Showing posts with label 70s. Show all posts
Showing posts with label 70s. Show all posts

Saturday, 24 January 2015

YES/NO GUEST MIX 024 :: OH WHERE HAVE YOU BEEN? A DREAM DISCO MIX BY STATS

It's that time again. What time? Guest mix time. It's a bit of a different guest mix this time around because the tracklist isn't so much a tracklist as a set of "ingredients" – it's not in order, I'm not 100% certain that enough of each and every track was used to warrant it being listed as a "track", and I don't know if some of the sounds in the mix were even listed. Instead, elements are spliced and mixed together, just like ingredients. Flour and eggs and sugar and butter kinda stop being those things when you make them into a cake. And so it is with this mix, courtesy of London band Stats – in particular, from just one of its members who is called Ed.

I stopped trying to dissect this mix after a while and just enjoyed it, trying to guess which parts came from where on the ingredients list was just getting to be impossible. To use the cake metaphor again, it's like digging into your favourite cake to try and find the original components that came together to create it. Well, it's obviously not as impossible to discern which sound comes from which song, but it definitely does show the abilities of Ed, who is the actual frontman of Stats.

Filled with meaningful snippets from documentaries and interviews – the voices of people as diverse as Werner Herzog and the digitised female voice of the Narrator for Windows (I think?) – the mix moves through a wormhole lined with pulsing disco basslines and fragmentary electronica, the groovesome nature of the mix clear at the very outset as 'Beam Me Up' by modern-but-authentic disco outfit from Brooklyn, Midnight Magic, moves into Stats' own 'Where is the Money'.


Music contains everything, and you can make a song about anything, so it’s like the world but bigger. Once you’re doing it, it’s difficult to remember how you first started, like when you learn to talk. It becomes second nature, which is more interesting than first nature because it’s not strictly necessary, but it feels like it is.

ED (STATS)

The jaunty poetry (check out 'D'you wanna eat') and art-pop sound of Stats, inspired by acts like Talking Heads, is as clean-cut as it is angular; they incorporate funk grooves and rock noise into their songs, coupled with catchy vocals and spoken word quirks that suit the urban environment in which they exist. Frontman Ed also says, "Stats songs often try to look at what’s specific about how we live right now, especially in cities." So there you go.

Taking inspiration from the opening line to Bryan Ferry's version of 'A Hard Rain's a-Gonna Fall' (Bob Dylan), the mix is called Oh Where Have You Been? "And that," confirms Ed, "is loosely its theme."

Playing for La Roux (whom Stats remixed a couple of months ago) on tour recently, he tells me about the experience of travelling the world, having not really been anywhere apart from the UK. "Songs people write about touring often complain about [it], on the grounds that it’s repetitive and alienating - but I really enjoy everything about it," he tells me. "Because you have so little time and control, you are under no illusions about discovering the 'real' St Petersburg or Los Angeles or wherever: your experience of a city is guaranteed to be short, incomplete and highly subjective."

With much of Stats' lyrical output dedicated to contemporary living, traveling to many different cities was eye-opening for Ed. "One thing common to pretty much every city I’ve seen, from Berlin to Boulder, Colorado, is people saying they can’t afford to live in them any more because property is impossibly expensive," he explains, relating it back to 'Where is the Money', adding, "Many of the songs and films and stories in this mix stay in my head because they seem to relate to things like that."

So, in conclusion: please enjoy the dreamy disco feels running through this mix. I hope you like it. Thank you to Ed, who also would like to thank William Bowerman, Tom Hatfield and Ali Staton.

"This mix is by Stats.
Stats are a minimal pop band.
Stats are six people.
Stats can’t dance and Stats don’t take drugs.
Stats are a grown-up thing to do.
Stats have big plans tomorrow.
Stats are all over the place.
"


1. It is a journey to the end of the world

2. Remember the future (beam me up)

1. You have to keep moving out, but remain in orbit

2. Happy man, happy man, that's me

1. This green world of God’s

2. You can almost taste the hot dogs and french fries they sell

1. Nature here is vile and base 

2. When I’m working, or washing my hair

1. Oh, where have you been? 
2. It was lots of fun, the mechanics of getting together

1. Well go on, tell me something

2. There’s a big building, that's me.

• I N G R E D I E N T S •


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Friday, 6 December 2013

THE ORWELLS DIRTY SHEETS [VIDEO]

I wouldn't have expected anything less from The Orwells to be honest with you. The last video I saw from them, for 'Who Needs You' – as epic and show-tastic as it was – does not really compare to this one. This, the video for 'Dirty Sheets' – the band's latest song, which seems to be catching the most attention out of all of them yet – is as apt for the song as butter is for toast. It just GOES. In fact, it goes off. Just like a lot of clothes slipping from a woman's body...

Whilst I'm being half-perverted here, I am half-only using what the video has shown me. Yes. It's a striptease. But a striptease shot in the gloriously drab colours and quality of yesteryear, giving this a real 70s-home-video aesthetic, with the girl having a real raven-haired lithe pin-up appeal about her. And, with The Orwells summoning the ghosts of punks past – The Misfits, The Ramones, etc. – in their music, especially in this glam-fi rockabilly scorcher of a song that documents the blossoming of grotty and tongue-in-cheek punk romance, it makes sense that the video should be just as old-school, just as punk, and just as tongue-in-cheek (the way the nipples are covered by those funny little love-hearts at the end, for instance).

