The crunch of it, the frustrated clenched fists broil of it, the distorted decay of it all and veiled with a haunted corridor of wobbling ambient sounds to create this negative miasma clouding over the robust solidity of the mechanical swampsome sounds at the foundation, the emptiness that this track summons is vast and uncompromising. Sydney-based artist Isserley returns as the formidable force that we saw in 'Advent', her seemingly small childlike voice poised as it swoops disjointedly around the room, a glinting tone like a silvery flash in the dark, growling walls of synth bass fuzzing and pushing on your spirit, helping the musicmaker to illustrate the blocky angst at the heart of 'Privilege'.
"Sadness doesn't discriminate at all," Isserley writes in a message to yes/no, "and it always angers me when people assume that if you have money or a certain superficial quality, that life is inherently perfect."
Throughout the song she slurs in slow measured lines, monotone for the most part and sometimes dipping down to a low mutter, a drugged vacant quality as the languishing speaker attempts to tell themselves they have a secret weapon in privilege—the classic overcompensation of an unhappy soul. Isserley explains further: "The song is essentially a collage of miscellaneous misanthropy, nihilism and sarcasm directed towards the attitude that just because some people don't suffer the same problem as you, they're not suffering at all."
Indeed it begins, "I sit here waiting for the end of my suffering…" and the lyrics later ask, "But how can I be something, when I am surrounded by people who make me feel nothing?" — always the scuttled abrasive beat, the bruising calamitous synth, the soundtrack to dying inside.
- 🔔 'Privilege' is part of a new cycle of songs by Isserley—will or won't there be a new release? Either way if you like this go check her 2016 album Messes on Bandcamp.
