Saturday, 31 July 2021

MAGNETIC VINES — MAGNETIC VINES


⌾ LISTEN TO MAGNETIC VINES BY MAGNETIC VINES ⌾

Billing itself as “a soundtrack for tending rooftop gardens by moonlight”, Magnetic Vines’ eponymous release is a selection of essentially relaxing soundscapes. Many of the tracks have evocative titles; for example, there’s ‘Vines and Old Concrete’, ‘Night Bloom’ and ‘Quiet Old Shipwreck’, all of which feature age-warped acoustic guitar, plucked as if from a bygone time and space entirely.

Particularly interesting are the pieces forming the second half of the album; four tracks titled ‘Cyanotype’ and four named ‘Constellation’, ordered by key like an etude or a prelude. While the later Constellations are expansive and magnetic, the Cyanotypes — named after the blue-hued photographic printing process — are melancholic, inward looking, and range from space-filled and poignant (‘Cyanotype in G# minor’) to starkly ambient (‘Cyanotype in Eb minor’), with a warm nocturne in the form of the finale in C major.

Overall, the tones and textures of its Mediterranean-flavoured guitars, crooning brass, cradling harmonicas and subtle synthwork are perfectly paired with album’s core value: imagination. Magnetic Vines in its entirety is a wash of soft clarity, like holding an old book in your hands for the first time, or as its concept suggests, tending to the new sprouting leaves on familiar shrubs — all bathed in moonlight, of course.



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Friday, 30 July 2021

FIVEIGHTHIRTEEN — SOME QUESTIONS ARE ANSWERS


Pulsing to the velcro snap of hip-hop infused drums, yawning ambient synths roar at the base of fiveighthirteen’s ‘some questions are answers’. But being the chimeric track it is, there’s more to it than that. It’s a mix of sensitive drones and legible grooves, an urgent, infiltrative bassline, a shuffling math rock spirit, with an indefinable synth melody played in soft, mythic sweeps.

The bass becomes distorted, rampaging in a steady gallop in the track’s most propulsive parts, with officious vocal samples (reminiscent of Public Service Broadcasting) topping it off like a psychedelic trip through archival ruins centuries from now.


  • 🔔 'some questions are answers' is taken from fiveighthirteen's upcoming album a fever of rays due out on 13th August.

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EMMA JOHNSON'S GRAVY BOAT — SUN STONES

Emma Johnson's Gravy Boat — Worry Not

⌾ LISTEN TO SUN STONES BY EMMA JOHNSON'S GRAVY BOAT ⌾

If there was ever a fitting title for an album, Worry Not is one. You can thank jazz outfit Emma Johnson’s Gravy Boat for that. It’s on this collection of tracks is where you’ll find ‘Sun Stones’, a joyful piece that flits between boundless energy amid ozone skies, and the drugged, tender haze of an afternoon alcoholic beverage.

Angular, minimalist riffs persist in a storm of skittering drums, while Emma Johnson, the Leeds-based bandleader and saxophonist, brings a wakeful dreaminess to proceedings, swaddled in waves of piano like scudding clouds. Bubblingly bookended by clusters of kinetic ostinato, and with this floating core of calm, ‘Sun Stones’ feels like a reflective yet escapist soundtrack for these times.


  • 🔔 'Sun Stones' is taken from Worry Not, the debut album from jazz quintent Emma Johnson's Gravy Boat. You may purchase it or just steam it over on Bandcamp.

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Saturday, 5 June 2021

ÆGIR — LOOK AT PRETTY THINGS


To hear something from Iceland that isn’t solely gently electronic or obviously introspective is a huge gulp of fresh air. ‘Look At Pretty Things’ begins with a mesmeric fumble through tracts of bubbling synth, an oscillating hot tub of thick relaxation, but this serves to lull your ears into a state of malleability.

For Icelandic musicmaker Ægir, clearly this is the ideal ground on which plant his bumper crop of barrelling breakbeats. These come into earshot like a mob of metallic beetles — the snarling snap of snares slapping the air while the kick drum thunders and quakes.

Ægir’s background as a hardcore drummer gives the percussion a living-and-breathing feel; the sense of direction in the beat, despite its speed, is expertly crafted. Overall, ‘Look At Pretty Things’ is a cross between an alien abduction and a sweaty basement gig: weird, but 100% worth it.



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Wednesday, 2 June 2021

ÜUCE — GURU-GURU’S WINDMILL WALTZ


Capturing the melancholic mood in which Erik Satie’s Gnossiennes are mired (particularly recalling Gnossienne No. 1), American musicmaker ÜUCE has reworked the Song of Storms — aka the Windmill Hut theme — from Legend of Zelda: Ocarina of Time (and Majora’s Mask).

ÜUCE expands on the original, accenting it with shivering sweeps of the keyboard, adding clinking percussion, straining strings and a foundation of mythic drone. The original is synonymous with Guru-Guru, a character from both games, whose sudden angry face must be etched in the minds of all who saw it; accordingly, the fragile atmosphere of ‘Guru-Guru’s Windmill Waltz’ pries open the polygons and takes a look inside the fraught mind of this unhinged character.



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