Friday, 16 January 2026

MIDORI JAEGER — EXASPERATE

'Exasperate' feels like a heist. It's the way cellist midori jaeger plays her instrument in a syncopated dance of pizzicato swirl, body-popping its way through a what might as well be a tangle of red lasers and tip-toeing through shadows. It's fitting, given that jaeger says the song is centred on the "overpowering urge to break away from old patterns, to so desperately want the new at any cost, but to feel overwhelming regret for things lost." It makes sense that we have this sense of minimal noir jazz, like a break-in, except this is a break-out — from the old and what no longer serves, but to what, and at what cost?

"I’ll leave this door wide open / To remember how you filled my days, oh but now / I want something unfamiliar, unpredictable" she sings, amidst a lyrical labyrinth delivered in jaeger's cool tones and tumbling vocal style.

On a broadly jazz-inflected canvas, the London-based composer paints a bristling blend of organic and artifial, with icy reverb on her woody cello lines and understated synth gently blooping alongside intricate clattering percussion (provided by co-producer Felix Higginbottom). It feels earthy yet augmented, an idiosyncracy that more or less reflects the song's raison d'etre: restlessness, the desire and constant push for newness. Though sonically harmonious, this cocktail of living instruments and the synthetic figuratively creates the tension inherent in an unnatural pairing, a desperation like a tree wanting to uproot and sprint off into the sunset.


  • πŸ”” 'Exasperate' is taken from (Un)planted (due out 9th March), the result of ten days of recording in Lisbon. It's the first in a pair of upcoming EPs by midori jaeger.
  • πŸ”” Another track has already been released from the EP, namely 'dark green' — gentler and warmer than 'exasperate', but with a similar minimalism and that same characteristic stamp of living-and-breathing crossed with buttons-and-waveforms.
  • πŸ”” The EP's confessional cover art (as seen above) is the work of Glasgow-based photographer Inigo Blake.

πŸ“ 
midori jaeger socials and such ☟
bandcampofficial siteinstagram


Thursday, 15 January 2026

SAVNKO — WHYUFALLIN

Italian producer savnko delivers a high-octane treat with 'whyufallin', a breakcore number that mixes the symphonic heights of Balearic-leaning dance music with the murk and crunch of various lofi-infused '-core' offshoots. The beat scampers and soars alternately, intricate yet destructed, providing the jet fuel that underpins the rising synths and glimmering syncopated chord stabs, the pitched vocals like rare polygonal birdsong. And, despite the variegated textures and vitality of the track, there's conscious attention to a minimal soundscape here.

Ultimately, and if the title is anything to go by, in this track the Milan-based producer illustrates troubled flight and hindered movement — the desire to ascend or push forward while weighed down by futility, fear, anything that anchors us. 'Why are you falling? What is holding you back?' Or to put it another way: it's the last lap on Rainbow Road and you're in 11th but still you push on to the finish.


  • πŸ”” 'whyufallin' by savnko is taken from his BIGTHINGS EP, which you can listen to via spotify or apple music if you like.
  • πŸ”” You also might like to check out savnko's previous work, such as his notgood@sports EP for Milan label 51beats, where he exhibits a decidedly more analogue approach and aesthetic.

πŸ“ 
savnko Internet Presence ☟
instagram