Showing posts with label Fortune Howl. Show all posts
Showing posts with label Fortune Howl. Show all posts

Friday, 22 November 2013

FORTUNE HOWL PAWS (BO EN REMIX)

Yo. Wow. This is good. Let's rush straight in. Rush we go. So, this is another one of the pretty damn awesome re-workings of the songs from Fortune Howl's Earthbound, collectively called Earthbound [Remixed]. I wrote about one of them - Bwoy De Bhajan's remix of 'Interzone Export' - the other week. And, listening through it now, there is so much talent going into these remixes that it's impossible for them to be bad. Or perhaps talent on its own isn't sufficient; each of these remixers has a definitive voice and style, making each one more than a remix - something closer to an original track.

There's XXYYXX's synth-heavy trap-leaning version of 'Echo The Sun', for instance, and also the lush, ghostly remix of 'A Terrible Machine' by Mister Lies. Likewise, London producer bo en sets off some seriously sweet fireworks for us in his remix of 'Paws'. Fortune Howl's original is a luscious, ballad-like number that swoons with vocal samples, warm synth waves and slow-dance drums. bo en's remix is very different.

Taking cues from a synth-heavy revival of Japan-exclusive genre Shibuya-kei (a mix of jazzy lounge sounds with traces of synthpop and lashings of pop energy), bo en - real name Calum Bowen - turns 'Paws' on its head and makes it his own. Beginning with a deliciously funky, 80s-themed intro, complete with some scene-setting slap bass, at once we're bowled into the nu-Shibuya-kei that bo en does best. Puffs of fidgety synth chords overlook a fast house kick as the original vocals float over in washes of reverb. At 0:55 he samples Yoshi's down+B move from Super Smash Bros. before launching into a candy-coloured world of modulating synths, squeaky bed sounds, claps, down-south hip hop snares and remnants of samples.

The rest of the song reads beautifully, a floating mist of the song's original vocals, a saxophone solo, wah-wah chords, samples of "Hey — hey!" all cradled by a rainy-night synth bassline and 80s drum machine beats. A classy yet magical finish, like a rendezvous with a high-class escort who turns out to be searching for someone to help her solve an existential, metaphysical mystery - you becoming the reluctant detective. It moves flawlessly between sugary sweet nu-Shibuya-kei and retro-infused sounds - a teapot brewing leaves of tea-breaks past - combining many different elements that on paper would seem barmy. Hip hop drums? A little known Japanese genre? Slap bass? 80s aesthetic? Videogame samples? Yep, all of that. But the way that Mr bo en melds these sounds into a cohesive, dynamic showstopper of a track that's as jaw-droppingly impressive as it is unabashedly enjoyable.

You should definitely check out Earthbound [Remixed] for your fix of totally fresh sounds. And a FREE DOWNLOAD. (The fact that the album and its original are named after one of my favourite ever games has no bearing on the matter).

Also, check out bo en's lovely debut album Pale Machine out on supernice Japanese netlabel Maltine Records - and download the whole thing for free.



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Wednesday, 6 November 2013

FORTUNE HOWL - INTERZONE EXPORT (BWOY DE BHAJAN REMIX)

Maybe the title of this track is influenced or inspired at least by William S. Burroughs collection of short stories Interzone (or maybe just the place mentioned in his more-famous Naked Lunch) - maybe it's not. Either way, although it's nice to know details like this, we shouldn't get tied up in the details.

I found out that an artist from Orlando, Florida, called Fortune Howl (whom I'd not heard of before) is releasing a remix version to his album Earthbound. Again my curiosity was piqued: What? Did he mean Earthbound as in the really cool SNES game Earthbound? Getting distracted again. In any case, this remix album is scheduled for release on label Relief in Abstract and, I've read, includes remixes from artists such as London Shibuya-kei enthusiast bo en and merchant of ultimate chill XXYYXX, amongst others.

One of these remixes is by Bwoy De Bhajan, the subject of this post right here. He's an 19-year-old beatsmith from Copenhagen called Søren Thygesen who already has his own distinct style of abstract experimentalism that's sure to turn a few heads as time goes on (he himself describes it as "mind bending glitched out ethnic bouncy abstract whompy bass music" which is pretty much on the nose). He's remixed 'Interzone Export': a watery, ballad-like, somewhat epic number in its original form, turned now into something from another dimension.

Putting parts of the original to good use - the sweeping, faraway vocals, the watery noises, the snippets of acoustic guitar and those occasional tuned percussion (marimba?) flourishes - Bwoy De Bhajan puts his own spin on it. From the first crunching punch-thump of kick, river sounds ever-flowing in the background, a warm ambience pervades the song, decorated with an assortment of scratches, clanks, and gravelly crashes. The bass is finely distorted, a smooth gloss with a grainy-sand roughness to it. There is no in-your-face glitchiness here; everything is measured, the various percussion and other noises seeping into your mind rather than attacking it outright.

It's an ambient yet powerful treat that exudes a lonely-but-it's-fine-really feel, a curious vibe of necessity in being alone. Maybe it's just me. In any case you can cop this remix and more when this is released on 19th November, available for streaming & download on Fortune Howl's Bandcamp/SoundCloud pages (below).



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