Showing posts with label Alone. Show all posts
Showing posts with label Alone. Show all posts

Monday, 29 January 2018

🐣 CRAPFACE — ALONE

https://soundcloud.com/markredito/better-off-alone-alice-deejay To hear this modern classic in such a new vessel is like the spirit of a pharaoh oozing inside a brand new Maserati, escaping the dust of death, transferral from one set of wrappings to another. Whilst Alice Deejay's original 'Better Off Alone' was in itself a major earworm of the late '90s, it was a Eurodance sensation of the time and was tempered with the trappings and tropes of the genre. It has been given a new lease of life in 'Alone' by Crapface, an homage to a track for which a certain segment of the online music community is eternally grateful; we're talking things like nightcore, PC Music and its peripheries.

The plaintive, haunting vocal melody of the original is played in on intricate medley of tuned percussion and synths in Crapface's version, replete with sound effects and irregular beats, wildly juxtaposing against the pogosticking dance of the original with a focus on space and texture, the clinking-clomping chimes sounding stark, monumental, lonely against a voidsome backdrop. These are then twisted and warped on a bed of booming bass before the "talk to me…" section rolls in, which is more of a direct successor to the original than the rest of the track. It is an exercise in celebrating a classic without being a straight cover, or a remix. Instead it has been painstakingly transposed, the essence of the original encased in crystal in a continuation of cultural preservation.


  • πŸ”” This was released courtesy of label, collective and brand, Palettes.


πŸ“ 
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Saturday, 25 May 2013

IKEBANA ALONE [VIDEO]

Flau Records, based in Tokyo, seems to have been putting out some very nice music recently. There's a decent list of artists versed in many things from folk pop to experimental electronica - for instance, Twigs & Yarn, whom I wrote about on Thursday. And yesterday, from the same wonderful label, came 'Alone' by IKEBANA.

Touted as a kind of ambient shoegaze, IKEBANA is a female duo from Japan made up of Maki and En - both have musical backgrounds, though it feels as though the both of them won't be moving onto anything different anytime soon; it seems that they enjoy very much the music that they are currently making together. How can I tell? Well judging from this song, I think if anyone can play such simplistic music with such feeling it says something about how much they're getting into it.

It's a very easy song to get lost in. With all the minimalism and beauty of its namesake (ikebana = η”Ÿγ‘θŠ± = "living flowers" or simply "flower arranging") it sparkles in a very understated way. Try for yourselves.

The first thing I noticed about this song was its opening chord: it's exactly the same as the chord that opens 'Suedehead' by Morrissey - whether that was a conscious thing or not, I dunno; it's still a very nice chord anyway.

Speaking of the guitar chords, they are the main base to this song, always played in the same pattern yet not moving around too drastically, giving a sense of droning, almost like organ music transcribed for the guitar. The voice, softly singing over the chords, is pure-sounding, with just a little echo dabbed onto its tail-end. A simple guitar melody is pinged just after each chorus (the lyrics to which run, "Go away / alone / ooo, ooo / run away / alone / ooo, ooo" - simple and sung so prettily), the same each time, wonderfully effective and uses the space between each note to allow the sound to breathe and resonate organically. Nice.

After the last chorus the guitar chords are set to flanger, slowly warping like water going down a plug hole as the song fades away with the solo guitar still making its delicate sounds over the top, like a dreamy boat on an electrolyte sea. I nearly got swept away when I first listened to this with my eyes closed. It's spacey and shoegazey, that's for sure.

Anyway, it's from new album when you arrive there set for release 8th July - on Flau, of course.
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