Wednesday, 7 March 2018

🌏 VISITS — ASAHIKAWA

The chilly city of Asahikawa was a warm surprise amidst the snowy romance of its winter festival.

The final stop on our two week tour of Japan's northernmost island of Hokkaido, Asahikawa - we'll be honest - was not our first choice of destination. It was February and ice festival season in Japan, thousands of tourists were flocking to the major city of Sapporo to see the spectacle of ice carved into miraculous shapes.

The popularity of Sapporo's globally recognised Ice Festival meant that as meagre little travellers we were priced out of the city; most accommodation had been booked and we couldn't stretch to coughing up for a hotel. A bit of research led us to learn that Sapporo's smaller, sweeter sister city Asahikawa was hosting its own annual ice sculpture festival - Asahikawa Winter Festival - and so we decided, Asakhikawa would be were we saw ice sculpted into shapes.

Asahikawa, it turns out, holds the record for Japan's coldest temperature: in 1902 the weather station there recorded -41°C! We arrived at night and it was cold but beautiful; illuminated ice sculptures lined the boulevard running through the centre of the city from the train station to the Ishikari River. We appeared like gangly, misshaped aliens walking through the shopping streets as people admired the sculptures, our rucksacks on back and google maps open to find our hotel. We had booked in to a business hotel and it turned out to be a business hotel in more than one sense - a working girl stood outside the front door, freezing in a short dress and knee high boots. She was picked up by a blacked out car as we entered. The lobby was just a window into an office but the man working behind the desk was friendly and our room was basic but clean. The best part of staying at this hotel would turn out to be the breakfast; two options: 1) Japanese beef curry or 2) a raw egg, rice and natto.

Unaware of how extensive this smaller ice festival might be we went out into the night to find dinner and see the sights. The streets were busy with bustling guests to the city, artists were chipping and carving out finishing touches on the elegant and delicate shapes of the sculptures.

We grabbed some food at a vending machine restaurant called Matsuya. This place was a godsend. Cheap and fresh dishes in a restaurant full of Japanese locals, the kind of everyday eating we liked. We also discovered that they sold draught beer for 150 yen a glass which therefore made it our new favourite place to eat. A portion of katsu curry later we were refuelled and ready to take a walk through the city.

The festival turned out to be a compact version of the one Sapporo puts on, but heartfelt and genuine. Local school children had made small snowmen who sat lining walls from the city centre down to the main site of the festival, each snowman with a different comedic expression or emotion made by the child who created it. We spent longer than two grown adults should cooing over the cuteness and taking pictures. The lines of snowmen ushered through a tunnel of tiny lights and to the entrance of the city park where pathways lit by tiny candles had been carved out thick snow for visitors to wind their way along.

Through the delights of the snowy park, and past a group of locals having a bonfire and a drink in a clearing of the snow, we found the centre of the festival. Ice had been carved in to a viewing platform so we could look at the stage which was also carved out of snow and a snow slide even ran from the top of it. This was place was mad, but then it was a snow festival after all. Music pumped out into the night and snow sculptures were everywhere.

The local ramen, which is a speciality made with a shoyu (soy sauce) broth, was sold in big steaming bowls which we sipped from under a tent in communal canteen whilst children slurped and snacked on their lunches, played around and stared at us. In the light of day the festival was still buzzing and fun. We discovered a snow maze and quickly ran around its thick walls to find the centre. Other activities went on around the festival site with children having a go at a spot of snowboarding and go-karting. On the stage local musicians sung and strummed away to songs we half-knew, cheered on by friends in the crowd. Considering this was meant to be a small festival, it was surprising how much there was to do and how much thought had been put into the details, but then we were in Japan, the country where delicate details and cuteness are key - along with delicious food.

As night fell on the final night of the festival and after we had just one more go at zipping down the really, really fun snow slide, we gathered with all of the other festival-goers on the viewing platform to watch the closing ceremony take place. This was something we thought would just be a bit of singing and maybe a firework or two but it was actually a full on show with multicoloured lights lighting up the snow in patterns, and green lasers streaming up in to the night sky with booming dance music to accompany it. It was epic and so wonderfully Japanese.

We turned our backs on the snow and ice and - with that bittersweet after-event, end-of-night feeling - walked with the crowd through the delicately lit park, where some people were relaxing and having a drink and others were playing with their children in the snow and dug-out igloos. Japan seems like a happy place to be a child, especially in winter, when it becomes a land of magical ice festivals and snowmen with funny expressions.


REBECCA ALICE SAUNDERS
@yesnotravel



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🐣 RYAN HEMSWORTH — FOUR SEASONS FEAT. NEWAGEMUZIK

Honestly it was a surprise to hear about this. It’s a very UK sound that internet music progeny Ryan Hemsworth has created here, a fusion of pop softness and afrobeats rhythm. Gently clanging icy digital chords summon songs of yesteryear, while columns of sub-bass give it that deeply rumbling contemporary sound; more of that chilly atmosphere comes from that twinkling intricate refrain that Hemsworth casts over the top, like a layer of frost sparkling in the sun. That icy delicacy belies the warmth here, helped not only by the full-bodied nature of the track, but by the smooth vocals of featuring artists, NewAgeMuzik.

The North London duo bring rich vocals, turned lightly plasma with subtle autotune, to the bumping afrofusion beat, a clatter of percussion that clicks and ticks which give an extra dimension to the familiar swung beat that we hear in African-flavoured music. The vocals, full of raw laid-back soul, giving human heart and character to the technical splendour of the instrumental. But the beat has that cute touch, rounded and miniature in places, and its warm-chilly contrast is a combination that makes this track light and upbeat despite its bass heaviness; the skitter and brightness of ornamentation right next to the sweat and heat of intimate close-quarters rhythms.


