Showing posts with label Olympia. Show all posts
Showing posts with label Olympia. Show all posts

Sunday, 30 April 2017

🐣 OLYMPÍA — FRUST

The sentiment of this one is loneliness, distance, the soft heart of this song left out in the cold. There is something in the way the guitar calls out, virtually tempo rubato, out of time with the sharp beat—it appears grieving and sorrowful, lapsing on rhythm and sounding more expressive as a result, natural in its mournful ache. This is the emotive centrepiece of 'Frust' (like 'frustration' + 'frost'?) by Manila musicmaker Olympía; these soaring solo guitar snippets could well work against their synthetic counterparts in the track but in fact exhibit raw feeling juxtaposed against the smooth, glitching electronics.

Whilst the echoing guitar tells its emotive tale, an intricate bed of beats spreads out, with rapid-fire thumping kicks, ticking hi-hats, delayed snare clusters and a stark click that reverbs into the downcast gloom of the frosty track. Plaintive synth chords clonk percussively muted and warm: a smooth foundation for the shards of bristling beat, the squirling needles of the guitar. Wordless vocals from Olympía add to this sense of softness. But conversely the spectre of glitch, abrasive and disruptive, pockmarks the tranquil sadness of 'Frust', preying on its chill sense of regretful acceptance – blurry at 00:31, crackling mechanical from 00:43, occasional throughout – peace disturbed by the disquiet provoked in the mind by overflowing emotions that attach one human being to another.


  • 🔔 You can find Olympía's own back catalogue of music on her SoundCloud, alongside songs she's featured on with fellow Manila artists like aries and crwn.


📠
Olympía Internet Presence ☟
facebooksoundcloudinstagram


Saturday, 4 May 2013

AUSTRA HOME [VIDEO] // BEAT AND THE PULSE

When I heard the first few bars of this song I wasn't quite sure what was going to happen. I have to admit I hadn't heard of Austra before, so I had literally no idea what expect.

In 'Home', we're graced with singer Katie Stelmatis's vocals which are controlled-yet-teetering-on-the-verge-of-tears, suiting the lyrics, "You know that it hurts me when you don't come home at night". What's most evident in the song is how it turns from a potentially regular piano-driven Marina and the Diamonds kind of affair, into one that seems to be aping house music more than anything else.

And it's great: not too hectic, refrains cut up and placed like samples in strategic locales of the song, nice voice, good beat, catchy melodies, interest during the last half of the song with ethnic-style sounds. This is definitely something that I could get on board with.

Have a listen below. The video, whilst I'm not sure exactly how it relates to the song (am I stupid?) at all, is interesting too.

Then I saw that the band had released a video on YouTube even more recently than this one. But it actually turns out it's an old video for a song called 'Beat and the Pulse' from their first album - Feel It Break (2011) - edited because of nudity or whatever. Naturally, I found the original video. It's weird. See for yourself. Webbed hands an that.

But the music. This is a much more electro-fuelled song, with bulging synths and ghostly vocals that float over the top of the pounding drums. The song title definitely has it right, there's both beat and pulse in the vibe of this one. There is, however, a more basic sound to it that new song 'Home' has definitely dusted away and tuned up for a more interesting and multi-faceted sound that suits what they seem (at least) to be aiming for stylistically with their dream-like realist electro-pop. Nice!

'Home' comes from upcoming album Olympia, out 17th June on Domino.

- - - - - - - - - - - - - - - - - - - -
Like Austra on Facebook
Visit Austra official site
Follow Austra on Twitter
Watch Austra on YouTube
Learn about Austra on Wikipedia