There may be people out there who'd brand this with a NSFW tag but I'd just say DO watch it at work. BE PUNK. DON'T do that report. FORGET to go in on Monday. TITILLATE yourself at work. Also: how much does the girl in the video look like Katy Perry? IS it Katy Perry? I wonder. Probably not. Anyway, it was directed by Eddie O'Keefe, an auteur whose claim to fame – aside from arranging this lovely video, amongst others – is that he "gave Bill Murray a beer at a celebrity golf outing when he was six years old." Kudos.

In other news: you can grab The Orwells' Other Voices EP, released earlier this year, by clicking round about here.



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Monday, 3 June 2013

SAINT PEPSI I TRIED

As you can instantly see from the image for this post, the artist who is using this as an album cover has a pretty retro sound. The cover is great. It has a Saved By The Bell aesthetic, albeit with more muted tones.

So yeah, with that as an image, what on earth is the music going to be like? Well, retro, like I said. It harks back to the tack and sparkle of late-80s/early-90s and uses a few vocal samples that are absolutely soaked in soul. The song in any case is called 'I Tried' and comes from SAINT PEPSI, which is a bloody brilliant name if I may say so myself, who is actually called Ryan DeRobertis. He has been quite busy already in 2013, what with the multiplicity of songs on his SoundCloud and getting involved in the creation of an artist collective called New Generation: I read this somewhere, so I might be totally wrong. He is already being a part of (or signed to) Keats Collective - also KEATS//COLLECTIVE - alongside a number of likeminded artists including Spazzkid, whom I wrote about a few days ago. Is it a netlabel? A collective? I dunno.

There's not much else I could learn, even about where the guy is from, but what I've got is interesting enough. It seems that if "future funk" actually exists, then SAINT PEPSI is certainly one of the forerunners of this loveable and totally listenable genre of music. Lissun up yooo.

Smooooooth sailing, don't you think? It starts wonderfully soulful, a static-filled sample taken from 1970s R&B group Enchantment's hit song 'It's You That I Need', the lustrous vocal decoration that splashes the already-glistening surfaces of SAINT PEPSI's wonderfully crafted sound. Instead of a hip-hop vibe, which this R&B foundation could have decked up quite nicely, it's turned into a great bit of burning pavement chill, smooth-funky grooves and slow-dance sensitivities with all the epic glitter of 70s R&B which inspired this number. It's the kind of thing that I could leave on repeat all day. The tinkling bells, the percussion, the slow weave of the bass...

A very interesting sound though. It's like a modern reinvention of the past. Rather than being outright a copy of this or that era, it seems to have taken inspiration from a few different eras - a musical collage.

'I Tried' comes from Mr Ryan DeRobertis' new album Hit Vibes, available to download FOR FREE on bandcamp - I would certainly download it if I were you. What a damn good treat! Cause it's good, it's damn damn good yeah. Get it get it get it get it get it.

P.S. Ryan DeRobertis is also the mastermind behind The Cold Napoleons - listen to his multitalent on album Adversaries.

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Thursday, 23 May 2013

FOR LEMME BURN [VIDEO]

This group has the ambiguous or even agnostically indecisive name of Flowers or Razorwire - but we can shorten this, and it seems officially so, to FOR. I will call them the latter. Three characters is easier than twenty for sure.

Good. Now that we've got that out of the way, I can start properly. Well, FOR is a duo (as you can see from the picture - although their bio on their label's site states that it's just one guy) from Trani, Italy, who started making music in 2009. Fast-forward to now and they have a nicely polished sound that combines a few different elements to come up with bouncy, sunny pop with a groovesome groove that just makes you want to shuffle dance on a cloud.

What we have is this bassline that is obviously so noticeable that I have to write about it first and foremost. Yes indeed. It's slap-bass style with a bit of wah-wah thrown into the mix for a decidedly funky groove, one that slides around the notes with glistening brilliance. On top of this there's a constant guitar stab straight outta some 70s funk, a lovely decoration to an already superb foundation. With piano chords and an 80s-style hollow synth zooming around, too, the mix cradles within it a heart that is decidedly in the summers of the past.

Here is the video. Lots of bubblegum bubbles: retro, just like the song.

To put the icing on the cake, the yelp-singing vocals provide a distinct pop hook - though turned on its head with the ripe use of lo-fi aesthetic in its presentation. Can't understand too many of the words but that's not a problem - the sound and pattern of still be stuck in my head. I think that having a nice song stuck in your head is a bit like sucking on a lemon drop or some other boiled sweet that can't be crunched but enjoyed slowly: lingeringly tasty.

This was released on independent Italian record label Snowy Peach.

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Friday, 24 June 2011

TROPICS AT GLASTONBURY

The superchilled stylings of Tropics are gracing the Pussy Parlure at Glastonbury today at just after midday. Within its decadent 1920s interior, the Pussy Parlure has been a feature at Britain's biggest festival now for about 5 years, and is famed for hosting acts that are definitely far left of mainstream: perfect stomping ground for Tropics.

Chris Ward is the brains behind Tropics. Just 22, he takes influences from pretty much every type of music to create ultra ambient tracks that just melt your brain and slide down from the skies to settle on your brain like liquid sunshine. Mixing 70's funk drums with ghostly vocals and smooth, watery synth, this new track 'Mouves' (out 18th July) is a perfect example of the vibe that drives Tropics to create such beautiful music. Enjoy.



It sounds a like some parts of Fourtet, and is just as good. I'll be trying to see this today. If the sun's out, it'll be the supreme soundtrack to the festival.

Check Tropics on SoundCloud for more, including 25 minute mixes that have almost put me in a trance as I write this.

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