lilting layered voice and a slew of unexpected ornamentations, high-pitch chords that flash like mini shards of lightning, locking in with explosive snares, and hi-hats that tick and then rattle and then uzi drill panning left to right. The song is an exercise in creating pop music with real experimental elements, the almost outlandish use of noises, rhythm, space, makes this an evocative piece deserving of its title.




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EM Internet Presence ☟
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Friday, 19 July 2013

YO'TRUE WILD RICE

I was very worried about even featuring this music. It is because, personally, Tellison do not excite me very much, if at all (sorry). However, I was pleasantly surprised to find that this ex-member of Tellison, Yeovil-native London-based Ben J. Wood - now obviously going by the name of Yo'True - has made some very nice music. Yes, this is his debut album, the enigmatically titled Wild Rice. The image you see here is a drawing done by Mr Wood himself - he apparently has a variegated collection of Sharpies that he regularly makes nice art with. The album itself is musically short and sweet; it is for the most part a quite delightful selection of sounds that embrace pop of the sugary variety.

The beginning of it all, 'The Wildlife', sets the scene with an electric piano against a swathe of tinkling bells and light percussion - a retro electropop kinda sound. Atmospheric and nocturnal sounding. When the vocals come in they certainly retain an indie-guitar-band kind of style; they're at their strongest when they're layered in rich sounding harmonies. This definitely has a wildlife feel about it, the song even sounds like a 'diet' version of Toto's 'Africa' in places. The retro guitar breakdown towards the end shows another type of pop - it's not all electropop.

I discovered that this much was the case with 'Bedford'. Honestly, it feels very out of place. The gallumphing '108' has the rhythm of a Black Lace song and I'm also not sure about this one. It's not because they're "guitary", it's because they're not exciting. Soz. I feel that Yo'True is at his strongest when lending his vocal acrobatics to multi-layered, quirky pop backdrops - as in second track 'The Dough'. This is more like it. The chords of the electric piano in this give it a great ambient atmosphere at the start, but when it kicks in for real there's this wholly danceable groove created by an infectious beat and the glossy virtuoso bass, punctuated with bright synth chords. Catchy vocals too. You can stream that below! Enjoy it!

Thick vocal harmonies also play a major part in the half-skiffling, half-chilled-and-quiet 'Achiever' - where the breathy synths in the faster second half of the song sound like a level from Sonic - as well as final track 'Pilot Light', which powers ahead laden with endless waves of synth chords. But it's not just in speedy songs where this album has its strengths - it's also in the relatively slow, like the first half of 'Achiever' and also 'Time Trials'. The deep R&B groove of the latter is in its laid-back bass and almost sparse beat, making use of the empty spaces between sounds to create an epic sound. Here also, that characteristic thickly sandwiched vocal style jumps out at you, decorated with falsetto adlibs.

Aside from those two tracks I mentioned as not fitting the grand scheme of this album, it's a really nice listen. It is retro pop with a unique touch, playful, quirky and rather infectious in places - a foray into a world of alternative pop. 'The Dough' is, for me, the standout track, it just buzzes through you (in a good way) and just itches to be liked. But anyway, if you like the sound of this, Wild Rice is out 5th August on Rogues Records.

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