Showing posts with label minimalistic. Show all posts
Showing posts with label minimalistic. Show all posts

Wednesday, 23 September 2020

GALTIER — DANCING ON RUINS

⌾ LISTEN TO GALTIER, DANCING ON RUINS ⌾

What begins as a dark take on the Hazy Maze Cave theme from Super Mario 64 — which certainly had its own set of subterranean-flavoured rapid-fire drums — soon proves itself to be much more than a tumble of pugilistic percussion. In fact, this is more like the rave going on in the level's underground lake that Mario must have missed.

Any imagined similarities aside, 'Dancing On Ruins' is a frenzied beast of its own. Syncopated snares crack, punching their own time over a cavalcade of kicks, glossy razor cymbals splashing a liquid sharpness to the thud and gravel of the track. A bass wanders in, wooden and clackety.

It's around the halfway mark that UK producer Galtier seems to have summoned whatever was sleeping beneath the ruins themselves, plasma synths oozing their miasma onto the scene, ever more agitated robust sounds diving bombing the air like a swarm of steam-powered bees.

'Dancing On Ruins' is the sound of whirling over giant boulders and half-standing buildings, unearthing ancient technology and long-buried treasures. Its simplicity, space between sounds, and textures make for a terrifying storm of drama and dance.



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Wednesday, 2 October 2013

RYV HWUT EP [FREE DOWNLOAD]

To the uninitiated, the title of this post could seem like a bit of a mess or a mistake or both: a messy mistake. But never fear, it is actually not a mistake. This is the hwut EP by American producer RYV (also known as real-life-person Charlie Abbott). If you're wondering, though, what "hwut" means exactly, then all you need to do is cast your mind to King Of The Hill cause Hank Hill says "hwut" all the time. Alternatively, Urban Dictionary can tell you a lil' bit. As for RYV, I dunno, could be the Czechoslovakian for 'jerk' (rate of change of acceleration) in physics.

But let's move on. Enough of this - who am I to speculate? Let's listenate to this music. I'm sorry. Anyway, I found it the other day thanks to Spazzkid, who in some way, shape or form, knows Mr RYV. One listen was enough for the music to convey its quality, which is generally a good thing is it not? Like, why should you have to listen to it a zillion times to decide whether it's good or not? A short-but-longwinded-story shorter: three nice songs.

The atmosphere overall seems to grow wider, expanding into seemingly unexplored territories, the vibe more lonely and spacey as we venture further from where we are sitting to the outer reaches of hwut. From the cool coldness of the intergalactic flute synth chords and mechanical hotch-potch of percussion on the spacey opener 'Yaspring' (with some awesomely integral vocal samples and crackling lead synth stabs), we move onto the floating glitchness of 'Yuhhh' with its heavily reverbing xylophonic cloud, sounding by the end as though we are drifting off somewhere, into the nether-hwut.

'Betweentimes' starts with a shock, a dissonant sweep of a harp, to let us know that the journey through hwut is almost at an end. It is brimming with an uneasy atmosphere, poised as if ready to explode into something different yet remaining tensely on-guard the whole time. Organic-sounding perhaps-double bass supports the thin, abrasive chords with a dark and moody slo-jazz flavour; electric crackles pierce through (it actually sounds like he's sampled an electric attack from Pokémon?) as thin strands of a beat click their way through the song. Cut-up vocal samples form a cutesy yet unnerving melody.

This is a sometimes mindbending journey through tasty sounds and an increasingly alien atmosphere - delicious and flavoursome. And it's a free download courtesy of LA art/music collective & independent record label, Stereocure. All three songs. I know right? Cool.

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