Showing posts with label Arizona. Show all posts
Showing posts with label Arizona. Show all posts

Wednesday, 16 May 2018

🐣 LEESH — REMEMBER

With its variegated textures, from trickling percussion to wibbly synth like otherworldly spirit voices, and a sense of space that borders on threatening – like, you can almost imagine things lurking in the heavy electrically charged spaces between sounds of the track – this track is awash with mystery and delicacy, like some luxury item hidden in the depths of a forest, or like approaching a neglected shrine overgrown with creepers and leaves. LEESH, a musicmaker from Arizona, has succeeded in creating a vital soundscape, one that pulses at all times with power as much as intrigue, a mystical natural landscape conjured using a big imagination combined with a pristine collection of synthetic sounds.

"This track was definitely a huge experiment for me," LEESH told us via email. "I wanted the track to feel familiar, but disorienting and kind of uncomfortable at the same time. Mostly the inspiration came from trying to do something that nobody has heard before."

Between soft subby kicks, like the faraway footsteps of a giant beast, and woodblock hits like trees being tapped, skittering percussion – hi-hats, like unknown flitting creatures and a spooky arpeggio make this track feel alive; the feeling of being lost in strange woods. And by the end, the cyclical nature of the track stops, the unexpected journey is almost over as warm chords play abrasively: the sight of the bright sun again as you stumble into familiar territory, leaving the bristling trees and the forest spirits to their business.




📠
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Tuesday, 30 June 2015

BANSHEEBEAT – SHINSEKAI [初演 • PREMIERE]

It's another premiere – what? Yes it's true. And this time around it's from a Tucson, Arizona-based musician-producer called bansheebeat. Contrary to many SoundCloud-born-and-bred musicmakers, whilst maybe ostensibly belonging to part of a scene, bansheebeat employs many different styles under a banner that at first glance may appear to be heralding J-pop-flavoured electronica. His latest track, and the first to be taken from his impending album Lumine (itself two years in the making), is 'Shinsekai'.

Shinsekai or 新世界 is a Japanese word meaning "new world" – from my perspective it refers to two things: the New World of One Piece, and also the Shinsekai district of Osaka, whose origin dates from Japan's period of rapid modernisation in the early 20th century. In reality the term is more abstract and refers to the earliest inspiration for bansheebeat's song.

"Shinsekai is just an abstract term, but I originally got it from the fact that an early iteration heavily sampled from Dvořák's 9th symphony [known as "The New World Symphony"]. It took over a year to finish, and went through so many completely different forms," bansheebeat tells YES/NO. "It starts with a bit of an overture; I wanted it to sound like you were starting up a JRPG on the SNES, like Chrono Trigger or something, but it ended up being this eight minute monster that is like three songs in one."

And without further ado, here is 'Shinsekai'.

Beginning with the always-welcome crash and wash of waves on the shore, we move into the "overture" part that bansheebeat mentioned above – electronic harps plink their gentle melodies alongside strains of synth flute, strings and marimba hits; a plaintive song that sets us up for surprise when breakneck virtuosic buzzing synth leads whirlwind into your ears in the next section. Syncopated kick-locked synth chords explode along the way with ticking hi-hats and punchy snares – a driving beat for joyful vocal samples echoing into the void. These get their own chance to shine midway through, alongside the endlessly skittering and increasingly jostling beat, pugilistic heart-throbbing toms giving it extra urgency.

Chiming melodies return for a gentler section in the latter part of 'Shinsekai', gradually giving way to a return of percussion heavy boomings that previously bounced around in our ears, the vocal sample now stretched and pitch-shifted to play out an aching melody of discovery and wonder. Because with the concept of this track as "new world", essentially, you can very much discern a real sense of excitement in the elctro-symphonic journey that we're taken on, the hyper-anticipation wriggling in the endlessly impatient shifting patterns of the beat, the grand chords like triumphal orchestra hits expressing achievement, the gentler, more fragile melodies and elements summoning newfound beauty – all of it conjuring a true sense of what any "new world" (a fresh beginning: starting a new job, falling in love, emigrating, moving house) can be for any one of us: scary, exhilarating, and regretfully sad for the "old", all at the same time.


  • It's taken from bansheebeat's upcoming album Lumine, which is out next week.


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Saturday, 4 October 2014

Y/N GUEST MIX 017 :: MEMORY CARDS PROJECT DREAM MIX

It's that time again. Another guest mix from an artist we like. This time around it's the turn of Memory Cards. He's a musicmaker who began making music in LA but currently resides in Arizona who makes super dreamy trap-flavoured music. The kind of thing that has been labelled "otaku trap" (kinda for good reason, in that much of the music is at least anime-inspired, with some out-and-out covers/remixes of anime themes, etc.) of late. But labels are for card catalogues.

