Showing posts with label Filipina. Show all posts
Showing posts with label Filipina. Show all posts

Sunday, 30 April 2017

🐣 OLYMPÍA — FRUST

The sentiment of this one is loneliness, distance, the soft heart of this song left out in the cold. There is something in the way the guitar calls out, virtually tempo rubato, out of time with the sharp beat—it appears grieving and sorrowful, lapsing on rhythm and sounding more expressive as a result, natural in its mournful ache. This is the emotive centrepiece of 'Frust' (like 'frustration' + 'frost'?) by Manila musicmaker Olympía; these soaring solo guitar snippets could well work against their synthetic counterparts in the track but in fact exhibit raw feeling juxtaposed against the smooth, glitching electronics.

Whilst the echoing guitar tells its emotive tale, an intricate bed of beats spreads out, with rapid-fire thumping kicks, ticking hi-hats, delayed snare clusters and a stark click that reverbs into the downcast gloom of the frosty track. Plaintive synth chords clonk percussively muted and warm: a smooth foundation for the shards of bristling beat, the squirling needles of the guitar. Wordless vocals from Olympía add to this sense of softness. But conversely the spectre of glitch, abrasive and disruptive, pockmarks the tranquil sadness of 'Frust', preying on its chill sense of regretful acceptance – blurry at 00:31, crackling mechanical from 00:43, occasional throughout – peace disturbed by the disquiet provoked in the mind by overflowing emotions that attach one human being to another.


  • 🔔 You can find Olympía's own back catalogue of music on her SoundCloud, alongside songs she's featured on with fellow Manila artists like aries and crwn.


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Tuesday, 25 April 2017

🐣 PAOLA MAURICIO — CONSENT TO THIS

Arriving from Manila today is this solemn march of a track, this synth-heavy lament of longing, 'Consent To This'. Twinkling from its sombre and wholehearted beginnings, a moody VGM-flavoured intro with synth leads that lance into the distance, the song builds into loftier emotive heights where fizzing chords swell over the tumbling overdriven kicks and clacking snare hits, firework ornamentation with shivering metallics, the voice of Paolo Mauricio vaulting up into the ether and gliding on this dreamy bed of sound.

Those vocals drift throughout, slow, earnest, carrying their silky lilt over the various decorations to the beat – the additions and subtractions of hi-hats, the fluttering high pitch synth like blinking stars, the smooth flutey sounds in the last especially bristling chorus, the energised drum fill at 02:58, aaaah, the whole thing – over all of this exceptional soundscape swaying slo-mo and sleepy. All the elements come together perfectly, Mauricio's voice weaving through the aching bumps of the beat and the sultry swathes of synth draped over them, a beautiful sculpture.




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