Showing posts with label groovesome. Show all posts
Showing posts with label groovesome. Show all posts

Monday, 18 March 2019

🐣 MR LITTLE JEANS — FORGETTER (CHE REMIX)

⌾ LISTEN TO MR LITTLE JEANS FORGETTER REMIX BY CHE ⌾
Mr Little Jeans' original 'Forgetter' inhabits a dark, swaying world entrenched in sub-bass, sometimes pillowed with sun dappled breeziness. But completely destructing this darkness, turning on the light, and transporting it from the gloomy forest of the original, Che hops on a remix of 'Forgetter'.

Now psychedelic, the track cuts a groove with suburban by-the-lake bass that pops and lingers and stumbles happily along; sparkling liquid guitars fall slow motion from one chord to the next with sloppy lustre; just part of the original vocals survive, simmered thin and garbled into each other.

It's a whole new plane of existence, one into which we're inducted and ejected from with cosmic tunnels of thick synth. Mystery and pyschedlia mix in the semi-idyll of Che's remix, propelled by the gentle thump of a beat, well away from the trap dilution and shaded inflections of the original 'Forgetter'


  • πŸ”” There's actually a free download of Che's weed-soaked remix of 'Forgetter' by Mr Little Jeans, which is nice.
  • πŸ”” And you should check out Shuco by Che, an album he released with Astro Nautico last year. You can listen to it and everything else on Bandcamp.


πŸ“ 
Che Internet Presence ☟
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Mr Little Jeans Internet Presence ☟
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Friday, 14 July 2017

🐣 PHILIP LASSITER — HOPSCOTCH

Interminable groove sails throughout this track, elements layered with beautiful precision, dynamic turning on and off and adding and subtracting to the tapestry of sound. The main thread weaving through here is the trumpet, its brassy peals moving from that ascending-descending refrain that kickstarts the track with a super shuffling rhythm, to smooth crooning and variegated wailing solo blasts that leave trails like the curling smoke of a missile spiralling through the sky. Philip Lassiter commands the trumpet as an augmentation of voice, the trills and warbles and harmonics spilling out in each slapdash-considered lick, the playful groovesome jumping nature of it perhaps defining the title 'Hopscotch'.

Amidst this though there is the bass which carves out a bouncing foundation, guitar zipping with it for extra energy in sharpness and distortion, and paired with the back-and-forth of the beat – its thwacking overdriven kicks and clacking metallic snares and shuffling hi-hats – this provides the rhythm that gives the track its feeling of staccato sway, the impatient itch to move; tremolo keyboards wash over the peaks and troughs of the funk with a rounded chiming sparkle, a soft resounding mist that covers all; a breakdown punctuated with handclaps and sparse piano twinklings. These powerful decorations, the beat, the groove, all serve to frame the brass blares in situ, give it a substantial context, and allows the trumpet to follow tangents and zigzags never too far from the foundations that anchor it to such a simultaneously danceable and chilled bedrock of sound.


  • πŸ”” 'Hopscotch' is one of the tracks to be taken from his recent album, Chill Mode, details of which can be found over here.
  • πŸ”” As a related piece of trivia, it's fun to know that Lassiter "is most recently and widely known for leading an 11-piece horn section for the late Prince, with whom he toured internationally and in the U.S."


πŸ“ 
Philip Lassiter Internet Presence ☟
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Tuesday, 30 May 2017

🐣 DUCK HOUSE — FLAW (CHRIS VERSAS 2K17 REMIX)

'Flaw' by Duck House. It's a nice song isn't it, a hazy portion of slo-house, a track like melting fog, like distilled summer feelings condensing on the inside of your mind. But then imagine this song faster and less melty and your conclusion will come closer to something like this wonderful remix from Hamburg musicmaker Chris Versas, a clear avenue of funky house, a cyclical trail that lets Duck House's original elements add to the summery veil hung over the legible pulse of this dance-destined reworking.

At once it's that bass, reminiscent of the original bassline, its syncopated rhythms, its rounded muted half-sharp flavour, running the show. From here the drums shuffle with pop-out swing replete with metallic hi-hat and tambourine jangle, offbeat handclap snare running along this etching this carving of rhythm. House, the glorious repetitions, the progressive feeling as different parts flow in and out—those sun-soaked vocals, the squeals of guitar, hovering clouds of ambient sound. And from around the 3-minute mark there is a crescendo of synth, a rising up whooshing and soaring into the sky, before the track settles back into its plain but poignant groove.


  • πŸ”” You can find some more remixes by Chris Versas, as well as mixes, at his SoundCloud.


πŸ“ 
Chris Versas Internet Presence ☟
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Duck House Internet Presence ☟
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Thursday, 17 April 2014

VOYAGER – PARSEC

Just to clear things up to begin with, a parsec is "A parsec is an astronomical unit of distance derived by the theoretical annual parallax of one arc second, and is found as the inverse of that measured parallax" (thanks Wikipedia), wherein 1 parsec is equal to 3.08567758 × 10^16 metres – of course. Duh. What else is new?

It's a pretty big distance. Big distance for a big place: SPACE. I wonder if it's longer than a light year… (just looked it up, IT IS). So it's like... just a different measurement. Even in space there's a metric/imperial-style confusion and conflict at work. We never learn.

So anyway, now that that's outta the way we can have a listen to 'Parsec' by VOYAGER, or stylised V O Y A G E R (but it's too much effort to write every time) on his actual SoundCloud, the moniker of musicmaker Paco Santos from Manila. 'Parsec' is a basically a groovesome piece of music that finds its feet in funk as much as it does in the slow sensuality of R&B.

Beginning with a glorious palm-muted guitar intro, suggesting that we will be delving into a wholly funky number, we soon find out that we're in something else entirely, something a bit more intergalactic or spacey, suiting the track's name. This is a soaring morsel, deliciously rich with ever-reverbing piano chords that provide a beautiful blanket of noise on top of which everything else sits quite nicely – below this, the bassline ascends and descends, supporting the slow, R&B-style beat. There's something ultimately chilled about this, laid-back, barely sung vocals echoing amidst the smart synth arpeggios and lead guitar-esque melodies.

It's basically like a cross between a pop song and a vision of what indie music might actually be in the future – without going as far as saying it's outright funk, R&B (not least with the "future-" prefix), chillwave, whatever. Really genuinely beautiful & catchy stuff here.



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