  • πŸ”” 'Four Seasons' is out already, and it's from Ryan Hemsworth's upcoming new Elsewhere.
  • πŸ”” The video was directed by London-based Sammy Shoots, and stars Kamo and Prince of NewAgeMuzik, matching the chill vibes of the track itself.


πŸ“ 
NewAgeMuzik Internet Presence ☟
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🐣 NELYLAND — SUNRISE

It’s an added bonus when a piece of music sounds like its title, or more correctly evokes its title with sound, and that is the case with Nigerian artist Nelyland. His track ‘Sunrise’ is a nod to the subtle feeling of pre-dawn, the muted sky washed in a gradual brightening and lightening of colour, dark clouds becoming white, purple skies becoming blue – the soft synth rising up in the subtle afrobeat rhythm of the track represent that tone, those dark pastel shades when day still cannot yet shake the night, nor take the sleep from its eyes.

Speaking of that afrobeat rhythm, it’s a sparse semblance of a beat that propels this track forward, with robust thudding kicks like a gradual step towards the proverbial light, and softer percussion popping alongside in an angular, fragmented cluster of beats that gets smooth shaker and hi-hat accents. Nelyland’s soulful vocal itself calls out fringed with autotuned brightness, telling his story: “I been through the storm and the hurricane / Searching for love but it never came.” These lamenting yet determined verses are contrasted with the gradual hope that rises up in the hook: “Sunrise, sunrise, they pray for my downfall but I’m praying for my sunrise…”

It represents that dark side of hope, when you realise that by the very act of living in hope you are without something, struggling, and could be on a long journey to realise your dreams. And yet the slow, steady pace of ‘Sunrise’ feels like a march, a tenacious beeline set for what Nelyland wants to achieve: tell his story to the world.


  • πŸ”” The description for 'Sunrise', a track written by Nelyland following the loss of his mother, reads as follows:

    "I'm sure there are a couple of people out there still trying to find the light. I want to help you realize that your light is already within you and that you should just let it shine! RISE UP LIKE THE SUN !"

    The track is out now courtesy of Afrocentric independent label Sufferings & Offerings and you can listen to it on SoundCloud as above, or via Spotify if you like.



πŸ“ 
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Friday, 2 March 2018

🐣 GEO — MÁGICA FEAT. CARO PIEROTTO

Last time we heard from GEO it was a glittering trail of intricate percussion and chimes in the form of lovely sound-sonnet ‘For You’. This time around the LA-based musicmaker gives us an insight into what makes him tick musically with a slice of sound that celebrates the rhythms of latin music.

“I sat down and wrote this one in an attempt to pay tribute to my love for the way latin makes me feel,” he tells us via email. And what a homage it is. Rather than pursuing one genre or another, and attempting to make something that is bossa nova, or samba, or whatever, ‘MΓ‘gica’ really does feel like a celebration: a rhythm that winds and sashays, more of that texturising percussion we’re used to that gives it some lush depth, and breezy chords that conjure cool scapes by the sea, instantly capitvating satin Ipenema vocals.

“To help pay homage to my roots,” GEO explains, “ Caro Pierotto graced this song with a beautiful Portuguese verse about finding magic in a new love.” Graced is definitely the right word, with this vocal and its pitch-shifted iterations adding beauty to the track.

This is not a typical bossa nova track, or a song that is typically anything. It’s a creation inspired by latin music, and as such it has taken interesting tangents from elsewhere, encompassing flavours like future funk – with that thudding groove and upbeat atmosphere – and even the somewhat-disco feel reminiscent of Japanese city pop. The lead synth-brass melody that refrained throughout reminded me of the 2 player version of the Casino Night level on Sonic 2. ‘MΓ‘gica’ is a versatile track that defies expectations in a modern cosmopolitan retelling of traditional sounds.


  • πŸ”” Have a look-see at 'Mágica' on HypeM.


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🐣 THE EARFLOWER EXPERIMENT — PASS(H)ERBY

Something steeped in humidity here actually turns out to be the perfect soundtrack to watching the snow fall (the UK is currently wrapped in a frosty Siberian weather front). The blissful soft snowflake sounds of the hank drum employed in this track by Indian artist Astaaq Ahmed aka The Earflower Experiment – tuned in the cheerful key of C, he tells us via email – ping and pong with a soothing pace and texture. ‘Pass(h)erby’ is like a panacea, a gorgeous weave of textures, the cradle of bristling rich percussion that arrives, the warm waves of synth that waft in resolutely, the sparkling deep-breath lead synths.

“While conceptualising this song, I was mostly concerned with trying to capture the essence of a constantly moving, fast-paced world,” says Astaaq. “There are things happening in our lives on a regular basis, but our stories, in the larger scheme of things, don’t have any impact on anyone but us. The world is blissfully ignorant of your happiness, anger, pains and sorrows, and it just keeps spinning.” And this track has that motion, the gently unrelenting beat that fades into a lullaby on a patchwork of chirruping night insects: the heartbeat of your panic and pain as ignored by the natural world. And how fine that is, how ok the world is even after tragedy, how this track comforts you.


  • πŸ”” This comes from The Earflower Experiment's An Anecdote EP, which Astaaq tells us "tries to convey the life cycle of a rather unfortunate relationship."


πŸ“ 
The Earflower Experiment Internet Presence ☟
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