"If I had to pick a season for this," Mr Memory Cards (irl name Jonathan) tells me via email, "I think this suits the beginning of fall more." And right now, as I write this listening to the mix for severalth time, looking out the window at grey-white sky and permanent rain, I can safely say that I totally agree. So this is when it's happening. Listen to this mix and kick up some dead leaves.

Why is it called Project Dream? And why is the artwork like it is? Both are inspired by Initial D, a manga/anime that is centred around the world of illegal street racing in Japan, of which Memory Cards had just started watching the final season at the time of making this mix.

I ask him what inspires his own music. "Nostalgia," he says. "For me, a vital part of the music making process involves introspection and seeing how my recollections can be incorporated into the work I make. Since for the most part the music I make doesn't really have words (or at least my own words) it's difficult to explicitly articulate these concepts. However, I try and draw inspiration from forms of media and popular culture that have brought me joy in the past. By doing so, I hope that I can at least partially convey who I am, where I've been and where I'm going not just as a producer or a musician but as a person as well.


I dream a lot

MEMORY CARDS

And what about the mix itself? "Really the only unifying theme with this mix is that they're all tracks that I've been very much enjoying lately," he explains. "Some of the tracks have a sort of eerie menace to them while some have a more jubilant nature to them. Others still carry an air of sweetness tinged with a shade of melancholy, so there's a variation in what I consider to be the themes of the songs I chose." He then adds something that seems to be an overriding theme of internet music: "I would also like to say that I consider myself friends with or at least acquaintances of a good portion of the producers featured here."

It's solidarity, a support network of artists who are at least right now eternally collaborating with each other, bigging each other up, and generally just being nice to one another. Since it's not a local scene, you don't have to "put up" with people, you choose your friend group based mainly and firstly on similar interests rather than spatial limitations; these pockets collect online, attract more people. Soon enough you have a veritable movement.

So from the stand-out electronic atmospherics of the Sonic Adventure-inspired indoors track 'Mystic Ruins' made for the pretty cool CHAO GARDEN compilation (curated by collective MECHA YURI and Memory Cards' own floating cloud sparkling euphoria in 'Fantasia Arc', to the glitzy ambient/future funk crossover in 'SUMMER VI', a collaboration between Bansheebeat and Yung Bae, to Shoujo Eyes and his track 'My Magical Girl' playing us out with gorgeous chiptune melodies, this mix is as varied and evocative as Memory Cards said it'd be, bristling with thickets of machine gun hi-hats and videogame samples (Link swinging his sword in ☆ICEAGE☆ by allegedly 14yo producer, manitee, or original Smash Bros. "choose your character" sounds in Cosmastly & Heavy Hearts collab, 'Fighting Polygon Team') – a great showcase of young producers making music right now.

Plus I think I finally got Memory Cards' name – it's all about recollections, memories… memory cards… store memories… of games.


• T R A C K L I S T •
  1. 32jnqwn-_-_-_ - ECSTATIC CLARITY
  2. memory cards - Fantasia Arc
  3. Childish Gambino – candler road (memory cards Chopped & Screwed Edit)
  4. indoors - mystic ruins
  5. Oliver~ - <3 Sosa Screwx
  6. Howlings - What We Could Have Been
  7. mizukage - OG Bobby
  8. tones_ - heal 
  9. HiGHBRiD - N E X U S
  10. grèg - 水族館 (将来)
  11. highbrid x memory cards - bandana . witta . mullet
  12. // Hydro // - ~ R E A C H ~
  13. manitee - ☆ICEAGE☆ (1.5k special free dl)
  14. ║丂イ乇√乇刀 ۩ d乇乃レムƬ║ - clementine// ありがとう『feat. NET WORTHY』 
  15. d o w n s † a † e - i c e ` g r a v e
  16. ║丂イ乇√乇刀 ۩ d乇乃レムƬ║ -i dont understand… (•̩̩̩̩_•̩̩̩̩) ……╔ feat. H i G H B R i D ☥╗ 
  17. [bansheebeat + yung bae] - SUMMER VI 
  18. COSMASTLY ✗ HEAVY HEARTS - FIGHTING POLYGON TEAM
  19. A$AP Rocky - Wassup (LOSTSVUND Remix)
  20. ILOVEMAKONNEN - Tuesday (ft. Drake) (MXRA & LOSTSVUND Remix)
  21. Shoujo Eyes - My Magical Girl



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