Showing posts with label Discotexas. Show all posts
Showing posts with label Discotexas. Show all posts

Monday, 4 December 2017

🐣 WILD & FREE — FERNS AND STUFF

The groove piledrives through this track, the glossy dancefloor sparkles its glitter and the lights cut through the dark and dust. But mainly let's address that groove: bass guitar seems to somersault and cartwheel, it's an acrobatic full-bodied bass, tinged at the edges with metallic pugilism, something thudding about the way it curls like a snake covered in scaly armour around the bumping beat, the kick and abrasive handclap. Groove lies at the heart of this one, powers it, propels it forward.

LA duo Wild & Free, aside from these disco-summoning rhythmic patterns, also inject some faraway sense of darkness, of faded neo-noir, into 'Ferns and Stuff'. Stuttering synth arpeggios blip and boop twinkling in the air, and gradually there are these high pitched string sounds fluttering around this one particular note and effusing a sort of ambient tension with that soft persistence it has; and with wide sweeping chords that wobble with wonky progressions there is the guitar, half-surf half-late night jazz, distorted and starkly angled against its foundations. Vocals seem to speak from all sides, from beyond the vanishing point, a thin ghostly croon adding human intrigue to the dance steps painted boldly all over this one.


  • πŸ”” 'Ferns and Stuff' arrives courtesy of Lisbon-based label Discotexas, and is taken from Wild & Free's album Shapes on Shapes, which is out now also on Discotexas. You may purchase it via this hyperlink.


πŸ“ 
Wild & Free Internet Presence ☟
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Friday, 2 June 2017

🐣 XINOBI — SKATEBOARDING

A melancholic ride, sumptuous and nocturnal, dimly lit suburban streets, housefronts passing by as the wheels trundle on the tarmac, the determination and focus and the wandering meandering feel of freedom: this track is called 'Skateboarding' and it embodies the spirit of skateboarding—not what it means for everyone, but the spirit of skateboarding for Portuguese producer Xinobi. For him it's personal. "As a suburb kid in the late 80s, he was obsessed with the skateboarding culture, and had a strong urge to get himself a skateboard." After he got one there was an "abrupt and unexpected end to his skateboarding career" when he experienced a serious fracture in his arm. He stopped and took up guitar to rehabilitate his fingers. Xinobi, however, still had "a strong affiliation to the culture."

In the lonely emotivity of the track, its lamenting synth bloops and its plaintive chord washes wobbling into the air, in its solitary feel, there is a sense of being on the outside looking in, of imagining the technical nature and the mechanics of skateboarding, being part of skateboarding culture but not actually skateboarding. As such an intimate disconnect exists in this track, you can feel the closeness, the raw hi-hats and the vital fuzz of the bass synths and the acrobatic nuances of the beat and the organic lifeblood ambience trickling throughout, but in the sadness of some of the sounds there is distance.

Analysing this world from an outsider-inside perspective, Xinobi samples a speech at the US Library of Congress by harcore punk and post-hardcore figurehead Ian MacKaye about the philosophy of skateboarding. It summarises what the producer himself wants to say, encapsulates the power of the track itself, and the potency of the skateboard and its power to both physically and figuratively move.


  • πŸ”” The aptly skateboardy video was directed by Lydie Barbara.
  • πŸ”” 'Skateboarding' is the opening track from Xinobi's album, On The Quiet, which was recently released on Lisbon artist collective and electronic music label Discotexas, and you can listen to it on their SoundCloud.


πŸ“ 
Xinobi Internet Presence ☟
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