Showing posts with label chimes. Show all posts
Showing posts with label chimes. Show all posts

Friday, 15 September 2017

🐣 DUCKY — WHAT U SAY

To find a sort of absolutism for sounds and styles of sounds in the music world today is something of a rare thing. Genres have become so fluid and superfluous a notion that, instead of being rallied around and defining a fanbase, they are treated more like palettes, or moodboards, and can be blended in new ways according the artists' desires. And so it is with musicmaker DUCKY. In particular 'What U Say' is a cocktail of chiptune, VGM, dubstep, pop, footwork, drum and bass, an experimental track, as many tracks that make their way into the pages of yes/no tend to be; gone is the label of 'experimental' as mere code for 'abstract' or 'unlistenable', experimental is vibrant and fresh and very online.

But to say that is to discredit the clear leaning towards, or rather the roots in, rave and specifically dubstep and the combination of sweet upbeatness – euphoria – and hard, noisy, quite dark manifestations that loom in both. 'What U Say' begins something like a track from SNES racer Top Gear, triumphal synths blaring overdriven abrasive, pulsing bass bobbling with excitement. It builds, handclaps taking us to the apex from where we plummet into grinding squelching synth and a punchy thudding beat. Vocodered vocals skip like a robotic sirensong. A small bridge where marimba-like chimes resound darkly amidst warm crackles and ominous tides of sub-bass gloop. And at breakneck speed: rapid kicks take us back into the chaos of neon bubblegum high-end melodies and scraping searing synth that storms with the beat.

Delicately, that chiming once more in earshot, DUCKY's track ends. And you realise, despite the squalling dubstep sounds at work, despite the familiar rhythms, it is alive with freshness, with emotivity, illustrating chaos and calm like an electronic symphony.




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Monday, 29 February 2016

ANCHORSONG – ORIENTAL SUITE

I heard this playing during a wander around on a blue sky day with the sun shining in Harajuku outside Beams Records and I was drawn into the shop and I stood there drinking up the music not really looking at any of the CDs just kind of pretend-browsing. To hear it outside a siren song with its bells and chimes blown about by the early afternoon breeze and to be drenched in its subby sound inside the shop... it's a tasty treat for the ears, a cyclical journey of a track, walking a circuit trail through a sun-dappled grove.

It is 'Oriental Suite' and it is by Anchorsong (named after Björk's 'The Anchor Song'? maybe), a musicmaker whose real name is Masaaki Yoshida, a Tokyo person now living in London. Reading up about it now, Beams Records were playing his music because they had an advance sale of the album Ceremonial, and I happened to be there a day before the album's release party (28/1), so that's that.

The track is built on a shaker-sprinkled shuffling of a beat, in a slowed-down-garage-flavoured rhythm but wooden and organic, like it is made of felled logs and fistfuls of earth and tangled wires of ivy – you also get this feeling with the clop-clopping marimba sounds hollow and rustic later on in the song. Samples drop in and out of the track, vocal snippets of cut-up conversation and longer drawn-out singing voices like chanting.

It begins thin and almost minimalist, mystical reverbing chimes giving you a hint of what lies ahead, it ending up a bustling whirl of delicious percussion and vocal samples, that shaking beat with hi-hats zinging to help the frenzy of sounds along, underpinned with rumbling undulating sub-bass that makes the shuffling groove robust and... so like moss-covered walls constant under the wash of pines and murmur of people and animals; do you not feel teleported elsewhere?




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