Showing posts with label SAUVAGE. Show all posts
Showing posts with label SAUVAGE. Show all posts

Monday, 10 November 2014

SAUVAGE – MARÉE NOIRE

I first wrote about these guys a while ago, finding the beat and vocal harmonies and, well, everything about their track 'Camel' quite difficult to not become addicted to. They're from Paris and they're French and they're called SAUVAGE and this track is called 'Marée Noire' which is an epithet (literally means "black tide") for an oil spill in French.

This one is quite different to what I've heard before; it rings with juddering electro energy, bass jouncing along with the rollicking beat joining it, electric chords jolting across the galloping path of the rhythm. This is at least how it sounds in the first half. But a middle section announces the arrival of a fresh-rain-against-a-window gentle drum pattern, the entry point for the vocals, too, which almost whisper in this quiet section.

The track's second half is all groove, a contrast to the first half; synth chords seem full of feeling zap into life – which seem to breath heavily at the end – the bass holds court with its simple groovesome rhythm accented with octave-skipping notes, the vocal melody is not over-highlighted and smoothly sails across the crashing, raging waves as electric arpeggios sparkle like twinkling stars in the eventual crescendo of the track. All that's left is the kinetic beat.



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Thursday, 18 April 2013

SAUVAGE CAMEL

Oooh this is a nice surprise. Never did I know that there was this Parisian band called SAUVAGE, and even more so did I not know they had produced this wonderful song called 'Camel'. Well, the fact is that there is a band called such a name who made such a song and it is wonderful.

The moody tribal-type drums are what characterise this track both as something late night utterly underground and gloriously urbanely anthemic at the same time. For me the anthem comes from this thing that is currently making me have a small fit in my chair, and that's the refrain of "Giving it up for the Friday night..." - anyone who's ever had a 9-to-5 Monday-Friday job can relate to this, and that is pretty much... well, not everyone, but a large chunk of people worldwide.

There is undeniable atmosphere in this song. It plays with the dynamic of rough and smooth, in the near-whispering vocals and the blashy bongo hits, in the delicate string-like sounds and the deep bass that underpins everything. Why it's called 'Camel' - who knows. All I know is that it sounds damn darn good yo. Listen up:

Yeah the song is 9 months old, according to SoundCloud, but what do I care? Not much of a jot. Maybe I care like 5%. What I care more about is how good the song sounds. At the start of the last third of this song, for instance, it's all a huge build-up of jostling synth and organ sounds crashing around together, fading into that same sultry smooth vocal refrain that could easily cause an addiction to this song, no matter where you're from.

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