Showing posts with label gangster. Show all posts
Showing posts with label gangster. Show all posts

Tuesday, 17 December 2013

BRETON FORCE OF HABIT EP

Am I being a bit Breton-heavy recently? If you think I am focusing on them too much, then I'm really sorry and I don't know how you'll ever forgive me. If you don't think I'm focusing on them too much, like if you've never read this damn blog before, then don't worry about what I'm saying. I was worried but now I literally don't care. I'm going to write about Breton again and again and again until I'm sick of writing about them and their music loses all meaning to me – now that's dedication, don't you think?

But recently London band Breton have been doing quite a few things so writing about them often is unavoidable, well, it is unavoidable if you happen to like Breton. And you'd be a cynical fool for not allowing yourself to like them. Cause they ARE good. But then again: is everything just an opinion? I'd like to think no – sometimes things just are the way they are, no matter what a certain amount of people think about it. But what am I saying? I'm sorry again. What I mean to say is: prior to the release of their upcoming album War Room Stories, out 3rd February next year, Breton have sneakily dropped an EP titled Force of Habit.

Officially released yesterday, Breton frontman Roman Rappak – who tackled a YES/NO interview the other week – describes the EP as a "16 minute introduction to our love of hiphop, films, guitar music and massive hooks." Including the wildly different but equally brilliant 'Envy' – a tropico-disco indie math medley – and synth-laden 'Got Well Soon', with its nocturnal heft, the EP leads you by the hand through a small but very cool museum of Breton's varied sound.

Minus the strong, hip-hop-inflected beat of 'Sticker Factory', complete with wonderfully industrial sounding cymbal taps, its orchestral arrangements – which come courtesy of a 44-piece orchestra called upon just for this occasion – could work perfectly just by themselves. It's a superbly rich and all-encompassing sound, growing from a street-level tune with a cool bassline and attitudinal vocals into a veritable symphony of drama, the strings soaring into a an emotional and indeed quite filmic climax. This is something that I'd imagine would take over your whole mind if you saw it live; a powerful atmospheric track, this one.

To finish things off, the wholly unorchestral-and-it-knows-it swagger of 'Plot Device' rings with atonal, buzzing synths and dread quakes of bass, all set to no-nonsense hip-hop drums. It is dramatic, not in the same way as 'Sticker Factory' of course, but it plays with the same dynamics that gangster rap employs in its brutal beats that ring with polished sheen. It's an ear-burster and it's glorious.

From indie dance and electropop, to orchestral rock and hip hop, this Force of Habit EP has it all; for a band to be so varied in their sound, and to accomplish these variations with undeniable finesse, is not only rare but wonderfully enjoyable and refreshing. Creativity is often about finding your own "voice" or sticking to a particular style – Breton here, I think, prove that you can "do" any style you want, enter any genre, so long as it is a genuine love of yours (otherwise people would notice that you're trying too hard), and if not add elements of it into your music, then completely embody that genre for the duration of an entire song. You're limited by your tastes and that's all.

I looked around but I don't actually know where you can get this from. Maybe it's just a streaming thing. Yeah it probably is. Unless you illegally obtain music from sites. In which case you're v naughty.



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Wednesday, 12 June 2013

PIU PIU CREEP

I remember TLC songs being on the radio when I was younger. However I didn't quite realise that the TLC song in question, 'Creep', was out in 1994. What? Oh well, I guess that just means I'm super well old. Not that old really. It's just weird that things seem a lot further back in time than I thought they were. omglol right?

Why am I talking about TLC? It is because this song by Piu Piu is not only titled the same, but it is also a tribute to that song (and not the noise-angst-alt-rock of Radiohead's 'Creep'). I guess she quite likes TLC and this TLC song in particular. For those of you wondering, Piu Piu is a singer/songwriter/DJ from Paris who likes emojis and makes a lot of mixtapes. I really like the name Piu Piu. I am not sure if she is singing in this song (I guess so?) because it could be a really clever sample taken from the original song but who knows really. I sure don't.

This song has also been produced by scntst or SCNTST - now I'm not sure - whom I wrote about a few days ago. It doesn't sound anything like his actual music as far as I know but he still produced it. Also, the video was directed by Boston Bun - a Parisian DJ/producer.

It's almost an unsettling sound, this rendition - mainly the first half, because the sound kinda changes at the midway. Firstly it's a sub-bass-kick-heavy gangster vibe with a looping vocal sample and then it's a more chilled hip hop feeling with the vocal refrain from 'Creep' sultry-smooth over the top, complete with funky guitar stabs. Really, it's hip-hop through and through, with a laid-back, sure-shot attitude. The sounds nearly don't mix together, jar almost, but: it sounds right. And that's fine with me.

This song comes from Piu Piu's Nightintale mixtape, out 17th June.

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