Showing posts with label kinetic. Show all posts
Showing posts with label kinetic. Show all posts

Thursday, 11 April 2019

🐣 POLES — MOTION FT. SOFT JAW

⌾ LISTEN TO POLES, MOTION FEAT JAW ⌾

The elastic instruments of 'Motion' is something that gives it the dynamic energy that absorbs you and then bounces you away, the rubber sway of the stumbling-down-a-corridor synths, an intoxicated sound that feels like a twirling mind. Not just the flapping synth, but the zooming acceleration and then dead stops of the bass give it this kineticism. It's a minimalist, leftfield approach to R&B, as producer Poles explains over email.

"I knew I wanted my music to continue in that direction as opposed to the more poppy, future bass music I was writing," he writes. "'Motion' draws from my history in hip-hop, but incorporates my love of odd, bass-hitting electronic music. The fusion gave us something really unique."

Not just the plasma synths, nor the taffy heft of the bass, or the punchball training thuds of bass drum that pummel throughout, but the twisted musicbox clinks, the phantomatic chords that squeak across the glossy surface of 'Motion' like a disjointed dancer, add to that definitively unconventional approach to musicmaking.

A slice of normality comes at the end, the piano, damaged and dusty, like the sun rising after club sojourns, the haze of alcohol exorcising itself from the spirit; Poles' hazy full stop to vocalist Soft Jaw's pitch shifted croons that gave this track its sultry, nocturnal character.


  • πŸ”” Download and stream the Poles and Soft Jaw collaboration 'Motion' via your fav platform.


πŸ“ 
Soft Jaw Internet Presence ☟
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poles Internet Presence ☟
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Friday, 4 August 2017

🐣 MARIUS — EXISTENCE PROBLEM

The energy! The incredible energy of this dense dynamo, the fizzling vibrating kineticism of it, the warped vortex devouring you as you listen, compressing your carbon self and in the immensity of it you become a tiny, tiny diamond. Some music feels like it washes you clean, others like this one have a great intensity about them that simply engulfs with its energy, which has appeared at this present moment as a voracious appetite for human souls. Aptly enough this track bears the title 'Existence Problem', and in the different elements swirling around – the plinking toybox keys, the dissonant collage of clacking percussive sounds, the warm slow-attack hoovering synth staccato – the problems of existence indeed are defined by their confounding multiplicity.

PREVIOUS MARIUS TRACK 'EASY' FEATURED ON YES/NO (June/2017)


Norwegian producer Marius Elfsted, simply Marius, ushers us into this multicoloured existential crisis, at first with these light chords, cute and childlike plinking, easing us in like a sparkly surfaced warm rockpool of sound with its mini starfish and anemones and little scuttly crabs, popcorn beats bubbling along and foaming fizzy—and then in an exploded abstraction of future bass formula we get this drop like a tidal wave, a low ghost-in-the-machine voice like an inner monologue humming a carefree tune to distract from the bullet hell of percussion raining down, the squeak of hi-pitch shoes-on-basketball-court adding a startle of electricity alongside the muffled warmth of that gruff digitised vox, splendid incoherency in its Dadaist collage of cartoon sound effects. This wave of intricacy crashes crashes crashes and in it is the glory of motion and sound and the hundred-thoughts-a-second madness of the mind.


  • πŸ”” 'Existence Problem' is out now via Brussels-based Pelican Fly Records (the people who brought you Cashmere Cat, Lido and other well known electronic artists). It's taken from a debut EP that will be arriving on 15th September.


πŸ“ 
Marius Internet Presence ☟
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Wednesday, 17 December 2014

MAT PLAYFORD – ISON

When I was thinking about this track earlier I came up with the idea that it sounded exactly the same as the music for the first stage of Captain Falcon's Twister Race on Nintendoland. Now, as I listen to this bit of soundtrack afresh, I can hear that, really, they don't sound all that similar. Where did I get that from?

I think it is the motion, the urgent, hyperactive kineticism of Mat Playford's house track 'ISON' that made me automatically associate with the speedy vibes that traditionally go with anything F-Zero related. I first heard 'ISON' one night on the radio (think it was an Annie Mac show?) and couldn't help but love it. That was months ago. Since then I've been waiting patiently for a real upload that wasn't a 2-minute teaser on Black Rock Records and HERE IT IS.

It's an odyssey of squidgy bass and a gloriously cyclical set of piano chords that gradually come into focus in the first minute of the track, where cymbals and hi-hats invade the beat – pulsing kicks and understated handclaps with the occasional snare stutter – to give it more energy. Soon, the main event: virtuoso piano. Tinkling and 7th-chording all the over the place, a kind of jazz-flavoured mania of cascading notes that should cement Mat Playford as a very decent piano player, too. Please note: 3:11, the low-note pause; the muted breakdown at about 4:08; the gradually deconstructed, bleepy outro from 5:35-ish. Dynamics are strong 'n' subtle here.

It's like, yeah, like something that might play in one of the clubs post-race on F-Zero, hanging in a slick Mute City bar and watching the future of lounge piano playing unfold before your very ears.




Mat Playford Social Media Presence ☟
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