Showing posts with label soothing. Show all posts
Showing posts with label soothing. Show all posts

Friday, 2 March 2018

🐣 THE EARFLOWER EXPERIMENT — PASS(H)ERBY

Something steeped in humidity here actually turns out to be the perfect soundtrack to watching the snow fall (the UK is currently wrapped in a frosty Siberian weather front). The blissful soft snowflake sounds of the hank drum employed in this track by Indian artist Astaaq Ahmed aka The Earflower Experiment – tuned in the cheerful key of C, he tells us via email – ping and pong with a soothing pace and texture. ‘Pass(h)erby’ is like a panacea, a gorgeous weave of textures, the cradle of bristling rich percussion that arrives, the warm waves of synth that waft in resolutely, the sparkling deep-breath lead synths.

“While conceptualising this song, I was mostly concerned with trying to capture the essence of a constantly moving, fast-paced world,” says Astaaq. “There are things happening in our lives on a regular basis, but our stories, in the larger scheme of things, don’t have any impact on anyone but us. The world is blissfully ignorant of your happiness, anger, pains and sorrows, and it just keeps spinning.” And this track has that motion, the gently unrelenting beat that fades into a lullaby on a patchwork of chirruping night insects: the heartbeat of your panic and pain as ignored by the natural world. And how fine that is, how ok the world is even after tragedy, how this track comforts you.


  • πŸ”” This comes from The Earflower Experiment's An Anecdote EP, which Astaaq tells us "tries to convey the life cycle of a rather unfortunate relationship."


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The Earflower Experiment Internet Presence ☟
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Tuesday, 29 August 2017

🐣 CORD LABUHN — HEARTSHIPS

Sounds from here, sounds from there, sounds from everywhere in this buzzing collage of sound, a list of luscious samples located and lifted into the frame of 'Heartships' by Berlin-based musicmaker Cord Labuhn. Record scratches, vintage crackling thumps, bass kicks, a delicious fingerclick, trickling hi-hat ticks—a treasure trove of percussion beats out an exploded hip-hop rhythm, sparse and minimalist to an extent, but on the other hand it's also packed full of flavour, each sound texturised and four-dimensional, a snippet of life, Cord Labuhn as the lepidopterist of sound pinning each one in new shapes and patterns.

Guitar pings add to the percussive nature of this collage so far, reverbing into the gallons of negative space that brim with chill either side of the punctuation perforating the quietude. Aching moments from unidentifiable songs appear throughout, rapid sonic snapshots that resonate even after their brief flash on the bustling canvas. Things agitate towards the middle: the feeling of running or rolling downhill, picking up momentum, new samples sliding into the mix getting ever busier, packed with flavours, and then it falls back to the cooling patterns as before, subtly and simply dynamic; funny how something so clearly constructed, so abstract in execution, can also be so smooth and natural to our ears.




πŸ“ 
Cord Labuhn Internet Presence ☟
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