Showing posts with label Electric Guitar. Show all posts
Showing posts with label Electric Guitar. Show all posts

Thursday, 30 November 2017

🐣 ХЬЁРДИС — РАЗРУШЕНИЕ

The satisfying snowbreeze from the underworld, this calming wave of white noise that is so abrasive and scratching at your ear canal and like the ghost of a chainsaw somersaulting through the sky, a downpour from tungsten grey clouds soaked in distortion. That is the crux of this track by Russo-Ukrainian duo Dmitry Gruber and Marianna Diakova aka Хьёрдис (Hjördis), the shoegaze wall of crushed wavelengths that rifles through the track at all times. Called 'Разрушение' (meaning destruction or demolition) it's a song whose lyrics, sung in contrasting plaintiveness by Diakova, read simply in translation: "I want to destroy / Everything I see / Everything I feel / Is nothing."

Speaking to yes/no via email, Gruber told us that the track is "mostly about feeling, when you're calm, dreamy but very destructive at the same time." And at the heart of this song is that explosive gale of a guitar sound that feels as though it could strip cement from the metal bones of a building, and propelling it there is this driving energetic beat with popping kicks and snares, yet there is this golden guitar chord all liquid and chorused and with this brilliant rippling sheen to it, and there are these sunny vocals, innocent and fresh like clear sky after rain. It is exactly that balance: dreamy but destructive. "Some kind of ambivalence," Gruber clarifies. And you feel it, this infectious nothingness, how it would be to crush a derelict building with one thumb vs. imagine flying without a care. Similar feelings.




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Monday, 10 December 2012

KAVINSKY PROTOVISION [VIDEO]

Kavinsky - otherwise known as the real world person Vincent Belorgey - is back with a new album due out early 2013: Outrun. This, 'Protovision', is the first official single from that album - 'Odd Look', a snippet of which we covered a few weeks ago, has actually not been released yet. But, all these technicalities and names aside, I'm just glad to hear that he's back. It seems that a lot of people are giving him a pretty hard time for "pulling a DRIVE" in the video below, but if you've followed Kavinsky for a while, you will see that Kavinsky is itself a creation by Vincent: both the music and the eponymous character form part of the atmosphere that goes with the whole package that is Kavinsky.

Whether or not you like or can even get on board with a conceptual idea like that is besides the point (no matter how cool or not cool you think it is): the point is the music. And as far as the music that comes from the mind of this guy goes, it remains an exciting, dynamic sound that doesn't pull any punches and that remains almost as it has been since the release of his first EP Teddy Boy in 2006.

So in 'Protovision' we are treated to an epically wailing guitar, which is the main star of the 3-minute-long thumper of a track. In typical Kavinsky style we hear a super strong beat that thuds along beneath a grim, fuzzy wave of synth bassline - a showcase of 80s-car-chase-inspired sounds that display and illustrate as much excitement as inspires them in the first place. The only change that has been made to the sound since previous tracks is perhaps a larger dash of wide and epic, cinematic atmosphere that has managed to have been captured within the glowering synth of 'Protovision', yet still it is the small touches that make the most differences sometimes.

Detractors might say that Kavinsky is always the same - if you don't like that sound, then lack of change is bound to annoy you. Personally, I think this sound is one that Vincent Belorgey should tenaciously cling onto and hold close because it's one that, like a loveable or memorable character, people will not tire of hearing.

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