Showing posts with label Beacon. Show all posts
Showing posts with label Beacon. Show all posts

Friday, 31 October 2014

DEAREST – BEACON

On the surface, from the start at least, this track by California ("the deserts east of Los Angeles") band DEAREST could seem just like a "regular", but still v v good, indie track – the guitars speak with a delicate honesty, the vocals stream out with soft aching (I mean, just check out (0:45) the sweetly poignant way in which singer, Tessa Bolsover, poses the question, "Do you still have dreams / of endless highways?"), a drum machine patters its pattern in the background. Everything seems normal.

But just under halfway, a portal opens up. You step through. 'Beacon' receives a simple bassline and some gentle noise plays a cosmic solo, sounds like a theremin. Vocals arrive in pitch-shifted layers, "ahh ahh ahhhh…", thin cymbals like white noise rain pour down, the beat feels bigger, kicks more pronounced…

So yes, you get the picture: this is anything but regular. Electronic precision with its clinical cosmos-conjuring vibe is paired with the raw, stark reality of live instruments, and as you heard even the vocals do not go unaltered, themselves pulled like a yielding star into the enveloping black hole of the electronics' manipulation. It is simultaneously cold and comforting, sharp and soft – long dead and perpetually haunting, but desperately alive at the same time.



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Saturday, 18 May 2013

BEACON DRIVE

This is a song called 'Drive' from a Brooklyn, New York-based duo who go by the name of BEACON (aka Thomas Mullarney III and Jacob Gossett). It comes from their latest album The Ways We Separate out now on Ghostly International.

I was pretty much drawn to this track as soon as it started. It's a rigid bassline that grows and grows until it colonises your ears and rests in there, leaving you static for the remainder of the song. Nice. And that's how it begins. From there on in we are treated to soft synth that almost glitters over the top, high and low sounds tumbling together to create an abrupt melody that creeps up on you from all angles all at once.

Not only that, but we have breathy vocals singing lovely lyrics, like the refrain, "I've found someone to carry me home". The sound seems to inhabit the very air itself - a really great atmosphere. Add to these reverb and echo and you have this gigantic yet thin vibe on the voice, kind of like dry ice spreading at a school disco but better and with lasers cutting through it, a blazing white spotlight picking out the trails of it whilst everything else is muffled pitch blackness. That's what I get from this. What do you get?

There's something really nice about hearing that dubstep rhythm without hearing that now dreadfully typical 'dubstep' sound. In actuality, I don't think this has the BPM to be officially termed dubstep or whatever, but it is a slowed-down beat that gives it a late-at-night-no-one's-around reflective-chill kind of mood. It's not too strong, sounding even tender at times with soft snares that are like dropping a balloon filled with rice from a not-very-great height. Like it.

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