We heard from a pairing of Tokyo producer LLLL and Manila-based artist U-Pistol quite recently, on the happysad trance-pop-gaze of 'Falling', but now the musicmaking team extends, including Zoom Lens label boss Meishi Smile as well as sometime vocal collaborator Calendula lending their voices to a brand new song: 'Always,' — with a comma, like an unfinished sentence, the miasmic spirit of it hanging there unformed, waiting for the right words to emerge.
From the extensive introduction – a building of excitement with twinkling lights (reminiscent of the marimba arpeggio on The Who's 'Baba O'Riley') above a propellant house beat, exploding into the spaced apart synth chord hits synced with the drums this triumphal showstarting prelude quality to them – from this a spark for the rest of the track is lit.
Calendula's vocal sings quietly but swims in close-to-your-ear intimacy, vocodered layering courtesy of Meishi Smile giving the lyrics a futuristic feel, a sense of distance that fits the lyrical content of two people grasping at mirages of each other as they drift apart in their relationship, the present hammering down in the crashing snares of the beat; U-Pistol's vocals croon the story in juxtaposing upbeat pop fashion: "Slowly we've become two entities / used to be as one, which was you and me."
The track goes through a zippy synth solo, a progression that oozes positivity, heightening the feeling of this song as something "happy", the glitter and soft focus of a cherished memory, before reaching its coda; everything quietens down, the chords summon this sunset melancholy, the happiness of knowing that it happened, looking back, twinned with the all too real feeling of loss. It is romantic, sentimental, looking tentatively ahead, evocative of days gone by, the closing credits of your life.
- π The track is out today (!) on a partnering of Zoom Lens and Maltine Records. *It also comes with remixes by: Kristofferson (slow gossamer synths and bass above a house beat in a nebulous reworking); γγ½γ³γ³ι³ζ₯½γ―γ©γ (a synth heavy remix with a barrage of footwork-ish beats bumping the track along); ANAMANAGUCHI (faithful to the original, though even more a pogosticking dancefloor of noisy pop); Yoshino Yoshikawa (hefty and cute at the same time with clonking percussive elements and a tumbling beat); Sayohimebou (clattering experimental breakcore remix that fulfils our desire for speed and noise and glitch). Purchase it all as a nice bundle over here.
- π The artwork for 'Always' was created by FANGRRLZ, and it really evokes not only the spirit but the content of the song: with melancholy yet neon lighting it reflects the bittersweet feeling, the setting of the Japanese train with its sort of end-credits placement, the way the couple sits in different positions facing away from each other, their face sadly reflected in the windows of the train. Plus an easter egg—the Maltine logo as a sticker stuck below the seat on the right; and the girl is wearing a Zoom Lens badge. It's perfect.
☟ LLLL Internet Presence ☟ facebook ⚘ soundcloud ⚘ bandcamp ⚘ twitter
☟ U-Pistol Internet Presence ☟ facebook ⚘ soundcloud ⚘ bandcamp ⚘ twitter ⚘ tumblr
☟ Meishi Smile Social Media Presence ☟ Facebook • SoundCloud • Bandcamp • Twitter • Tumblr • YouTube
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