Showing posts with label neo-noir. Show all posts
Showing posts with label neo-noir. Show all posts

Monday, 4 December 2017

🐣 WILD & FREE — FERNS AND STUFF

The groove piledrives through this track, the glossy dancefloor sparkles its glitter and the lights cut through the dark and dust. But mainly let's address that groove: bass guitar seems to somersault and cartwheel, it's an acrobatic full-bodied bass, tinged at the edges with metallic pugilism, something thudding about the way it curls like a snake covered in scaly armour around the bumping beat, the kick and abrasive handclap. Groove lies at the heart of this one, powers it, propels it forward.

LA duo Wild & Free, aside from these disco-summoning rhythmic patterns, also inject some faraway sense of darkness, of faded neo-noir, into 'Ferns and Stuff'. Stuttering synth arpeggios blip and boop twinkling in the air, and gradually there are these high pitched string sounds fluttering around this one particular note and effusing a sort of ambient tension with that soft persistence it has; and with wide sweeping chords that wobble with wonky progressions there is the guitar, half-surf half-late night jazz, distorted and starkly angled against its foundations. Vocals seem to speak from all sides, from beyond the vanishing point, a thin ghostly croon adding human intrigue to the dance steps painted boldly all over this one.


  • πŸ”” 'Ferns and Stuff' arrives courtesy of Lisbon-based label Discotexas, and is taken from Wild & Free's album Shapes on Shapes, which is out now also on Discotexas. You may purchase it via this hyperlink.


πŸ“ 
Wild & Free Internet Presence ☟
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Tuesday, 11 July 2017

🐣 IMONI — MONEY

In a world of swirling neo-noir, a place of hazy soft synth chords modulating subtly, London singer IMONI weaves her vocal amidst the offbeat stutters of a drumtrack that swings with nocturnal cool, thudding kicks and sumptuous clacking snares and the sharp popping hi-hats that skip and skitter alternately. 'Money' verges on melancholic, a moody whirl of music that utilises the chilled and stifled nature of the muffled synths to conjure a breezy sort of seriousness, whilst bass with electric bounce exercises its future-leaning sound on the atmosphere for stark colour against the gloom, spots on neon-pastel on a near-black charred grey void, a stark sense of being by yourself in vast space.

"I was always in the habit of writing sad songs, but recently I’ve started writing about what makes me feel good and it’s been empowering for me," explains the musicmaker in a press release. "‘Money’ is about me not letting other people’s negativity affect me, being care-free and focusing on myself as I begin my music career." There is certainly an aloof feel to IMONI's vocal, the lilting soul acrobatics switching between a crooning voice in the dark and spoken word calm in full control: "think i'm gonna settle down / boy don't mess around / it's about time that i let you down a little bit / but can you handle it." Reverb drips from the words, whether creaking and colloquial or singing out emotive and fluttering, giving the track a sense of expanse, of endless possibilities, the apprehensive but hopeful feeling of the first step on a journey, the brink of a waterfall.


  • πŸ”” IMONI is currently working on her debut Serendipity EP.


πŸ“ 
IMONI Internet Presence ☟
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